Editor's Notes
Sort By: Post Date | Title | Publish Date
Editor's Notes
George Schaub Feb 01, 2010 0 comments
There are profound changes occurring on the exposure side of photography that will cause many of us to rethink how we read, and even approach light. As you know, contrast has always been the problem, one more or less attacked with the Zone System (exposure and development to place tonal values) and even slight overexposure of color negative film, where dye clouds rather than silver could be...
Editor's Notes
George Schaub May 01, 2005 Published: May 20, 2005 0 comments

My favorite book when I was a kid was the atlas. I would plan elaborate journeys through mountainous regions, follow the shipping news in The New York Times, and ogle the fascinating people and places in Life magazine while waiting for a haircut at the local barbershop. For me, getting there was the point and being there was the reward. I started my travel habit with bicycle trips...

Editor's Notes
George Schaub Nov 01, 2005 0 comments

Now that the Shutterbug Forums have been online for the last six months I can honestly say that they have been a success. We tried various topics and categories (and we're always open to your suggestions) and have honed them down to what we consider essential areas of interest. The feeling of success comes not so much from our creating the Forums but in how you, the readers...

Editor's Notes
George Schaub Dec 04, 2013 Published: Nov 01, 2013 0 comments
This month’s issue delves into the art and craft of outdoor and nature photography, as well as covers some of the kit that could help you on your way. And given that we are heading into the colder seasons, we thought it would be apt to include a sled full of articles on dealing with working and traveling in the cooler regions. We also have some gear reviews and roundups that are apt, including Jack Neubart’s look at custom straps and harnesses that allow for hands-free and freely accessible carrying solutions. And to top it off, we are very happy to offer an excerpt from Art Wolfe’s latest book, The New Art of Photographing Nature. It always pleases us to have a master on board.
Editor's Notes
George Schaub May 01, 2007 0 comments

Travel photography today has its difficulties, what with security lines and restrictions at airports and the concern some security personnel seem to have, perhaps rightfully so, of people with a camera in their hands. Photographers need be aware of the various restrictions and rules that are in place at the airports, available at

Editor's Notes
George Schaub Oct 31, 2013 Published: Oct 01, 2013 0 comments
While we cover our fair share of gear we always keep in mind what all that gear is for—producing images that speak to your vision and your desire to express your view of the world. In this issue we do just that by introducing you to a number of photographers who have taken those tools and techniques and created a group of images that focus on an important aspect of their view of the world. Tied in with those projects is a dedication to the craft and its practice, which is what often makes their images unique and noteworthy.
Editor's Notes
George Schaub Mar 01, 2008 0 comments

Gone are the days when we might be discussing the merits of stock vs. dilution ratios for film processing and the uses of potassium ferricyanide for snapping up highlights on prints. While these are still items of interest for those working in the chemical darkroom, the talk these days is more about raw image converters and which plug-ins are optimum for gaining a "Velvia...

Editor's Notes
George Schaub Mar 01, 2010 0 comments

In this issue we explore the myriad options for organizing, processing, and creating new visions from your digital image files. As with many things photographic, digital processing often stirs debate about the “purity” of the image, about what is real and what is “fake” when you begin to alter the image information. Indeed, some film photographers dismiss the entire...

Editor's Notes
George Schaub Jun 13, 2013 Published: May 01, 2013 0 comments
When images are composed of codes and “addresses” they are open to all sorts of interpretations. Unlike film, where the image characteristics were, if you will, boiled into the emulsion, digital images are ultimately malleable and occasional capricious things. Major capture indiscretions aside, you can do what you please with an image. Want red balloons rather than blue? A few deft touches can change the entire party mood. Want your grass greener? Just slide that slider and you’ll have a lawn to make any suburbanite proud. Want to have zebras on the moon gamboling with unicorns in an idyllic wood? Gather the elements and composite them accordingly.
Editor's Notes
George Schaub Mar 01, 2007 0 comments

A few years back when all these digital doings got started I was chatting with some photographers about how having images as information would affect our work. At one point in the discussion we started to joke about how the next generation of software would give us an instant Van Gogh, or emulate a Sunday painter's watercolor, or even create pen and ink drawings from any...

Editor's Notes
George Schaub Oct 01, 2010 0 comments

Those who have labored long and hard to create a many-layered workflow may find a certain sense of exasperation when confronting the latest software that’s come and is coming down the pike. If it’s ease of use you are after, and a certain push-button path to myriad results, much of the new crop is just for you. Yes, you have to know where you’re going, but more and more that...

Editor's Notes
George Schaub Sep 01, 2006 0 comments

We recently had another scare about black and white printing papers and supplies, what with the recent rumor that Ilford would be closing shop in the US and Canada. It was just that--a rumor, based on the fact that a consumer electronics distribution firm would now be handling the distribution of their fine line of papers. And, we have been assured that a knowledgeable tech...

Editor's Notes
George Schaub May 01, 2008 0 comments

While we at the magazine tend to get caught up in the exciting news about new products and technology, we also keep our eye out for topics we believe are of interest to photographers today. You might call these guiding lights that we will follow in the months and years ahead. We feel we owe it to you to occasionally state those topics explicitly, so you know where we are coming...

Editor's Notes
George Schaub Nov 01, 2008 0 comments

As this issue goes to press we’re off to photokina in Cologne, Germany, for the one show that always rocks the photo world. Held every two years, photokina is where just about every manufacturer in the industry from around the world gathers to show their wares, and their future tech, so that’s where we’ll be. Shutterbug is sending a team of reporters to cover every aspect of the...

Editor's Notes
George Schaub Apr 24, 2012 Published: Mar 01, 2012 0 comments
While parts of the nation are blessed with warm or let’s say tolerable weather during these winter months there are many more areas in which we inhabitants spend the short days thinking about the springtime to come. For photographers who earn all or part of their keep with their camera some of the planning has to be preparing for what is hoped will be a busy season—the myriad social events that photographers are paid to document, including weddings, graduations and concomitant senior portraits, Easter and First Communions, and whatever social and familial events that come along. Granted, a good many jobs are already booked by now, but there are always late calls, cancellations, and rebookings.