One of the first workshops I ever attended when I began my career over 30 years ago was with the legendary Don “Big Daddy’” Blair. One of the things Don was known for was his almost fanatical obsession with posing, especially hands. Things have changed a great deal since then and posing as a rule has become much more relaxed, but there are still some basic “rules” that can serve as guidelines that can be incorporated into your own style.
Researchers at the Agency for Science, Technology and Research (A*STAR) have used stained glass as the inspiration to develop a unique method of creating sharp, full-spectrum color images at 100,000 dots per inch (dpi) without the need for inks or dyes. In comparison, existing industrial inkjet and laserjet printers only achieve 10,000 dpi, while research-grade methods can only dispense dyes for single-color images.
By shooting with continuous studio lights photographers can enjoy the benefits of both studio strobe control and natural light aesthetics. With the explosion of D-SLR video capabilities, more companies have begun making continuous lighting options for photographers including florescent lights, LED panels, tungsten video lights and more.
For the past few years we’ve watched the popularity of camera phones grow exponentially, as devices on the Android and Apple iOS platforms have offered more and more features, higher resolution cameras, and the ability to download a myriad of both free and paid apps of interest to photographers and the general consumer.
On The Cover
This month’s issue focuses on lighting, with reports on gear, techniques, and a comprehensive roundup on the wide variety of lighting equipment available to photographers today. We also have a lab report on the exciting Fujifilm X-Pro1 and special book excerpts from two of the leading lighting/software practitioners today, Kevin Kubota and Scott Kelby. Please note that with this issue our Workshop and Events listings have gone online at www.shutterbug.com.
Aviation photography is on the rise, literally and figuratively. There are many reasons for this, from the ease and small expense of getting involved to the excitement and subject matter. I think it’s also because it’s a way we can all get in touch with our own history.
Fill flash can be used for a quick fix for contrast problems that can be solved without further image processing. It is a powerful aid that can even trump today’s in-camera or post-process heightening of shadow detail. It can handle the problem with one exposure, and not rely on HDR or other curve adjustment tricks. Keep in mind that the sensor in your camera has a certain dynamic range that cannot be expanded even with such processing magic, and with too much work on the shadows some noise may creep in.
A typical digital camera’s sensor sees a range of light in wavelengths from approximately 350 to 1000 nanometers. A nanometer (nm) is a metric unit of length equal to one billionth of a meter. Your eyes usually see a range of light from approximately 400 to 700 nanometers. Most digital cameras place a low pass filter directly in front of the imaging sensor to allow low frequency light visible to the human eye to pass through to the sensor. It blocks unwanted light from the infrared and ultraviolet spectrums (the high end and the low end wavelengths) from polluting a photograph’s color. As owners of early Leica M8 cameras quickly discovered, this piece of glass is very important for maintaining maximum color fidelity.
Most of us who are passionate about photography pursue the craft as either a career or a hobby for the simple enjoyment of creating beautiful or impactful images. Occasionally, however, a photographer picks up her camera with the lofty goal of changing lives or improving the world in which we live. Betsey Chesler is one such person.
On The Cover
In this issue we feature our annual Top Products of the Year awards, with categories ranging from cameras to lenses to bags to apps, and more. Shutterbug is the sole US member of TIPA, the worldwide Technical Image Press Association, and we’re proud to be part of the nomination and selection process. We’re also adding a host of product tests, including a special surprise, a silver printing out paper that will open new doors for pinhole, photogram, and street camera shooters.
The winds are kicking up and there is a chill in the air, a storm is coming. The afternoon light flickers bright to dim as the first clouds block the sun, racing east with the wind. The moments of sunshine get less and less as more and more clouds join the parade. The light changes from mellow to dramatic. I grab the camera and truck keys and make a dash down to the flats. This is not the first time, I’ve done it so much in fact that with the wind and light I know exactly where I want to be to shoot, so I step on the gas. Within a couple of minutes I’m in place and admiring the big battleships of gray ready to dump their load of snow on our home. A break comes in the clouds, the light comes streaming in as the camera goes click. It’s the perfect end to a fun chase.
I have always been of divided mind when it comes to printing photographic images on canvas. I have certainly seen inkjet canvas material in use at galleries and fine art fairs, where watercolorists, pastel artists etc use the material to create lower-priced copies of originals, making the art affordable yet attractive for many buyers. In fact, it’s a fairly easy bet that the great majority of the canvas coming off inkjet printers is used for just that purpose. The main use of photographic imagery on this material, in my experience, is for portraiture and wedding photography, where the image can stand on its own or gets painted over by artists for a premium touch, and price.
Fall is that time of year when we as photographers aspire to capture the splendid color burst that surrounds us. After a few years it can be difficult to come up with new and fresh approaches. Combining camera movement with backlight is one way to capture the colorful exuberance of a bright autumn day.
What began in 2004 as a social networking service for Harvard students has rapidly grown into an international phenomenon with social, political, business and cultural implications for users of all ages. With over 158 million users in the U.S. (and almost a million world-wide), Facebook now reaches nearly 75% of Internet users in our country.
On The Cover
In this month’s issue we have lab test reports on two ends of the camera spectrum, the Pentax Q and the Nikon D800. The D800 will come in two versions, one without a low-pass filter, so we thought it a good time to also explore the low-pass debate and what might be ahead for digital cameras. We also look at a sampling of new gear, from lighting to lenses to software. New: Check out web-exclusive tests at www.shutterbug.com.