Videos

Last week we discussed the basics of depth of field, a key concept enabling you to capture better images. Today we’ll explore the topic further, through the eyes of an experienced pro.

Some photographers dread editing images, while others enjoy sitting behind a computer enhancing their work. Whichever camp you fall into, this tutorial will speed up the process and help you achieve superior results.

One of the things beginning portrait photographers often have difficulty with is getting their subjects to pose for photographs in a way that shows them in their best light. This is the very essence of portrait photography and posing can really make or break an image.

It may not seem like it, given the horrendous winter weather that swept across the country last week, but the onset of spring is barely a month away. And the new season brings with it a variety of interesting opportunities for macro and close-up photography.

An ultra-wide-angle lens would seem to be a fun tool to use for landscape photography, but it comes with some inherent problems that are hard to avoid, explains landscape pro Mark Denney in the below video. When Denney switched last year from a Sony full frame camera system to a Fujifilm crop sensor camera, he ended up buying a Fujifilm 8-16mm lens, which is the equivalent to a 12-24mm lens.

A few weeks ago, boudoir photographer Michael Sasser and swimwear photographer Anita Sadowska explained the differences between their two specialties in a wildly popular video we shared on Shutterbug. Now the photographers have switched roles in the below video with Sasser also shooting swimwear and Sadowska trying her hand at boudoir as well.

Lens Filters were more commonly used back when everyone shot film, perhaps because some digital photographers are imbued with the notion that “You can always fix it in Photoshop.” And that’s a shame because putting a filter on your lens is an easy way to “get it right in the camera,” rather than resorting to post-processing enhancements.