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Newsletter
Chuck Gloman Apr 26, 2011 0 comments

Lighting portrait subjects with different hair and skin color can be a challenge, especially when you are using a dark background. With a little time spent adjusting the color temperature and placement of your lights, you won’t have to rely on color correcting the images later. No lighting challenge is too extreme if you break it down into a few simple steps. Do you want hair lighter or darker; do you want to complement or contrast the skin tone; and what is the overall “look” you desire—warm or cold? By answering these questions, you will be able to determine which color temperature of light you need to create the mood for the image. Again, don’t just set the camera on auto white balance. Set your daylight or tungsten balance lights accordingly and manually adjust the camera’s color temperature—you’ll be glad you did.

Newsletter
Jim Zuckerman Nov 16, 2011 0 comments
One of the ways to draw attention to a subject is to find—or set up—brightly colored objects in an environment of a muted or earth-toned background. The eye is immediately drawn to color, and this is a poignant way to make a powerful and dynamic visual statement.
Newsletter
May 26, 2009 0 comments

Commentary

Spring Cleaning: Some News Flashes from the Past

by George Schaub

The rush of events in the past few years has left us all fairly breathless, what with the pace of change wrought by digital. As product trumps product, and new operating systems and formats rush to grab our attention, older systems and gearquick...

Newsletter, Pro Techniques
Moose Peterson Jun 13, 2013 0 comments
Some of the best photography is in the worst weather!” I’ve been saying that for decades and it comes from coming in from the cold, soaking wet and thrilled to death with the images I captured. The drama in the light, clouds and the response to it by nature is a once-in-a-lifetime spectacle you just can’t duplicate. In order to see it and photograph it, you have to get out in it and be able to work. And that’s where the challenge lies.
Newsletter
Howard Millard May 31, 2011 9 comments

In this article I’ll show you how to add dramatic movement to your images, as well as rich color and strong graphic design to create a striking impression. This is a trick you can do in Photoshop CS2, CS3, CS4 and CS5.

Newsletter
Jim Zuckerman Dec 15, 2011 0 comments
Shooting in a studio intimidates a lot of photographers, but the truth is it’s not hard at all. There are a few basic lighting configurations to learn, and with the immediate feedback from the LCD monitor on the back of the camera, you can see immediately if you have the lighting, the pose, and the expression you want. In addition, you don’t need a huge space and it’s not necessary to spend thousands of dollars on lighting equipment. You can even set up a mini-studio with a $10 photoflood and a background with a white wall or a piece of black fabric.
Newsletter
Oct 30, 2007 0 comments

Sundance Photographic Workshop students aiming for great shots at the
Cowboy Poetry Gathering and Buckaroo Fair




Students at the November 8-12 Sundance Photographic Workshop will have a unique
opportunity to capture performers backstage at the 2007 Cowboy Poetry Gathering
and Buckaroo Fair in Heber City, Utah. The popular event--billed...

Newsletter
Jul 27, 2010 0 comments

Super High Contrast And “Tripod-Less” HDR

High-Speed Brackets

by George Schaub

HDR stands for “High Dynamic Range”, which means that there are times when one exposure can not possibly capture the very wide range of light values in a scene. The eye compensates for high contrast by opening andclosing...

Newsletter
Stan Trzoniec Oct 18, 2012 0 comments

In all my years of shooting in the field, I have yet to meet a photographer who did not like the look, isolation qualities or the sharpness modern telephoto lenses offer.

When it comes to possibilities, they seem endless. Wildlife is at the top of the list for many, perhaps to focus in on that bright cardinal outside your window or to record that special wolf pack in Yellowstone. Whatever your subject, a long telephoto will bring it in closer, sharper and with more detail than you’ve ever experienced before. Buying a telephoto lens might mean spending as much or more than the camera in your hands right now, so knowing what to get, and what it will get you, is an important part of making any purchasing decision. With that in mind, here’s a number of frequently asked questions on the subject of telephotos.

Newsletter
Jun 29, 2010 1 comments

Super Wides

Exaggerated Points Of View

by Jim Zuckerman

If you like straight, unaltered images and you diligently try to capture what you see with your eyes, super wide angle lenses are not for you. At the very least the images will give you a headache. However, if you like thinking outside the box (and sometimes outside...

Newsletter
Mar 31, 2009 0 comments

Industry Perspective

Surge in Online Photofinishing

By Ron Leach

According to a recent report released by InfoTrends, online photofinishing revenues in the U.S. will surpass $1.5 billion by 2012—more than doubling since 2007. The largest growth category is expected to be custom photo gifts and merchandisew...

Newsletter
Apr 01, 2007 0 comments

April 2007

On
the Cover


Big news this month on the digital camera front: The Nikon D40 has broken the
$600 barrier and a Leica legacy goes digital! To learn more about the Nikon
D40 and the Leica M8 besur...

Newsletter
Aug 07, 2007 0 comments

September
2007

On
the Cover


This month we reveal the real lowdown on inkjet paper--what you need to
know as a printmaker, but probably never asked. We also have a range of Test
Reports to meetyou...

Newsletter
Jack Neubart Nov 17, 2012 0 comments
Tabletop photography can be a small product or it may be a fantasy world in miniature. It can be used to make flattering images of things you want to sell online, as a way to catalog a collection you own or as a photographic exercise for a rainy day.
Newsletter
Feb 27, 2007 0 comments

Tamron Announces "Make You Mark" Photo Contest For Tamron
Lens Users




Now here's your chance to really make your mark as a photographer. Take a picture
of a natural or manmade landmark from anywhere on the four corners of the globe
and submit it to Tamron's 2007 Photo Contest: "Make Your Mark: Photographing
Natural orManm...