Editor's Notes
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Editor's Notes
George Schaub Dec 13, 2011 Published: Nov 01, 2011 0 comments
It’s hard to beat the beautiful quality of “natural” light. As I write this I am looking out my studio window at dusk, right when the rays of the setting sun backlight the magnolia leaves swaying in the wind, and there are thousands of facets of illumination that move together as one. Yet, photographers face the fact that light is not always so kind and gentle, and that subjects do not sway in the wind to add grace to the moment, and that there are some times when you have to make the shot when the light is just plain lousy, or the weather, setup, and subject make it an indoors occasion in small rooms lacking any kind of pleasing, or even ambient light worth shooting in.
Editor's Notes
George Schaub Oct 01, 2009 0 comments

I tend to separate light into two distinct areas—that supplied by the one true light source, the sun, and the other by the inventiveness and ingenuity of people, namely flash, a controlled explosion, and continuous, usually some form of filament, spark, and vapor, or controlled burn. My tendency is to seek out natural or ambient light whenever I can, mainly because I like the hunt and the...

Editor's Notes
Grace Schaub Dec 01, 2007 0 comments

There's something odd about the even years in the photo industry. While manufacturers no longer wait for trade shows to release products, as they did in the past, there's something about the even years that seems to bring forth the really major introductions and changes. It might be a hangover from the past, before the Internet was filled with rumormongers and those...

Editor's Notes
George Schaub Nov 01, 2009 0 comments

As the mixed bag of camera reviews in this month’s issue shows, there are many ways you can travel the photographic road these days. These range from the arcane to the elaborate, from pocket-sized digicams with extensive controls to full-fledged pro systems with interchangeable film/digital backs. The system you choose will necessarily match what you like or need to capture, be it casual...

Editor's Notes
George Schaub Mar 01, 2005 0 comments

Memory is an odd process. Recollections can be triggered by a certain muscle movement, a dream, a flash of color or shape as we walk down the street, a shift in the wind or, more concretely, by a photographic image. In all, memory is an associative process, in that some catalyst seems to create a circuit in the mind that refers to something real, or imagined, in our past. We all...

Editor's Notes
George Schaub Aug 01, 2009 0 comments

I have used just about every type of lens in my work, from super wides to fisheyes and PCs to mirrors. I have worked with super teles that focused “like buttah” to clunkers that when in AF mode chattered like hyperactive squirrels. While some lens choices are always dictated by the shot at hand, I thought I’d share some advice about lenses based on my experience with both...

Editor's Notes
George Schaub Jul 01, 2009 0 comments

Many of the reports in this issue were generated by our team of reporters covering PMA, the recent US photo trade show. While some new cameras have come out in the last few months, many of which we now have under test, there were, quite frankly, a lack of same at what is usually the premier site for such announcements. I can’t help but feel that some new cameras are waiting in the wings...

Editor's Notes
George Schaub Apr 01, 2006 0 comments

It seems only a few months back that I did a similar obit/reminiscence on black and white printing papers from Kodak. The subjects of this month's eulogy include both film and digital passings, with one being a venerable company that has departed photography altogether. I don't write these items for morbid or even sentimental reasons, but to note the passing of an era...

Editor's Notes
George Schaub Jun 01, 2004 0 comments

Editor's Notes

The PMA Show: 8Mp Digicams, Digital SLRs...And Much, Much More

This issue contains our reports from the Photo Marketing Association (PMA) Show, the biggest photo and imaging trade show in the US. Covering...

Editor's Notes
George Schaub May 01, 2004 0 comments

Editor's Notes

Travel photography evokes all sorts of images, from the 19th century vistas in fading albumen prints to satellite images made miles above our planet. The aim of most travel work is to share a sense of place, a feeling of "being there" that only the camera can...

Editor's Notes
George Schaub May 01, 2009 0 comments

There’s nothing like travel to refresh your photographic eye, to make you see new again and break the visual habits gained from the same path trodden day in and out. These days travel might be limited to a park a few miles away or into a city available by transit, but whatever the trip, from arboretum to a national park, there are photographic possibilities awaiting us. We are all curious...

Editor's Notes
George Schaub Jul 11, 2011 Published: Jun 01, 2011 0 comments
Photography and travel have always been intertwined. Ever since photography was invented photographers have been exploring the world, both locally and globally, with images. The camera becomes motivator and instigator, witness and commentator, of the social, natural, and wondrous sites that surround us. And while many of the articles and images in this issue deal with particular projects undertaken by a wide range of photographers, there’s no reason to think you have to travel far and wide to discover what that magical combination of camera and travel can do for you.
Editor's Notes
George Schaub Sep 01, 2009 0 comments

Once upon a time we’d bring our roll of film into a lab and wait expectantly for the prints. Upon opening the envelope we’d be surprised or perhaps disappointed, but for the most part we’d accept what was given us, despite the fact that the sky was not as blue as we saw, or a face didn’t have quite the right tone. That was then. These days we have the right (some would...

Editor's Notes
George Schaub Aug 01, 2008 0 comments

It goes without saying that digital has changed lots of things in photography. One matter that requires more thorough investigation is how it affects optics and assumptions we have made about the design, recommendations, and even the naming conventions we use. While this column length does not allow for full discussion I'll raise some of the issues and open the floor to our...

Editor's Notes
George Schaub Dec 01, 2009 0 comments

’Tis the time of year when many magazines and newspapers and even websites hit you with their annual gift guide, tips for everything from stocking stuffers to big-ticket items. While the latter might have to wait until things improve, photographers and their kin and kindred have many such items available to them, being by nature collectors and, as Joe Farace says, tinkers who are...