Hopefully you’ve become proficient in Lightroom by following the tutorials we post regularly. But proficiency with various tools only gets you so far if you’re not making adjustments in the correct order.
Last week we featured a straightforward Lightroom tutorial explaining how to recover shadow detail in underexposed photos. Today we’ll help you solve the opposite challenge; namely, dealing with images that are far too bright.
Even if the nomenclature is unfamiliar, you’ve no doubt experienced ugly color fringing that sometimes appears around the edges of objects in a photograph. Known as “chromatic aberration,” this effect typically occurs in high contrast images because premium lenses can’t always focus wavelengths of all colors at a single focal point.
Have you ever noticed when employing masks that ugly artifacts appear around the periphery of the selection? It's a common problem that can be quickly resolved by following the quick and easy tips in this tutorial from the Photoshop Café YouTube channel.
If you’re the type of photographer who like saving a few bucks here and there, you'll love the premise of today's Lightroom tutorial: "Do NOT buy presets. Make your own, it's simple to do." And believe it or not, even inexperienced users can quickly get the job done by following the straightforward advice.
Earlier today we posted a tutorial with a foolproof in-camera method for shooting photos with perfect exposure. But what if you want to improve photos you shot in the past that don't quite hit the mark? The lesson below from the FJR YouTube channel demonstrates how easy this is to do with Lightroom's powerful Dodge and Burn tools.
Yeah, we know. Supposedly all serious photographers shoot Raw, for very good reasons. But there are times when shooting and editing JPEGs make sense. Perhaps your camera is set to capture both a JPEG and a Raw file every time you snap the shutter, and somehow you lost the Raw file or it became corrupt.
This is the perfect time of year for macro photography, with vibrant flowers, colorful insects and other creepy crawlies just about everywhere you look. In fact, you can often find great subjects in your own backyard.
One of the biggest challenges when shooting indoors is dealing with unusual light that imparts ugly color casts to the images you shoot. This can even happen when photographing outdoors in ambient light when nearby or overhead objects may bias tones and make them appear unrealistic.
The task of editing photographs can be as simple or as complicated or as you make it, and today’s Lightroom tutorial describes one of the easiest methods for improving your images.
Most photographers prefer to be out shooting, not sitting behind a computer processing images. In the quick tutorial below, you’ll learn how to dramatically lessen your computer time by bulk editing photos in Lightroom.
The other day we featured a tutorial for beginning Photoshop users, discussing a variety of image-killing mistakes and simple ways to correct them. There's no need to feel left out if you process photos in Lightroom, because we're doing the same thing for you today.
If you're new to processing images in Lightroom there's a whole lot to learn, both for doing things right and avoiding common image-killing errors. In this quick tutorial from Landscape Photography University you'll learn how to avoid what one pro calls, "the biggest beginner photography mistake in Lightroom."
Lightroom can be bewildering for those new to the software because there is a seemingly endless array of tools and techniques to learn. Fortunately, Lightroom Ambassador Michael Aboya is here with another of his “In a Lightroom Minute” tutorials, explaining the difference between three easy-to-use tools.
Take a look at your computer's keyboard and what do you see? We're not referring to the dirt and grime that's long overdue for a cleaning, but rather to the modifier keys that can work wonders for quick and precise edits.