Pro Techniques

“Magic hour is a time that I always strive for and work around,” observes Memphis-based architectural photographer Jeffrey Jacobs (www.jeffreyjacobsphoto.com). “I arrive at the location before sunset (or before sunrise, as the situation warrants). After 10am, depending on the time of year, the usable light is pretty...

He figured he'd be one of the last of the holdouts. "When the whole digital revolution started, I thought I'd be the last guy to be shooting digital," David Alan Harvey says. Then along came an offer he didn't want to refuse. "Nikon was working on an ad campaign for their D100, and they asked me if I'd go down to Mexico and shoot with the...

"None of my sample albums have family formal shots. I intentionally leave them out because they're not what I specialize in."

"A lot of it comes down to your client's expectations before the wedding," Mike Colon says of his relationship to the bride and groom. "You have to talk about what they're really expecting, what...

"I built my name and reputation on safety and doing things legally, with permission."

Location is everything, and Peter B. Kaplan built his career on getting to places others couldn't...or wouldn't. Although there are images taken from blimps, balloons, and helicopters, the majority of his photographs are taken from rooftops, scaffolds, antenna...

"With the alternative processes, you can see someone's hand at work. It's a very personal way of creating a photograph."

Most of us are finding more of everything thanks to digital imaging technology, but for some photographers, the essentials are getting scarce. Jill Enfield, for example, for whom it's not a question of cameras--she uses...

The difference is not always skill. Success as a pro shooter takes talent, but, as Rosanne Pennella says, "there are many excellent photographers who cannot make a name for themselves because they cannot figure out how to market themselves and project mastery of their careers."

Eleven years ago Rosanne was an attorney whose first love was not the law.

“I don’t have a favorite location. I just like the challenge of where I go and what I’m presented with on any given assignment,” advertising photographer Brian Bailey declares. One assignment lasting 10 days took Bailey to the Galapagos Islands, for a sunglasses company. But many assignments involve anything but sun-drenched conditions. In fact, the road to this point was a rocky one—of sorts…