Most experienced photographers turn up their noses at the Program exposure mode, preferring to shoot in Aperture Priority, Shutter Priority, or Manual. But as you'll see in this quick video from the Great Big Photography World channel, there are situations under which this "beginner" mode makes total sense—even if you have advanced skills.
One of the primary goals of landscape photographers is to arrive at a “correct” exposure, and we regularly post tutorials on this subject to help get the job done. But in the quick tutorial below you’ll see why certain types of scenes look much better by adding a bit of intentional overexposure during the editing process.
One of the first things most photographers learn is to avoid high ISO settings whenever possible. That’s because the more you crank up ISO, the more image quality tends to suffer.
Spot Metering is an extremely powerful tool for all types of photography, especially when shooting backlit subjects, scenes with extremely light or dark backgrounds, or under other difficult lighting conditions. When used properly, your camera’s spot-metering mode almost always guarantees a proper exposure.
Ask any experienced landscape photographer to identify the most important tool in his bag, and the answer is likely to be, “My ND filter.” Or more accurately, “My set of ND filters.”
The sky is usually a critical element of nature scenes, landscapes, and many other photos you capture in the field, and here's what post-processing expert Matt Kloskowski says about this matter: "Before we can even work on the sky, we need to understand how to mask it before applying various tools and enhancements."
Just about all Lightroom users know that the software includes a variety of timesaving presets for creating numerous effects and quickly dupicating specific edits you made in the past. In addition to the built-in presets there are others you can download at nominal cost, and even create some of your own.
Dealing with image-killing noise is a task commonly faced by landscape photographer who shoot at high ISO settings, either because of low-light conditions or when using slow shutter speeds to capture motion. In either case, there's a simple way to remove these ugly artifacts, and today's tutorial from the PHLOG Photography YouTube channel explains how it works.
There are countess reasons you may want to modify certain colors in a photo whether it was captured indoors or out. Perhaps a landscape image looks really great, except for a dull or lifeless sky. Or maybe you want to change the background used for a macro photo to make it more complementary to the tones in the subject.
If you're struggling with the autofocus of your camera and not achieving razor-sharp images on a consistent basis you've come to the right place. The following tutorial from an experienced pro demonstrates a variety of common mistakes and foolproof solutions for perfect results.
Most experienced photographers rarely shoot without a lens hood for several important reasons, whether they're photographing indoors or out. These affordable accessories not only protect the front element of a lens from damage, but they also improve image quality in a number of ways.
Color grading may seem like a daunting task, especially if you're an inexperienced Lightroom user. But it's important to achieve accurate tones because unnatural colors can quickly kill an otherwise great shot.
When I started in photography my pictures were factual; they fulfilled the “here’s what it looked like” requirement and checked off all the familiar guides: a clearly-defined subject; properly placed leading lines; the rule of thirds obeyed; backgrounds taken into careful consideration. But they were static images, and there was no real communication of what the images were about.
It took landscape photographer Mark Denney a while to get comfortable editing his photos using dodging and burning techniques. He admits that when he was a beginner, dodging and burning was something he often heard about, but always assumed was too complicated for him to try.
We've all felt this way as photographers. You start off knowing very little about photography but then with some instruction, some practice, and some simple trial and error, you start to see improvement. You may even see dramatic improvement with your photos.