Jack Neubart

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Jack Neubart Posted: Nov 01, 2009 0 comments

Shooting professionally since the 1970s, San Diego-based Marshall Harrington (www.marshallharrington.com) has employed various processes and techniques, film and digital, that give him a competitive edge. In my book, Location Lighting Solutions (Amphoto), Harrington described his work as “visual semiotics,” explaining...

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Jack Neubart Posted: Jul 01, 2008 0 comments

Just as we view flare as non-image-forming light that detracts from a photograph, we can think of digital noise as non-image-forming picture elements (pixels) that detract from a digital image. We tend to look at digital noise as a nuisance, like bats in the attic. And we want to be rid of the problems as quickly and painlessly as possible while doing the least amount of damage.

Jack Neubart Posted: May 22, 2015 0 comments

Light is a precious commodity in close-up and macro photography. The closer you get to your subject, the more light you lose through lens extension. Move to within inches of the subject and your camera or body may block the existing daylight. Also, the closer you get, the more depth of field you lose, so it would help to stop down. All of this translates to a need for additional light—in other words, a supplementary light source. What’s more, when shooting live critters and wind-blown plants, we may also need that light source to freeze subject movement, or at least provide shutter speeds that are fast enough to contain movement. To meet these needs, I’ve often turned to a macro ringflash and, alternatively, a macro twin flash. An economical alternative is an LED ringlight.

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Jack Neubart Posted: Mar 01, 2006 0 comments

It wasn't too long ago that Nickel Cadmium (NiCd) technology was all the rage in rechargeable batteries--until someone discovered that the heavy metals are an environmental nightmare. As a result, many companies switched over to Nickel Metal Hydride (Ni-MH), or Nickel Hydride for short (NiHy), which is arguably more environmentally friendly. NiCd battery systems are...

Jack Neubart Posted: Aug 29, 2011 Published: Jul 01, 2011 0 comments

Many of us use the speedlight’s built-in kicker panel to add catchlights to the eyes and thereby give the subject a more animated look. Regrettably, this built-in device plays a marginal role in filling in shadows. So we turn to much larger, more functional bounce panels, and although they offer distinct advantages, these third-party panels may not be as flexible as we’d like. Enter Rogue FlashBenders from ExpoImaging (www.expoimaging.com). These panels quite literally lend a unique twist to speedlight photography.

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Jack Neubart Posted: Aug 16, 2013 1 comments

There are two types of fisheye: circular and diagonal. The Rokinon 8mm f/3.5 Aspherical Fisheye Lens is of the diagonal type, delivering a rectangular image with cropped-sensor lenses. The lens I worked with is designed for the Nikon DX (APS-C/cropped) sensor. The APS-C version provides a 180-degree field of view. Other versions are available for other “cropped-sensor” interchangeable-lens cameras, including Micro Four Thirds. My tests were conducted using the Nikon D300.

Jack Neubart Posted: Aug 01, 2009 0 comments

Sometimes you need something other than a backpack or shoulder bag for your camera gear, and that leads us to the rolling camera case.

Jack Neubart Posted: Dec 13, 2012 3 comments

For those who travel far and wide there’s nothing to beat the convenience and comfort of a roller camera case. With a roller in tow, instead of a heavy pack on your back or a bag hanging off your shoulder, you’re likely to arrive feeling less fatigued. In this roundup we’ll take a look at a good sampling of roller bags that are especially constructed for photographers.

Jack Neubart Posted: Jan 01, 2005 0 comments

My friend's 3-year-old opened her beauty shop in her parents' home. First mommy and daddy got their makeup and manicures. Then it was my turn. But who was going to take the pictures? Well, I put the camera in her dad's hands--first time he'd seen it, let alone operate this digital camera. I knew him to be a good photographer, but also knew that untried...

Jack Neubart Posted: Apr 17, 2015 0 comments

I’ve worked with mirrorless cameras in the past, but never found them quite up to the task. After unpacking the new Samsung NX1 ($1,499, body only) and 16-50mm f/2-2.8 S ED OIS lens ($1,299) and taking a closer look at the two, I thought, this could be the deal changer. I might finally be ready to trade in my digital SLRs for a mirrorless interchangeable lens camera.

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