Pro Techniques

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Barry Tanenbaum  |  Jul 01, 2010  |  0 comments

The thing you’ve got to watch out for is the pilot who gets a little too into the photography.

It’s not a common occurrence, to be sure, but…“I had a pilot who almost killed me,” says Cameron Davidson, who spends a good portion of his time in the air shooting for clients and his own projects. “I have this strict rule:...

Stan Trzoniec  |  Jul 01, 2010  |  0 comments

No matter how light you pack, you always feel like you could add just one more item. Knowing photographers, if you can take it, you will. If you plan your trip correctly, you will save weight and not only make your outing a success, but be more mobile and comfortable as well.

With that in mind, let’s look at some “ounce saving” tips. Your...

Anthony L. Celeste  |  Jul 01, 2010  |  0 comments

The web has opened the door to many business opportunities for photographers that never existed before, one being the ability to sell photos via websites that specialize in marketing “stock” photography. Stock photography finds its way into a multitude of fields, including publishing, advertising, business presentations, and web design.

The stock industry has changed...

George Schaub  |  Jul 01, 2010  |  0 comments

It’s pretty easy these days to do what seemed a monumental task in the past—create a website that makes navigation easy, displaying and selling images simple, and that does not require eight-weeks attendance in an HTML class in some bleak basement classroom of an adult ed evening program to get to stage one. True, there are plenty of browser and editing programs that can create a web...

John Siskin  |  Jun 01, 2010  |  0 comments

I probably take more pictures of people working than any other subject. Since I am a commercial photographer this makes a lot of sense. I love taking shots of people actually working; they provide wonderful opportunities to see people involved in something they take seriously. You can often get shots where people really aren’t paying attention to you, just doing what they do. Work shots...

Frances E. Schultz  |  Jun 01, 2010  |  0 comments

In the entry hall of our house, there is a picture of two young sisters. When the picture was taken, Marion was 14 years old and Helen was 7. That was in the mid-1920s. Marion was my mother; Helen, my aunt. Both are dead now.

The oldest picture in my family album is probably the portrait of Franklin Corbin. He died in Andersonville prison during the Civil War.

...

Jack Neubart  |  Jun 01, 2010  |  0 comments

One moment you can find him photographing people diving off a boat in Bali, the next focusing on a businesswoman returning to a hotel restaurant in Bangkok to savor the haute cuisine, and then back in his studio capturing a telling portrait. That’s the life of an advertising photographer specializing in portraiture, lifestyle, and fashion, as David Allan Brandt knows it.

...

Jon Sienkiewicz  |  May 01, 2010  |  0 comments

Many of the cameras used by Shutterbug readers use SD memory cards. SD stands for Secure Digital, and it’s the most popular type of media for digital imaging. SD has been around for so long that people use this identifier generically, and refer to all variations simply as “SD.” This practice can lead to problems. There are a couple of new kids on the block, and you should know...

Steve Bedell  |  May 01, 2010  |  13 comments

First off, a brief description of what Facebook is, just in case you’re one of the few people on the planet who is not already a member. Facebook (www.facebook.com) is defined as a social-networking site. It was originally designed by founder Mark Zuckerberg while he was at Harvard University as a way for Harvard students to communicate...

Jack Neubart  |  Apr 01, 2010  |  0 comments

Chris Vincent knows how to make a splashy shot for his clients. When it comes to liquids—pours, spills, splashes, and explosions—Chris Vincent (www.cvincent.com) has done it. That and the more sedate still life studies where all is quiet and calm.

I met Vincent years back when he was...

Steve Bedell  |  Apr 01, 2010  |  0 comments

If you are a wedding photographer, you already know what I’m about to tell you. The advent of inexpensive digital cameras that can produce amazingly good photos has shaken up the wedding market. With that and other matters in mind, I interviewed four of the top wedding photographers in the US and asked them some hard questions about where the wedding market might be headed. Our top shooters...

Joe Farace  |  Apr 01, 2010  |  0 comments

Despite lens makers’ ads to the contrary, photographers don’t always want or need tack-sharp photographs, especially for wedding or bridal portraits. The use of creative or selective blur when applied in the digital darkroom to an otherwise ordinary photograph can create a mood or look that fits an impression of the original image more than its reality, but sometimes the distinction...

Lorraine A. DarConte  |  Apr 01, 2010  |  0 comments

There was a time when all wedding photography was pretty much the same. Well-trained photographers worked from “shot lists” and used high-end, medium format equipment. They took wedding portraits (many in-studio) whose hallmarks included great color, sharp details, beautiful lighting, and well-posed subjects. Wedding albums were filled with 8x10”, 8x8”, and 5x7”...

Maynard Switzer  |  Mar 01, 2010  |  0 comments

One of the things I always try to do when I’m planning a trip is check out the events calendars of the cities and towns I’ll be visiting to see what sort of festivals might be taking place. Sometimes I’ll even rearrange my schedule to make sure I hit those places at the right time; that’s how important it is for me to take advantage of these photo opportunities. Images of...

Roger W. Hicks  |  Mar 01, 2010  |  0 comments

There are plenty of reasons to eschew perfect sharpness. A classic application was to suppress lines and wrinkles, or just for a light, airy mood: as Tallulah Bankhead once said, “They used to photograph Shirley Temple through gauze. They should photograph me through linoleum.” Another reason is to create the sense of something half-remembered, imperfectly limned in the picture as in...

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