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 |  Aug 01, 2006  |  0 comments

August
2006

On the
Cover


This month our focus is on optics. Aside from Test Reports on the newest optics,
we share with you the two must-have lenses for pro portrait photographers and
explore the useo...

George Schaub  |  Apr 22, 2013  |  0 comments
What is the optimal ISO setting for each shot? How do you decide on the ISO setting to balance shooting needs and image quality? Given that the lowest ISO possible gets you the best image quality, how do you make decisions based on lighting conditions and shooting needs, such as when you need increased shutter speed for hand held shooting or narrower apertures for increased depth of field? How do you decide whether ISO 100, 400 or 800 is best?
Ron Leach  |  Oct 31, 2006  |  0 comments

Back to the Future



by Ron Leach, Publisher

Even though the calendar says it is mid-October, we are currently in production
on the January, 2007 issue of Shutterbug magazine. That means it is once again
time to take stock of where we've been and where we are going. To that
end, we decided to look back at the turn of thisnew...

Anthony L. Celeste  |  Sep 10, 2013  |  0 comments
Green screens (and blue screens) are used to make it easy to blend in another background to a portrait or model shoot, anything from a plain backdrop to a scenic or cityscape. Many of us, myself included, have photographed models on a green screen background. The expectation is that it should be quick and easy to remove the green screen in Photoshop and drop in another image or color. Unfortunately, when you’re working with software, things don’t always turn out the way you planned.
George Schaub  |  May 10, 2005  |  0 comments

Backlight has been bedeviling photographers for years, particularly in landscape
pictures and those where you want to take a shot but simply showed up at your
location at the wrong time of day. Backlight in and of itself is not the problem;
it's how your meter behaves and how you make the reading that creates
it. Simply put, when the subject falls within its own shadow because the brightest
illumination is behind it the meter can be overwhelmed by the illumination and
"fooled" into thinking it has more light for the exposure than the
main subject dictates.

...

Stacey G. Lloyd  |  Jul 18, 2012  |  0 comments
Fall is that time of year when we as photographers aspire to capture the splendid color burst that surrounds us. After a few years it can be difficult to come up with new and fresh approaches. Combining camera movement with backlight is one way to capture the colorful exuberance of a bright autumn day.
George Schaub  |  Apr 22, 2013  |  0 comments
Think of the image you create with your digital camera as a negative and that you are a master printer who can take that negative and make as good a print as you have ever seen. When you adopt that mindset you begin to understand the potential of each shot. The expectation that you can do something more with an image can be built into every type of lighting condition, contrast and exposure problem you might face. The attitude should not be that you can “fix it” in software, it is that you should think beyond the exposure to what can be done to the image later when you download it to your computer and work with it in software.
Ron Leach  |  May 30, 2006  |  0 comments

Better Photos, More Sleep, Less Fungus



By Ron Leach, Publisher

I recently stumbled on a rather strange website dedicated to a description
of "bizarre May holidays." And there was National Photo Month, sandwiched
in between Better Sleep Month, National Good Car Care Month, National Barbecue
Month and National SaladMonth.

Jim Zuckerman  |  Nov 18, 2013  |  1 comments
Studio photographers have used black acrylic glass to create subtle reflections in product shots and portraits for many years. It’s a wonder prop because it adds an elegant quality to the photographs of many different types of subjects, from people to glassware to flowers.
 |  Mar 29, 2011  |  0 comments

Black And White Flower Portraiture

Light, Shadow, And Tone

by Endre Balogh

Our world is filled with so many beautiful subjects—people, landscapes, architecture, flowers, etc.—that I find it very difficult to limit myself to just one genre of photography. Flowers, with their extraordinary variety and dazzlingco...

George Schaub  |  Aug 29, 2006  |  0 comments

Black and White Imaging: Ilford's Perspective

by George Schaub

Given that we all have seen a shrinking in silver-based materials in general
in the last year, and in light of Kodak exiting the black and white paper business,
and Agfa leaving the black and white (and all photo) business altogether, we
were all leftwo...

George Schaub  |  Apr 24, 2007  |  0 comments

All Photos © 2007, George Schaub, All Rights Reserved

Here's a...

Jim Zuckerman  |  Dec 11, 2012  |  0 comments
The ultra intense colors emitted from phosphorescent paint under a blacklight grab everyone’s attention. These colors exist nowhere in nature and any photographer who loves to think outside the box should experiment with the amazing possibilities this technique affords.
Shutterbug Staff  |  Mar 28, 2006  |  0 comments

Blue Pixel Presents Nature's Best Photography Experience

Led By Award-Winning Photographer Daniel J. Cox

Nature's Best Photography™ Experience is a Unique Educational
and Instructional Event Appropriate for Digital Photographers of All Experience
Levels

Blue Pixel, the world's leading digital...

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