Staff

Sort By: Post Date | Title | Publish Date
Staff  |  Nov 18, 2012  |  First Published: Dec 01, 2012  |  0 comments
On The Cover
In this issue we present lab and field tests on a variety of digital cameras, including the Nikon D800, Pentax K-01, Sony A57 SLT, Olympus OM-D, and Canon Rebel T4i. We also have studio tests of two light modifiers, plus a fascinating look at some user collectible panoramic cameras. And, be sure to read this month’s Business Trends feature on marketing your images!

Staff  |  Nov 18, 2013  |  First Published: Dec 01, 2013  |  0 comments
On The Cover
In this issue we bring you a range of camera, lighting, and even pro-graphics-level monitor tests as well as an insider’s look at eBooks for photographers. And in keeping with our respect for and legacy coverage of camera classics, a look at a collector’s camera “bookshelf” and an exclusive report from Tokyo on prices garnered at one of the biggest user/collectible shows in Japan.
Staff  |  Nov 21, 2011  |  First Published: Dec 01, 2011  |  0 comments
On The Cover
Are you thinking of turning pro? You should go for it, but not until you read this issue first. Through our exclusive interview with Chase Jarvis and our Twitter tips for photographers, you’ll see there is a lot more to marketing yourself than in the past. Business aside, we have breaking tech news: a new archival DVD called the M-Disc. We also have tests on the latest pro equipment to help take your photography to new levels. Our cover shot, by Lindsay Adler, shows what you can accomplish with Broncolor’s Senso lighting kit for example.

Staff  |  Nov 06, 2012  |  First Published: Oct 01, 2012  |  2 comments
Our Picture This! assignment this month was “Deep Depth of Field,” creating compositions that rely on focus being sharp from near to far using all the tools of the deep focus kit—wide-angle lenses, closeness of camera to foreground subject, and as narrow an aperture as the lens and light could support. Readers responded with nature, scenic, urban, and abstract images, all made using some or all of the techniques described. There is something that is completely “photographic” about this technique, as the eye cannot “see” this without the aid of photography—it flicks around the real world from point to point quickly enough, of course, but there’s no set moment—except the photographic one—that makes all sharp from the nearest blade of grass to the farthest mountain.
Staff  |  Nov 09, 2011  |  First Published: Oct 01, 2011  |  0 comments
The Denver Art Museum (DAM) is the first US venue for Robert Adams: The Place We Live, A Retrospective Selection of Photographs. The exhibition will feature more than 200 black-and-white photos spanning Adams’s 45-year career, showcasing the artistic legacy of the American photographer and his longstanding engagement with the contemporary Western landscape. Adams lived and worked in Colorado for nearly 30 years. Many of his most acclaimed images were taken in the Rocky Mountain region and will strike a familiar chord with visitors. The exhibition, organized by the Yale University Art Gallery, will be on view September 25, 2011-January 2, 2012 in the museum’s Gallagher Family Gallery.
Staff  |  Jan 31, 2014  |  First Published: Dec 01, 2013  |  0 comments
The light wasn’t right on the day John Conn saw the scene, so he came back the next day at a time when the shadows would work in his favor. Then he waited. The geometry of the legs of a trousered figure striding by was distracting. “I really wanted a woman because they usually dress in lighter, more colorful clothing,” John says, “and I needed a more solid form, with more of a flow. And she had to be the right height, too.” His next opportunity was a bicyclist…who veered away from the perfect spot, spoiling the alignment. Then a woman came by and John took the photograph you see here.
Staff  |  Apr 30, 2012  |  First Published: Mar 01, 2012  |  2 comments
I captured this image on a backpacking trip to the Pictured Rocks National Lakeshore in Michigan one wet, stormy morning. I’ll never forget rounding the corner to the beach at dawn, instantly getting blasted by 25 to 30 mph winds and standing in awe of the massive 15- to 20-foot waves that were plowing into the shoreline. I decided to start shooting what was becoming an amazingly intense sky when all of the sudden a rainbow—than a double—materialized in the frame. I never moved the camera when the rainbows showed up—they were compositionally perfect in the viewfinder!
Staff  |  Aug 21, 2008  |  0 comments

Helping to navigate the complexities of digital SLR cameras is QuickPro, LLC,
a company that started creating SLR camera DVD tutorials (http://www.quickprocameraguides.com/)
three years ago. Today, QuickPro is announcing that it's now producing new DVD
Camera Guide titles every month, the latest being tutorials for the popular
Nikon D60 and Canon XSi, featuring interactive camera tours.

...

Staff  |  Aug 11, 2017  |  1 comments

During a visit to the Nature and Raptor Center of Pueblo, a bird sanctuary in Pueblo, Colorado, Shutterbug reader Michelle Goodall captured this magnificent bald eagle image: “How could anyone resist taking a photo of something so beautiful?” 

Staff  |  Nov 07, 2014  |  0 comments

Our Picture This! assignment this month was Echoing Forms and we received a fantastic group of images showing this compositional technique, where forms seem to “echo,” or repeat within a frame. Submissions ranged from images that captured repeating patterns in nature such as the leaves on a tree or blades of grass, to more made-made forms, including images of machines and architecture. There were even several eye-catching images where animals seemed to echo each other, in a true expression of “copycatting.” Please check out some of our favorite Echoing Forms images from readers in the next few pages.

 

Pages

X