Canon’s EOS 7D; Full HD Video In An 18MP D-SLR

The new EOS 7D fills a gap in Canon’s D-SLR line-up that never existed before, fitting somewhere between the EOS 5D Mark II and EOS 50D; it also goes head-to-head with the Nikon 300S I tested for the January 2010 issue of Shutterbug.

Mon, 03/01/2010

Speedlights & Speedlites; Creative Flash Photography At Lightspeed Page 2

“The difficult chore of lighting has been made easier using speedlights. Speedlights have the capability of being used wirelessly, automatically, and without additional accessories.

Mon, 03/01/2010

Speedlights & Speedlites; Creative Flash Photography At Lightspeed

“The difficult chore of lighting has been made easier using speedlights. Speedlights have the capability of being used wirelessly, automatically, and without additional accessories.

Mon, 03/01/2010

Covering The Photo Beat; Tripods, Monopods, And A Fisheye Lens

Pro-Optic’s Affordable Fisheye
Pro-Optic has announced the 8mm Pro-Optic Fish-Eye lens, featuring a breakthrough in optical design for the first affordable fisheye lens designed for D-SLRs that have APS-sized sensors. Most fisheye lenses are designed for cameras with 35mm-sized sensors and when placed on an APS sensor, the edges of the image are cut off. Not so...

Mon, 03/01/2010

Auto FX Software’s Mystical Tint Tone And Color 2.0; Lots Of Filters For Enhancement And Drama Page 2

Whether you shoot people, products, or landscapes and nature, Mystical Tint Tone and Color 2.0 offers a cornucopia of 60 filters to add subtle to striking effects to enliven and enrich your photos.

Mon, 03/01/2010

Auto FX Software’s Mystical Tint Tone And Color 2.0; Lots Of Filters For Enhancement And Drama

Whether you shoot people, products, or landscapes and nature, Mystical Tint Tone and Color 2.0 offers a cornucopia of 60 filters to add subtle to striking effects to enliven and enrich your photos.

Mon, 03/01/2010

Picture This!
“Photograph It Now, Next Time Through It Might Be Gone!” Page 2

Our Picture This! assignment this month asked readers to submit images made of objects that most likely would not be around next time they passed by. Readers sent in images of falling-down barns, commercial signs, and trucks quietly rusting away in fields. To paraphrase Walker Evans, photographers should shoot with history in mind, and with many of these objects the only evidence of their...

Mon, 03/01/2010

Picture This!
“Photograph It Now, Next Time Through It Might Be Gone!”

Our Picture This! assignment this month asked readers to submit images made of objects that most likely would not be around next time they passed by. Readers sent in images of falling-down barns, commercial signs, and trucks quietly rusting away in fields. To paraphrase Walker Evans, photographers should shoot with history in mind, and with many of these objects the only evidence of their...

Mon, 03/01/2010

ACDSee Pro 3; Managing Your Workflow Page 2

For the pro photographer, there are two possible scenarios in managing a photographic workflow. One is the scattershot method, the second approach features a clear organizational method.

Mon, 03/01/2010

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ACDSee Pro 3; Managing Your Workflow

For the pro photographer, there are two possible scenarios in managing a photographic workflow. One is the scattershot method, the second approach features a clear organizational method.

Mon, 03/01/2010

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