Mirrorless Camera Reviews

The Lumix GH5 is the new flagship camera of Panasonic’s Micro Four Thirds lineup and the much-anticipated follow-up to the GH4 from 2014. The Panasonic GH5 features a new 20MP sensor that doesn’t use a low-pass filter; it also has a new image processor, dubbed “Venus Engine.”

While it might seem unusual that a camera can be both mirrorless and have a medium format size sensor, that’s exactly what Fujifilm has created with their new GFX 50S. The 51.4MP CMOS sensor size is 43.8x32.9mm, 1.7x the size of the sensor in a full-frame DSLR; the body is decidedly mirrorless, lacking a pentaprism finder and replacing it with an EVF and a tiltable rear LCD. 

In this day and age of cross-type AF sensors and AF tracking in high-speed shooting modes, a rangefinder-focusing camera might well seem an anomaly, if not a downright anachronism. Indeed, manual focusing has in large part become vestigial among photographers and their ability to focus without AF has atrophied.

I recently had the chance to take the new Olympus OM-D E-M1 Mark II along with my regular full-frame Nikon system to Alaska and the Yukon on an outdoor shoot. Rather than test charts and pixel peeping, I focused on the real-world usability of Olympus’ new flagship mirrorless camera and its ability to get the job done as compared with a large and heavy DSLR system. 

The sd Quattro H is Sigma’s second mirrorless camera based on a Foveon sensor that uses lenses with an SA mount. Compared to the first sd Quattro, which was introduced in summer 2016, the new camera offers a larger sensor, a more rugged yet still compact DSLR-style camera build, and a host of new features.

When the invitation arrived to join Sony and a group of editors and writers in Austin, Texas, for a couple days of shooting with the new A6500 APS-C mirrorless camera, my response was swift and unequivocal: “When do I leave?” Austin is a fun town known for superb cuisine, great music, friendly folks, and an abundance of shooting opportunities, and I’ve been eager to get my hands on the compact powerhouse A6500 ever since it was announced last October.

Leica is going back to the future (again) with its newest digital rangefinder, the full frame, 24-megapixel M10. With this new model, which is the follow-up to the Leica M (Typ 240), Leica has trimmed the size of the M10, making it 4mm (1/8-inch) thinner than its predecessor. Part of that size reduction is due to the fact that Leica has gotten rid of the 1080p HD movie capture mode that was available on the previous model.