Jack Neubart

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Jack Neubart Posted: Oct 01, 2009 0 comments

When you need the power and versatility of a studio strobe for location shooting and environmental portraiture but don’t want to schlep around a large, heavy studio system, you can turn to a portable lighting kit.

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Jack Neubart Posted: Jun 01, 2003 0 comments

Power And Performance

I literally got a charge out of seeing the plethora of chargers and both reusable and primary batteries at PMA this year. (By the way, when you see the word "primary," it's the politically correct term for "throwaway.")...

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Jack Neubart Posted: Jun 01, 2005 0 comments

Where would our digital cameras be without batteries? And with the 2005 PMA Show coinciding with the Daytona 500, is it any wonder that speed was at the heart of battery technologies this year? The big push in rechargeable Nickel Metal Hydride (Ni-MH) battery technology focused on fast chargers, especially those with 15-minute charge cycles and faster, along with higher and...

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Jack Neubart Posted: Sep 10, 2012 Published: Aug 01, 2012 5 comments
Erik Almas is truly passionate about his photography and will go to great heights to shoot a picture—literally. He and his camera have gone mountain climbing, skydiving, and flying in microlight aircraft. That said, most of his images are shot on terra firma.

Beyond that, he will spend upward of $10,000 on a personal project to create images he strongly believes in for his portfolio. The project may involve travel with a crew and hired talent and renting gear where needed. He does not believe in limiting himself or his creative vision, and his clients appreciate that.

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Jack Neubart Posted: May 01, 2009 0 comments

“I’ve always loved cars,” Charles Hopkins proclaims. “Besides, who wouldn’t like having access to the latest vehicles before anyone else has even heard about them?” It was when he arrived in Los Angeles that Hopkins took that passion one step further. He’d joined up with photographers who specialized in automotive photography and honed his skills. He went...

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Jack Neubart Posted: Feb 01, 2010 0 comments

“Magic hour is a time that I always strive for and work around,” observes Memphis-based architectural photographer Jeffrey Jacobs (www.jeffreyjacobsphoto.com). “I arrive at the location before sunset (or before sunrise, as the situation warrants). After 10am, depending on the time of year, the usable light is pretty...

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Jack Neubart Posted: Aug 01, 2010 0 comments

Tony Arrasmith is a master at creating composite images.

His attention to detail is what draws clients to his Cincinnati studio. A long-time ASMP member, he operates Arrasmith & Associates (www.tonyarrasmith.com) in partnership with Sarah O’Dell, who manages the studio and coordinates projects. The studio has...

Jack Neubart Posted: Jul 08, 2014 Published: Jun 01, 2014 0 comments

“I don’t have a favorite location. I just like the challenge of where I go and what I’m presented with on any given assignment,” advertising photographer Brian Bailey declares. One assignment lasting 10 days took Bailey to the Galapagos Islands, for a sunglasses company. But many assignments involve anything but sun-drenched conditions. In fact, the road to this point was a rocky one—of sorts…

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Jack Neubart Posted: Mar 17, 2014 Published: Feb 01, 2014 0 comments
You can’t simply walk into an Operating Room (OR) and insinuate yourself into the scene. There are rules, there are boundaries. Greg Shapps knows them well. Still, he manages to produce telling images that convey the client’s message without blatantly advertising any product or service. The methodology involves a complete 180 from the way he approaches his small product photography, where the message is unmistakably to buy a specific product. His healthcare imagery is nuanced, often depicting healthcare givers and receivers alike. Specific products are not necessarily the focus. It’s more about what a product, service, or institution can do for the individual.
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Jack Neubart Posted: Jul 18, 2011 Published: Jun 01, 2011 2 comments
Chicago-based food photographer Jeff Kauck (www.jeffkauckphotography.com) developed his artistic eye through years of training as a watercolorist. While attending Central Academy of Commercial Art, in Cincinnati, where he also studied advertising, “I picked up my father’s camera—a twin-lens Rolleiflex—and really enjoyed playing with it. And to help support myself through art school, I did a lot of color printing for a wedding photographer.” But he soon realized that his time and talent were better spent on photography than painting. And Cincinnati proved to be the perfect location for a start-up food studio, since it was the home of Procter & Gamble, which became his first client, and a major one at that. But a larger market—Chicago—beckoned to him after 18 years, so he made the move and hasn’t looked back.

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