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There's a famous line from the otherwise forgettable movie "The Godfather: Part III." It's the scene where Al Pacino, playing an aging Michael Corleone (in bad prosthetics and make-up), laments that he can't seem to get out of the family Mafia business and live the straight life. "Just when I thought I was out . . . they pull me back in," he says angrily.

One of the few things we didn’t try in our in our recent review of Sony’s small and sophisticated A6500 mirrorless camera was to try shooting with a cheap 500mm f/8 preset lens and a 2x teleconverter. But that’s exactly what photographer Christopher Burress did in the video below, and his results are pretty interesting.

Life would be so much easier if there was one “best” way to shoot various types of images. Unfortunately there’s not, because photography is a subjective art. That said you will increase your odds of creating winning landscape photos if you follow the advice outlined below.

If you geek out (like we do) over the technology tools that power our digital photography habit, you will fanatically Jones over OWC. In the sleepy little town of Woodstock, IL a wide awake company called Other World Computing offers just about everything a photographer, computer maven, Apple fan or Mac freak could ever want.

Do you fully understand the difference between the Saturation and Vibrance tools that are common to most image-editing programs? Many photographers use both when processing images, and while they are quite similar, there are also important differences.

These days photographers have to be somewhat conversant with the law, and most shooters who publish their work make it a point to know their obligations with regard to the rights of their models, copyright regulations and the like. But what about YOUR rights as a photographer?