Software How To

If you're using the latest version of Photoshop, you're likely exploring the cool new stuff that was recently added. Which enhancement do you find most exciting? There's no doubt in my mind — it's Adjust Colors. Here's why.

Nighttime photography can be a lot of fun because it provides numerous opportunities to capture compelling images in the field or on the street. Familiar scenes that may appear boring during the day are transformed into magical tableaus once the sun drops below the horizon.

Here's a common scenario that many of us have faced on occasion: You travel to a distant location that you'll likely never visit again and get totally skunked by the weather despite the numerous opportunities that abound. We not talking about rain or storms, but rather boring blue skies every single day.

Don't be fooled by the brevity of this tutorial from instructor Steve Arnold because he insists that his handful of editing tips are essential for every landscape photographer to understand. He says he was unaware of all five techniques when first getting started with post processing, and the quality of his work suffered as a result.

Adobe has updated Lightroom to version 14.3 and there's lot to unpack as you'll see in our upcoming tutorials. Today's episode is devoted his one "huge" new feature landscape photographers have been awaiting that's been available in other post-processing software for some time.

Today's eye-opening post-processing lesson differs from many others we post and reveals what instructor Andy Hutchinson insists is a game-changing approach to photo editing that completely transformed his photography. As he says, "While most tutorials show you WHAT buttons to press, very few explain WHY you should make certain adjustments."

One common reason for unimpressive photos is a lack of attention-grabbing contrast with weak highlights and shadows, along with an insufficient difference between these two crucial elements. Today's Lightroom tutorial from the popular PHLOG Photography YouTube channel explains how to deal with high-contrast images and achieve a wide range of tones from bright whites to deep blacks, and everything in between.