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Filed under
Posted: Aug 28, 2007 0 comments

The lens is what we are currently calling a "dual-platform" optic,
offering full coverage for 35mm cameras and full-frame D-SLRs, and of course
whatever multiplication factor your sensor imposes on the focal length in your
D-SLR. Included is an HSM (motor) which in all cases was silent and swift throughout...

Filed under
Posted: Oct 30, 2007 0 comments

November
2007

On
the Cover


This month take your images to the next level with a multitude of hot pro tips
and new pro gear reviews. Our special report on the pros and cons of pixel packing
answerswhet...

Filed under
Posted: May 26, 2009 0 comments

Commentary

Spring Cleaning: Some News Flashes from the Past

by George Schaub

The rush of events in the past few years has left us all fairly breathless, what with the pace of change wrought by digital. As product trumps product, and new operating systems and formats rush to grab our attention, older systems and gearquick...

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George Schaub Posted: Aug 29, 2006 0 comments

...


All Photos
© 2006, George Schaub, All Rights Reserved

Filed under
Posted: Jan 29, 2008 0 comments

Commentary

by George Schaub

A Look Ahead in Shutterbug

Each month we do our best to bring you a wide variety of articles and test reports
on the latest gear, technology and creative techniques. I thought I'd
take this space to let you in on what's coming in the months head in the
magazine.Incl...

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George Schaub Posted: Feb 15, 2005 0 comments

Handcolorists have been doing it for years. They began with a black and white
image and using photo oils, chiefly from the Marshall Company (distributed by
BKA Group) added selective color or entirely covered a monochrome image with
color. This was often practiced with portraits, but began to find followers
in the "fine arts" arena as well. We've seen this so-called
mixed-media trend come and go, and I don't think hand-coloring will ever
go out of style. Digital has opened up many new doors for creativity, and because
you can manipulate images with ease it allows you to emulate any look, style
or technique that you might admire. In this lesson we'll take a look at
"colorizing" an image and mixing color with black and white.

...

Filed under
Posted: Dec 01, 2006 1 comments

December
2006

On the
Cover


What's on the photo horizon? The answers as posed by our writers may surprise
you. Aside from looking into the future, we show you how to prevent and cure
dust problemsw...

Filed under
Posted: Apr 29, 2008 0 comments

Photo Industry Supports Everest Climb

By Ron Leach

At a time when world attention is directed toward the turmoil involving China,
Tibet and the upcoming Olympics, it's nice to see some positive news emanating
from Nepal--especially when it involves the photo industry in support of
an effort to raise awareness andmone...

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Posted: Aug 31, 2010 0 comments

Industry Perspective

Making People See the Way Music Sounds

by Ron Leach

Two of my passions are photography and jazz, so I was doubly saddened by the recent passing of Herman Leonard who was responsible for many of the iconic images of Louis Armstrong, Miles Davis, Duke Ellington, Billie Holiday and other jazz greats.

...

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Posted: Nov 24, 2009 0 comments

Exposure Basics I

George Schaub

“Exposure” is shorthand for the delicate balance of the light sensitivity of the recording material (in our case the camera’s CCD or CMOS sensor with picture sites, known as pixels) with the amount of light in the scene. There are two parts of a camera system that control the amount of lightcomin...

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Jack Warren Posted: Mar 01, 2005 0 comments

Henry Diltz is a photographer who made his living first as musician with Modern
Folk Quartet (MFQ), then as a trusted friend and photographer of many successful
groups from that time forward. The Lovin Spoon Full, The Mama's and Papa's,
Crosby Stills and Nash, The Doors and many more. He bought his first camera
a Kodak "Pony", while on tour with his group. They had a photo shoot
out with slide film and when they got home they shared them with each other
in a slide show. That was enough to hook Henry on photography forever.



Photos © Henry Diltz, All Rights Reserved

...

Filed under
Posted: Feb 27, 2007 0 comments

Tamron Announces "Make You Mark" Photo Contest For Tamron
Lens Users




Now here's your chance to really make your mark as a photographer. Take a picture
of a natural or manmade landmark from anywhere on the four corners of the globe
and submit it to Tamron's 2007 Photo Contest: "Make Your Mark: Photographing
Natural orManm...

Filed under
Posted: Aug 26, 2008 0 comments

Lens Tech Update



Is This the World's Longest Range Zoom?

by George Schaub

Not
so far back photographers were leery of zoom lenses that exceeded a 3x focal
length ratio; in other words, say you started at 70mm, then a 210mm outer range
would be considered "safe." (Indeed even further backphotograph...

Filed under
Posted: Dec 28, 2010 0 comments

The Mysteries Of Long Exposure

Expand Your Image Imagination

by Art Rosch

The human eye sees light in the moment. Film or sensors accumulate light through an entire exposure, as if it were a memory. Photons continue making impressions wherever they land on the sensor or film. Moving objects leave a distended,
time-lapse...

Filed under
Posted: Mar 30, 2010 1 comments

Macro Vs. Macro Zoom

Know The Difference

by Jon Sienkiewicz

Every hobby has its own language, and photography is no different. It can take a while to learn all of the unintuitive abbreviations, unnatural acronyms, and shifting definitions. The term “shifting definition” refers to words like“automatic&rdq...

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