Photoshop How To

Sometimes you come across a great scene, apart from the fact that two or more objects in the frame are too close together for an ideal composition. In some situations it’s possible to rectify the problem by changing your vantage point, but if that’s not possible there’s a quick editing fix.

It’s unfortunate so many photographer overlook color theory. That’s because whether you’re a beginner or an experienced pro, even a rudimentary understanding of this concept can make a huge difference in your images. Moreover, a bit of knowledge about how colors work together will change how you go about the image-editing process.

Everyone strives for maximum detail in photographs, which is why we always recommend investing in premium glass. But if you’re on a budget, and stuck with basic lenses, there are several post-processing techniques you can try.

Experienced wildlife photographers know that the power of an image often depends upon how an animal’s eyes are rendered. Out-of-focus dull eyes can really spoil an otherwise great shot, while overly brightened, sharpened eyes make the subject appear unnatural and crazy.

Something interesting happens when it comes to using our photo gear. On the one hand, most photographers calmly and eagerly familiarize themselves with everything their camera can do. But when it’s time to learn even the most basic flash techniques, fear often sets in.

Whether you’re attempting to photograph the Milky Way, or simply trying to capture a sparkling nighttime sky over your backyard, astrophotography can be intimidating. And once you’ve captured a few shots, editing the images may also seem like a daunting task.

What, what? If you’re confused by the headline above, admittedly so was I. One of the first things many of us do when opening Photoshop is use the Levels tool to make quick, basic adjustments to exposure. But according to a very trusted source, you should never, ever use Levels. If that sound like blasphemy, read on.