Most photographers dream of accomplishing two things in the publishing world: The first is having their work featured in a national publication such as Shutterbug, National Geographic, or maybe Playboy and the second is showcasing theirph...
Aviation photography is on the rise, literally and figuratively. There are many reasons for this, from the ease and small expense of getting involved to the excitement and subject matter. I think it’s also because it’s a way we can all get in touch with our own history.
Filing the frame with the critter isn’t required for great wildlife photography. Reflecting on how I first slanted my wildlife photography in this direction, it has its roots in the first lens I had to shoot wildlife. I started with a Vivitar 400mm f/5.6 on an old Minolta that was soon replaced with a Nikon 400mm f/5.6 on an F2. That 400mm was my main lens for a long time and it taught me lessons about wildlife photography that I still depend on to this day.
On The Cover
This month’s issue focuses on lighting, with reports on gear, techniques, and a comprehensive roundup on the wide variety of lighting equipment available to photographers today. We also have a lab report on the exciting Fujifilm X-Pro1 and special book excerpts from two of the leading lighting/software practitioners today, Kevin Kubota and Scott Kelby. Please note that with this issue our Workshop and Events listings have gone online at www.shutterbug.com.
On The Cover
This month’s issue focuses on new lighting gear and lighting tests. We look at a range of lights, including the new wave LEDs, and light modifiers, plus new products in on-camera flash. We also have a test of the premium Sony RX1, plus welcome a new columnist, Blaine Harrington, who will be covering the travel beat.
On The Cover As you can tell from our unique cover image taken by pro Don Dixon (see more of his work on page 52), this month we’re diving headlong into the creative options made possible by a range of image-processing tools, from plug-ins to graphics tablets. In addition, we have tests on the latest D-SLRs fromCano...
On The Cover Software upgrades happen as regular as clockwork these days, leaving many a photographer to wonder if the upgrades are really worthwhile. That said, this month we explore what’s new with the latest versions of Adobe’s Photoshop and Apple’s Aperture. We also provide our picks for laptops, soyo...
On The Cover
This month we are bringing you the latest image processing software updates. We are also updating you on new memory card technology as both speed and capacity are on the rise. In addition, we have a report on Ilford’s new black-and-white (silver) paper, plus lighting reports on Photoflex’s StarFire Kits and Interfit’s Super Cool-lite 455. Finally, reader Dj Boyd photographed our cover shot of a yoga session. We received her photo in response to our Picture This! assignment “From Above.” To view more readers’ submissions, see page 12.
As recently as 18 months ago, a built-in image stabilizer was a rarity in digital
cameras. It was available only in a couple of Panasonic models and one Konica
Minolta DiMAGE camera. Today, an increasing number of digicams -- from four
manufacturers -- employ some form of camera shake compensating device. And there's
even a digital SLR with a built-in Anti-Shake mechanism, the Maxxum 7D. We expect
this trend to continue with other manufacturers jumping on the bandwagon. "Sounds
great if you're into high-tech gizmos," you may be thinking, "but
is this feature really necessary?"
Photographing subjects with outrageous combinations of colors is a lot of fun. As great as complementary colors are, and as pleasing as subtlety and mood are, there’s nothing quite like color combinations that virtually knock your eyeballs out of their sockets! Combinations like orange and lime green, deep purple and red, and orange and magenta are extremely potent in drawing attention. Sometimes these juxtapositions of color are found in nature (surprisingly enough) but often they can only be found in man-made objects. One of the reasons I love photographing festivals is because the costuming is frequently shocking and outlandish.
One of the more interesting projects I’ve explored in photography is shooting birefringent crystals. Birefringence is the splitting of a light ray by a crystal into two components that are at different velocities and are polarized at right angles to each other. What this means in terms of photography is that when light passes through the crystals, you can see rainbow colors in the unique and beautiful forms that make up the crystal.
If you are one of the many subscribers to the Shutterbug Storefront program,
you've learned that photography doesn't have to be a career to be
profitable. If you are unfamiliar with this program, a quick visit to www.shu...
On a clear, moonless night, far away from the glow of city lights, the universe opens up above me. Pinpricked with ancient points of light, the night is breathtaking. Lying on the ground and looking up at the sky on clear nights, it’s obvious that the universe is three dimensional. I’ve had moments of vertigo. I’ve had moments of awe. Our galaxy sweeps away in the bright clear arc of the Milky Way, so beautiful and complicated and ancient and unlikely that it makes my heart race. The sky is unforgettable.