Tilt-shift lenses are very powerful tools for all sorts of shooting from landscape to architectural photography. They enable you to fine-tune perspective and enhance depth of field by maximizing focus throughout an entire scene.
By now you probably know that the current trend in camera technology is strongly in favor of mirrorless models. In fact, apart from Pentax, all manufacturers are avoiding new DSLR models while continually upgrading their lineup of mirrorless cameras and lenses.
Spring is long gone, and summer ended almost a month ago, but that doesn’t mean the time for capturing great macro images is over. There are many opportunities to pursue close-up photography year-round.
We all fall into a creative rut on occasion, and that’s often because we take the same approach to whatever we shoot. For portraits we typically reach for a short telephoto, and a wide-angle lens is usually our choice for landscape photography.
Landscape and travel scenes can be particularly striking when captured in black and white. Some photographers set their camera to monochrome so they can see the effect on the LCD screen, while others prefer to shoot in color and make the conversion during the editing process.
Which lens is better for portraits, a 35mm or 50mm prime lens? That's a question many photographers ask and one that Mitch Lally attempts to answer in the below lens comparison portrait test.
Danish pro Mads Peter Iversen has spent years polishing his skills and developing a unique style of landscape photography. Like all accomplished photographers he’s made a few mistakes along the way, and in the video below he explains how to correct a common error so you don’t make it yourself.
Photoshop users know that Vibrance and Saturation are similar but not quite the same, and these tools can be employed separately or together for different purposes. Lightroom, on the other hand doesn’t have a Vibrance tool, and if that sounds crazy just take a look; all you’ll find is a Saturation slider.
Editing "hacks" in Photoshop or Lightroom are fast and helpful tips or tricks that will make your photos go from "blah" to "AH!" in no time. Landscape pro Mark Denney is someone who has accrued many of these software hacks over the years and he shares five handy tricks in the below video.
One of the most daunting challenges in Photoshop, regardless of your skill level, is doing a precise job of cutting out hair and fur. But in today’s tutorial you’ll learn a remarkably easy trick for achieving great results.
There are many forms of wildlife photography, from capturing images of big cats in the Serengeti to shooting colorful birds at a local park or animal sanctuary. While the choice of gear often depends upon the particular assignment, many important techniques are the same.
If you're a photographer who is considering upgrading from the Apple iPhone 12 Pro to the recently released iPhone Pro 13, the video below is for you. In the iPhone comparison, photographer Anita Sadowska pits the 13 Pro vs the 12 Pro to see which one performs better for portraits.
The great thing about bird photography it that it’s a passion you can pursue year-round. But let’s face it: Capturing superb images of our feather friends can be difficult unless you know a few tricks.
Have you ever searched for Photoshop’s White Balance Tool, only to come up empty? Well, join the club. The futility of that search isn't because you looked in the wrong place, but because, surprisingly, that tool doesn't exist.
Photographers often spend countless hours perfecting their shooting and editing skills, only to be disappointed by inconsistent colors in their images. Today we’re going to let you in on a little secret: it’s difficult to achieve accurate results if you don’t calibrate your monitor.