Editor's Notes

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George Schaub Posted: Sep 06, 2012 Published: Aug 01, 2012 5 comments
Every year editors from photo magazines around the world gather to pick what they consider the top photo and imaging products of the year. This is no easy task, for the most part, as there are literally hundreds of products that could vie for the award in each category, and in fact each year there are some new categories that did not exist a few years ago.

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George Schaub Posted: Aug 01, 2004 0 comments

Editor's Notes

Those who practice the craft have come to a fork in the road, having to decide whether they will enter into a new form of expression or find merit in and stick with the former route. Well, as Yogi Berra once said, "When you see a fork in the road, take it!" But...

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George Schaub Posted: Aug 06, 2014 Published: Jul 01, 2014 0 comments

There’s nothing like a trip to open your eyes afresh. Whether it’s across the state or in a new city or to far-flung places around the world, our minds react to the newness of it all and our photography follows accordingly. As a parable, when in New York my office is quite close to the Empire State Building, and when I walk by on my way home I see dozens of people pointing their cameras straight up or angling for a good view. I sometimes forget just what might have caught their eye—then I remember the grand old building that is such a NYC landmark. It’s something I walk by nearly every day, and I don’t even bother to look up. For others, though, it’s an amazing site worthy of a photo, and that’s because their eyes are open to what’s new around them.

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George Schaub Posted: Jan 18, 2013 Published: Dec 01, 2012 4 comments
In this issue we offer a host of camera reports covering a wide variety of models and camera types, and this gives me a good opportunity to discuss the forms our camera tests take—lab tests and what I call “anecdotal” reports. In most cases we limit a model to one type of test, except when we feel that it rates a second look and that there’s more to add by using both approaches. We also make a decision about lab or field tests when we feel overwhelmed by new cameras coming our way, and simply don’t have the space each month to cover every one of them. Plus, we offer tests that never see the pages of the magazine that can be found under the Image Tech section of our website at www.shutterbug.com.
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George Schaub Posted: Nov 01, 2007 0 comments

To get a handle on the issue at hand we first have to define a "pro photographer." In the simplest terms, a professional is someone who makes money at what they do. But pros can also have another day job entirely, or do the odd photographic job on nights and weekends to help pay the rent. Indeed, many pro photographers started working for nothing or next to nothing...

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George Schaub Posted: Sep 01, 2010 0 comments

You can set your clock by it. A year and a half after Version XX of software comes out, Version XXI comes down the pike. But if that was all there was to do we wouldn’t have to struggle so much about deciding whether or not to upgrade; we’d just look at the new features and decide whether or not they were worth the time and money to update. But then...

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George Schaub Posted: Apr 05, 2013 Published: Mar 01, 2013 2 comments
While we might not realize it we have all been making portraits since the day we were born. We recognized the shapes and proportions of the face as being of our own kind, and grew to recognize the features of those who were near to us and were dependent upon. We also began to understand that as we went out in the world how the rearrangement of those features boded ill or well, and began to understand the looks of love, empathy, anger, fear, and even indifference. The ability to read those signs was what enabled us to cope with the world and the people who inhabit it.
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George Schaub Posted: Mar 01, 2011 2 comments

Many photographers start their careers photographing weddings or doing portraits “on the side.” Me, too. While I was engaged in other aspects of the craft, I worked as a weekend warrior shooting weddings and social events to help raise money for new gear (and pay the rent). I set up a small studio with seamless paper on rolls in my one-bedroom apartment and would do tabletop...

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George Schaub Posted: Feb 01, 2006 0 comments

While we did feature some crystal ball gazing in our December issue, I thought I'd use this space to discuss some of the matters we'll be exploring and some of the trends we'll be watching as we move into 2006. In the last year we've done our best to keep you up-to-date on the issues and changes that have taken place in photography, and there's no...

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George Schaub Posted: Sep 01, 2008 0 comments

There's no doubt that digital allows you to blithely shoot away without concern for film and processing expense and to record every possible angle and compositional permutation, with bracketing to boot. In that, it has freed the image from the implied cost of every snap of the shutter--not to worry, you paid for most of that up front. Now what you get to spend is time...

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George Schaub Posted: Feb 07, 2014 Published: Jan 01, 2014 1 comments
These days you could consider any image as a special effect, what with the massive amount of processing that goes on inside the camera prior to it being written on the memory card. But that’s pretty much assumed and not even considered “special” anymore.
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George Schaub Posted: Jul 01, 2006 0 comments

There are quite a few differences between film and digital imaging. One main difference is that when it comes to film you are dealing with dye and density; with digital it's all a numbers game. Once exposed and developed, film has measurable and fairly fixed characteristics. With digital it's pretty much up for grabs. That's because digital images are composed of...

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George Schaub Posted: Dec 01, 2008 0 comments

Everyone has experienced the frustration of making changes to an image on the monitor until it’s just right, then seeing a print emerge only to have it too light, too dark, or, for black and white images, seeing the image color go a sickly green or other color cast. It would make sense that what you see on the monitor screen matches the print, but that’s not always or, for some, often...

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George Schaub Posted: Jul 01, 2005 0 comments

The query, "Who's your favorite photographer?" has to be among the top three icebreakers (can you name the other two?) amid photographers. It's not a popularity contest, per se, but more a seeking of what images inspire you and whose point of view you admire and, at one point in your creative work, who you might like to emulate. This might vary according to...

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George Schaub Posted: Oct 28, 2011 Published: Sep 01, 2011 25 comments
The revised website at www.shutterbug.com is now online. This new iteration maintains all the archived stories of the past site—with postings from all our articles from over the past 12 years—plus new features that make searching easier, sharing more accessible, and now the ability for registered users to comment on all our postings. The new site is the result of hard work by numerous people from our team and we trust it will become one of your main sites for photographic news and views and research.

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