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Shutterbug Staff  |  Dec 01, 2010

Our Picture This! assignment this month was “Graffiti: On the Wall,” and we asked readers to submit images that showed the best of a most decidedly urban and exterior art form. What we sought were mural artworks that by definition were mixed media, with the environment forming the canvas and the context often hinting at or defining content. We tried to avoid gang defacements and...

Shutterbug Staff  |  Feb 01, 2004

Picture This!

Picture This! - Our Next Assignment

Super Wide
When you photograph with 35mm lenses, including and wider than 24mm, you are in super-wide...

Shutterbug Staff  |  Mar 01, 2007

Our Picture This! assignment this month was High Contrast, in camera or in the darkroom (including digital). We received an overwhelming response from readers who used special effects on a wide range of subject matter. We were excited to see that this venerable form of expression has gotten new life thanks to digital techniques, and while quite a few of the images were first...

Shutterbug Staff  |  Aug 01, 2006

The Picture This! assignment for this month was High Sensitivity, pictures taken at ISO 800 and beyond. Readers sent in a host of images that took advantage of high-speed settings on their digital cameras and on high-speed film. At those speeds images made in very low light become available, and many more "chances" are taken with pictures that in the past might have...

Shutterbug Staff  |  Mar 01, 2008

Our Picture This! assignment for this month is "I Can See For Miles," a request for the long view of things made from a high vantage point, or at least one that allowed the eye to see toward the horizon. We looked for scale and leading lines, as well as locales that inspired awe and wonder. Readers responded with many images from the American West, the land of the...

Shutterbug Staff  |  Nov 01, 2006

Our Picture This! assignment this month was "It's What's Up Front That Counts," the implication being that the lens, lens attachments, and of course where the lens is pointed has a profound influence upon any image. Although you could crop into an image made with a 24mm lens to gain the same perspective as one shot with a 50mm, there's the context of...

Shutterbug Staff  |  Oct 01, 2007

Our Picture This! assignment for this month was Keep It Steady--Tripods Only, the idea being that even with modern marvels such as Vibration Reduction lenses there are some shots that can only be made with the help of a steadying tripod. Readers responded with images made at shutter speeds beyond any hand holdable range that depicted motion in ways impossible to see with...

Shutterbug Staff  |  Feb 01, 2007

We thought it would be fun to run some summer shots in these darker and colder days of winter, so we put out a call for photos in the fall and readers responded with images that made us yearn for those warmer days when we got home and it was still light enough to get some sand between our toes. Summer, it seems, is the time to get together with family and friends and spend some...

Shutterbug Staff  |  Jul 01, 2010

Our Picture This! assignment this month was “Leading Lines: Into Infinity.” We called for images that brought the viewer’s eye into the frame with various compositional techniques, including leading lines, S-curves, and parallel lines that seem to meet at infinity, or vanishing points. Readers responded with a host of architectural, urban, natural, and highway images, all of...

Shutterbug Staff  |  Sep 01, 2010

We continue our compositional assignments this month with “Leading Lines: S-curves and the Diagonals” (the July issue was “Into Infinity”) and readers responded with fascinating images that show why these compositional devices are so visually enticing. The S-curve runs the eye from front to back, playing with movement through both vertical and horizontal space, while the...

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