LATEST ADDITIONS

Jay Abend  |  Feb 01, 2004  |  0 comments

Long, fast, good lenses are expensive. They're also worth it. Whether you shoot sports, live performances, wildlife, people, or just need to reach out into the distance for that perfect shot, a really good telephoto lens is a must.

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Lynne Eodice  |  Feb 01, 2004  |  1 comments

All Photos by Paul Elson

 

My images happened to be in the right place at the right time," says Paul Elson, a photographer who was invited to China by the Ministry of Cultural Affairs to lecture in Beijing after their delegates saw his work displayed in New York's SoHo...

Lynne Eodice  |  Feb 01, 2004  |  1 comments

Whether you're the proud owner of some hot new wheels, or enjoy shooting pictures at car shows, there are a few tips to keep in mind which will make your photography easier and more fun.

 

It's important to keep your camera angle in mind when...

Shutterbug Staff  |  Feb 01, 2004  |  0 comments

Picture This!

Picture This! - Our Next Assignment

Super Wide
When you photograph with 35mm lenses, including and wider than 24mm, you are in super-wide...

Lynne Eodice  |  Feb 01, 2004  |  0 comments

All photos © Lou Manna

 

New York-based food photographer Lou Manna discusses shooting trends: "The old style of photographing food involved lots of props, edge-to-edge sharpness, dramatic, shadowy light and was shot from a high angle. On the other hand, today's...

Robert E. Mayer  |  Feb 01, 2004  |  0 comments

Cokin Offers New Round Glass Filters
Cokin, long known as a maker of hundreds of different versions of square and rectangular acrylic filters, now offers several round filters made of glass for the US market. They are a UV-0 and circular polarizer. Round filters...

Jack Hollingsworth  |  Feb 01, 2004  |  0 comments

"How's it goin'?" a writer friend asked me recently. "Busy," I said. "That's great," he said. We talked some more, and what I ended up telling him was that one of the reasons things were going well and I was staying busy was that in addition...

Monte Zucker  |  Feb 01, 2004  |  0 comments

It used to be that you bought black and white film, exposed it, took it into the darkroom and spent days upon days selecting the right paper, developer, time, and temperature. Not anymore...at least, not for me! I'm shooting with my Canon EOS 10D and EOS-1Ds cameras and changing color...

Roger W. Hicks  |  Feb 01, 2004  |  0 comments

Maco is not a name that is particularly familiar to most zphotographers--and those who do know the name are inclined to say "great products, shame about the documentation." Examples of the shortcomings of the latter are easy to find. For example, the same film-developer...

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