Editor's Notes
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Editor's Notes
George Schaub Oct 01, 2004 0 comments

When I first started out in photography one of the foundations of the craft I set out to learn was lighting. So I went out to my local camera store and bought a set of metal reflectors with clamps, and, aided by the storekeeper, got me a pair of blue, daylight photoflood bulbs and a few rolls of color film. Those hot lights wilted...

Editor's Notes
George Schaub Aug 01, 2006 0 comments

Whenever I need a visual shot in the arm I take my camera to somewhere I've never been, or switch lenses, or both. As this issue is weighted toward the exploration of optics, I'll focus here on the changing lenses part of the equation.

All of us have a favorite lens, the one that best expresses our vision, and that delivers the crisp images we...

Editor's Notes
George Schaub Oct 01, 2008 0 comments

Those who spend most of their time working in natural light have come to appreciate the difficulties of making the best exposure reading, working the point of view, and maintaining tonal value and detail in the scene. One of the reasons for the increasing interest in HDR (so-called High Dynamic Range imaging) is that it seems to be a digital way to overcome the curse of the ancient...

Editor's Notes
George Schaub Oct 09, 2012 Published: Sep 01, 2012 0 comments
There have been profound changes in lighting gear options of late, and each adds newfound ways to make images. You can work using hot or cold continuous lights, with AC or battery-powered units, and even choose between LED and strobe sources. Some “new” light sources are coming into their own. For example, we have been covering LEDs for a while, and now we see how they are growing in their use in both the studio and on location.
Editor's Notes
George Schaub Dec 13, 2011 Published: Nov 01, 2011 0 comments
It’s hard to beat the beautiful quality of “natural” light. As I write this I am looking out my studio window at dusk, right when the rays of the setting sun backlight the magnolia leaves swaying in the wind, and there are thousands of facets of illumination that move together as one. Yet, photographers face the fact that light is not always so kind and gentle, and that subjects do not sway in the wind to add grace to the moment, and that there are some times when you have to make the shot when the light is just plain lousy, or the weather, setup, and subject make it an indoors occasion in small rooms lacking any kind of pleasing, or even ambient light worth shooting in.
Editor's Notes
George Schaub Oct 08, 2013 Published: Sep 01, 2013 0 comments
In this issue we dive deep into auxiliary lighting waters with reviews, roundups, and tips on everything from studio to location strobes to on-camera flash to flash modifiers, those items that shape and add subtlety to what might otherwise be nothing more than a large blast of light. As you’ll see, lighting solutions are quite varied, and our task is to provide an overview of some of the latest available products as well as tips on setups and using them, something our tests always emphasize.
Editor's Notes
George Schaub Oct 01, 2009 0 comments

I tend to separate light into two distinct areas—that supplied by the one true light source, the sun, and the other by the inventiveness and ingenuity of people, namely flash, a controlled explosion, and continuous, usually some form of filament, spark, and vapor, or controlled burn. My tendency is to seek out natural or ambient light whenever I can, mainly because I like the hunt and the...

Editor's Notes
Grace Schaub Dec 01, 2007 0 comments

There's something odd about the even years in the photo industry. While manufacturers no longer wait for trade shows to release products, as they did in the past, there's something about the even years that seems to bring forth the really major introductions and changes. It might be a hangover from the past, before the Internet was filled with rumormongers and those...

Editor's Notes
George Schaub Nov 01, 2009 0 comments

As the mixed bag of camera reviews in this month’s issue shows, there are many ways you can travel the photographic road these days. These range from the arcane to the elaborate, from pocket-sized digicams with extensive controls to full-fledged pro systems with interchangeable film/digital backs. The system you choose will necessarily match what you like or need to capture, be it casual...

Editor's Notes
George Schaub Mar 01, 2005 0 comments

Memory is an odd process. Recollections can be triggered by a certain muscle movement, a dream, a flash of color or shape as we walk down the street, a shift in the wind or, more concretely, by a photographic image. In all, memory is an associative process, in that some catalyst seems to create a circuit in the mind that refers to something real, or imagined, in our past. We all...

Editor's Notes
George Schaub Aug 01, 2009 0 comments

I have used just about every type of lens in my work, from super wides to fisheyes and PCs to mirrors. I have worked with super teles that focused “like buttah” to clunkers that when in AF mode chattered like hyperactive squirrels. While some lens choices are always dictated by the shot at hand, I thought I’d share some advice about lenses based on my experience with both...

Editor's Notes
George Schaub Jul 01, 2009 0 comments

Many of the reports in this issue were generated by our team of reporters covering PMA, the recent US photo trade show. While some new cameras have come out in the last few months, many of which we now have under test, there were, quite frankly, a lack of same at what is usually the premier site for such announcements. I can’t help but feel that some new cameras are waiting in the wings...

Editor's Notes
George Schaub Apr 01, 2006 0 comments

It seems only a few months back that I did a similar obit/reminiscence on black and white printing papers from Kodak. The subjects of this month's eulogy include both film and digital passings, with one being a venerable company that has departed photography altogether. I don't write these items for morbid or even sentimental reasons, but to note the passing of an era...

Editor's Notes
George Schaub Jun 01, 2004 0 comments

Editor's Notes

The PMA Show: 8Mp Digicams, Digital SLRs...And Much, Much More

This issue contains our reports from the Photo Marketing Association (PMA) Show, the biggest photo and imaging trade show in the US. Covering...

Editor's Notes
George Schaub May 01, 2004 0 comments

Editor's Notes

Travel photography evokes all sorts of images, from the 19th century vistas in fading albumen prints to satellite images made miles above our planet. The aim of most travel work is to share a sense of place, a feeling of "being there" that only the camera can...