George Schaub

Overexposure has always been the bane of photographers, be they the film or digital variety. If using negative film, moderate overexposure could be easily handled when printing. But overexpose a slide film and colors, details, and especially bright areas would become washed out, with subsequent...

By now Shutterbug readers know that we call cameras with integral (non-interchangeable) lenses digicams. This is not meant as denigration but as differentiation from digital SLRs. And usually, due in part to the volume of models and in main because of their sameness, we usually hold off on any type of digicam review, feeling readers will not be that interested in more than a...

I have a bunch of prints on the walls and desktops of my studio, and I almost can't believe my eyes. For years I have been stubbornly teaching that image resolution (in pixel dimensions) and physical print size were in lock step, and even scoffed at a camera maker for claiming that their 5-megapixel digicam could produce 20x24 prints. Make a good 13x19 from anything less...

Photographers have always been fascinated by super wide angle focal lengths. This focal length range, including 20mm, expands peripheral vision beyond the scope of human vision, and does so with a potential depth of field that makes...