Most photographers turn to wide-angle lenses when shooting landscape images. But as you’ll see in this quick tutorial, there are times when a longer focal length will deliver superior results.
This may be strange to hear from a travel photographer, but I can make a case that location isn’t everything—light is. And I’d build my argument on the fact that the right light brings out the best in any location.
With everyone taking selfies these days, why are so many of these self-portraits so terrible? And when couples shoot selfies together while traveling (such as on vacation), why do they only seem to capture their faces and none of the scenic surroundings?
Although everyone loves travel photography, not everyone possesses the skills to turn that passion into a viable business. This month we spoke with six photographers working (and making money) in the travel photography business: Joe Becker, Todd Gustafson, Blaine Harrington, Jen Pollack Bianco, and David and Lina Stock.
Under most circumstances we strive for sharp images by using a tripod and employing proper exposure settings to minimize camera shake. But as you’ll see in the video below, it’s possible to make beautiful images by intentionally moving the camera while using slow shutter speeds,
Whether you’re a nature photographer, travel shooter, or portrait specialist, you’re no doubt familiar with several “Rules” of composition that are intended to help add impact to your work. There are two common themes running through of all of these guidelines. One is to grab the attention of those looking at your photos, and the other is to guide a viewer’s eye through the image in the way you intend.
During a weekend jaunt to Dublin, Ireland, Shutterbug reader Andy O’Farrell had planned to enjoy a couple of days shooting around the city. However, a monkey wrench had been thrown into his plans courtesy of Mother Nature.
Serious landscape photographers tend to carry a lot of lens filters, including those for enhancing colors, to others that reduce the amount of light entering the camera and enable slow shutter speed effects. In the video below, you’ll see what an experienced pro says is the one filter he never leaves home without.
When one of our favorite travel and nature photographers describes what he says is “Lightroom’s Most Powerful color grading tool,” it’s time to pay attention. And in the tutorial below, you’ll learn how easy it is to use.
Whether the view before you is an expansive vista, a majestic mountain scene, or a stunning seascape, there’s a good chance you’ll reach in your bag, pull out a wide-angle lens, and mount it on your camera. But that doesn’t guarantee a great image unless you avoid a few common errors.
There are two ways to travel. You can go with a group or you can travel independently where you plan the itinerary and make the arrangements. One isn’t necessarily less expensive than the other because it depends on so many factors, but the main issue to consider is this: what will you gain by being part of a group versus traveling alone or with a friend or spouse?
Today’s modern digital cameras offer insanely high ISO options, and conventional wisdom is to avoid them and go no higher than at least two settings below the maximum. But according to one top pro, there are times when is OK to use the highest ISO setting available.
In the leadup to the holiday season, secure a fantastic deal on Slik tripods and heads. With up to $150 off the normal price on carbon fiber tripods, and up to $50 off select professional ball heads, this is your chance to stock up on quality camera support gear from Slik at a bargain-basement price.
Travel photographer Pierre T. Lambert has been on worldwide photo tour, shooting images and sharing how-to videos about his experiences. During his travels, he’s mainly been using two lenses for his Sony mirrorless camera: a 16-35mm and 70-200mm f/2.8.