Photographer Profiles

Anup Shah believes there is an authenticity to the personalities of wild animals: an animal in the wild wears no mask and assumes no role that is not genuine; neither is that animal influenced by humans in the way a captive creature would be.

This is one of my favorite topics: photographers doing good works by donating photography services to charities and other nonprofit organizations. In this column, I’ll look at how to make a living while making a difference. For starters, donating your photography to a good cause will help you develop business skills. It will also give you access to people and places for portfolio development and allow you to meet an amazing network of new friends. Organizations you can donate your photography to range from local to global and cover a variety of issues from healthcare and education to shelter animals. Sincere thanks to our contributors for their work: Luke Copping, Tim Courtney, Cathy Greenblat, and Isaac Howard (websites at end of column).

Longer story short: With a high-flying imagination and no shortage of necessary technical skills, Ali Jardine turned a creative hobby into a creative business by networking the new-fashioned way—with Instagram, Snapchat, Flickr, Facebook, and probably some other social sites she didn’t have time to list or mention.

Ira Block can best be described as a cultural documentary photographer. He uses his camera to document cultures around the world, recording how lives are impacted by changing norms, practices, and traditions. The changes are most often gradual, which is why he returns to a location time after time after time. He captures the shifting sands, one grain at a time, helping us see these changes and appreciate them through his eyes—and through social media.

Norwegian Daniel Tengs sets himself apart from other extreme sports photographers in at least one key respect: he goes the extra mile, capturing snowboarders on medium format, namely the Fujifilm GFX 50S. Not exclusively, mind you, but with a certain flair so we can say his photo shoots with this format create a near mind-bending experience for the viewer. 

“Every Picture Tells a Story.” You’ve no doubt heard Rod Stewart’s song, but, as you head out the door with your camera, do you ever stop to mull over what these words mean? What, you ask yourself, am I saying with each frame? Do I need to shoot more frames to fashion the message I want the world to see and hear? And finally, you may be asking yourself, do I need to bathe the pictures in a wash of words or should I let them speak for themselves?

Given skill, experience, and the awesome capabilities of today’s gear, what else is it that makes a great travel photographer?