Picture This

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Alphabet Soup
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Staff  |  Sep 12, 2011  |  First Published: Aug 01, 2011  |  2 comments
Our Picture This! assignment this month was Alphabet Soup, and we asked readers to go on a kind of letter treasure hunt and find either actual mixes of letters or naturally occurring forms that made the shape of letters. Some readers responded with literal, if you will, images and others found forms and shapes in nature and architecture and even sculpture that filled the bill. This is what you could call a “frame of mind” assignment, where once you begin to seek a particular form or shape you almost can’t help seeing that form around you.
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Architecture/Composition
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Staff  |  Apr 25, 2014  |  First Published: Mar 01, 2014  |  2 comments
Our Picture This! assignment this month was “Architecture/Composition,” and we were seeking compositions that created an abstract from the entire form. These details often echo the overall design sense of the building itself, but also create an interesting composition in their own right. Readers sent in a wide variety of images that honed in on the play of shadow and light in building interiors and exteriors, with quite a few more than usual in black and white.
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At The Flea Market
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Staff  |  Jul 03, 2012  |  First Published: Jun 01, 2012  |  7 comments
Our Picture This! assignment this month was “At the Flea Market.” The amazing diversity of material found at flea markets and antique malls is grist for a photographer’s mill. Not only are there odd and unusual items aplenty—from castoffs to treasures unknown—there’s also the element of the yet-undiscovered art directors, the dealers and vendors who arrange these items in sometimes random, sometimes ironically intentional ways. When photographers talk about capturing “found art” they needn’t go farther than their local flea market to find all they need.
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Autumn In The Landscape
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Staff  |  May 17, 2012  |  First Published: Apr 01, 2012  |  29 comments
While it might seem odd to have fall colors in late winter, we thought we’d take advantage of the crop of image ops available when the contest began (those luscious fall hues) and to have a bit of color to fight off the winter blahs right now. In any case, readers sent in a host of images from all around the country showcasing the fantastic colors and richness of that very special season. Editing from all the photos received was tough, but we found numerous images that we hope that for you, like for us, was a reminder that seasons do change and that gray and cold (at least here in the Northeast) is not how it always is outside. Please note that while we did not limit the post-processing allowed on these images we tended to choose those where processing enhanced the image and did not overwhelm it.
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Backlight: Our Favorite Reader Photos from the Picture This Assignment
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Staff  |  Feb 13, 2015  |  0 comments

Backlit subjects can be tricky to deal with which is why we were so impressed with the terrific entries for this month’s “Backlight” Picture This! assignment. We were looking for images where backlight or strong directional light danced with the subject and boy did we get them. From unique uses of sunrises and sunsets to spotlight a silhouetted subject, to plays of light through fog, morning rays through a window, and many beautiful backlit scenes of nature, readers posted some fantastic images on Shutterbug.com for this assignment.

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City At Night
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Staff  |  Sep 04, 2012  |  First Published: Aug 01, 2012  |  6 comments
Our Picture This! assignment this month was City at Night, and we were seeking images that capture the unique combination of energy, light, and activity that characterize the nocturnal urban scene. Readers responded with images of great monuments lit by blazing lamps and tall buildings soaring through the night sky into the clouds, yet our eyes were also attracted to images that included people, admittedly often dwarfed by the manmade environment around them, but making their way through the streets and byways nonetheless. Images like this challenge us to find the right exposure times and ISO settings under sometimes tough capture conditions.
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Close-up Fill Flash
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Staff  |  Apr 05, 2012  |  First Published: Mar 01, 2012  |  4 comments
Fill flash, when applied appropriately, can bring out details, enhance color, and open shadows that might not be accessible if shooting with natural light alone. Our assignment for this month’s Picture This! was to bring a touch of fill to subjects that would benefit from this “taste” of light applied to a subject or scene. In most cases readers responded by using fill to highlight natural subjects, florals, birds, and the smaller creatures that inhabit the planet. Details became vivid, colors popped, and all the delight of nature’s design came to the fore.
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Color Play
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Staff  |  Nov 08, 2013  |  First Published: Oct 01, 2013  |  0 comments
This month’s Picture This! assignment was Color Play, where we asked readers to include as many colors as possible within the frame. Interestingly, the large majority of images we received were of subjects of man-made origin, perhaps showing that as humans we are so taken with color that we see it as an essential element in all the things we make. All in all, this assignment was a colorful one indeed.
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Construction Compositions
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Staff  |  Aug 20, 2013  |  First Published: Jul 01, 2013  |  1 comments
Our Picture This! assignment this month was “Construction Compositions” and we requested images that incorporated the color, design, and abstractions that building and industrial sites offer. Readers sent in images that showed the complexity of potential for rich images these places afford through the use of an intermix of angles and textures, the hubbub of human activity that goes into building, and in some cases ironic images that show the effect of all that effort on nature and within the cities we live. We also received photos that were almost lyrical in nature, with plays of light and color that an abstract painter could admire.
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Deep Depth Of Field
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Staff  |  Nov 06, 2012  |  First Published: Oct 01, 2012  |  3 comments
Our Picture This! assignment this month was “Deep Depth of Field,” creating compositions that rely on focus being sharp from near to far using all the tools of the deep focus kit—wide-angle lenses, closeness of camera to foreground subject, and as narrow an aperture as the lens and light could support. Readers responded with nature, scenic, urban, and abstract images, all made using some or all of the techniques described. There is something that is completely “photographic” about this technique, as the eye cannot “see” this without the aid of photography—it flicks around the real world from point to point quickly enough, of course, but there’s no set moment—except the photographic one—that makes all sharp from the nearest blade of grass to the farthest mountain.
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Echoing Forms Assignment: Our Favorite Reader Photos
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Staff  |  Nov 07, 2014  |  0 comments

Our Picture This! assignment this month was Echoing Forms and we received a fantastic group of images showing this compositional technique, where forms seem to “echo,” or repeat within a frame. Submissions ranged from images that captured repeating patterns in nature such as the leaves on a tree or blades of grass, to more made-made forms, including images of machines and architecture. There were even several eye-catching images where animals seemed to echo each other, in a true expression of “copycatting.” Please check out some of our favorite Echoing Forms images from readers in the next few pages.

 

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From Above
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Staff  |  Nov 03, 2011  |  First Published: Sep 01, 2011  |  1 comments
POV—point of view—is what this month’s Picture This! was all about. We asked readers to send in photos made from sometimes dizzying heights to show us all how where you stand and the lens you use can make for some great photo ops. Readers responded with some very exciting images of architecture, nature, and even people made from above. The results might just inspire you to take camera in hand and gain vantage points that make us all see the world in a brand new way.
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Going Around In Circles
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Staff  |  Jan 21, 2014  |  First Published: Dec 01, 2013  |  1 comments
Our Picture This! assignment this month was “Going Around in Circles” and readers sent in what one could characterize as “active” and “passive” interpretations. The active ones literally show something or someone going around in circles, a kind of visual pun on the topic, while the passive ones are more found objects and scenes that use the circle as a starting and strong point of the composition. We appreciated the irony of the former and the point of view of the latter. We also are continually struck by the high level of image making we see from readers, and have to say that this was one of the toughest assignments for us to edit down to the images you see selected here.
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Graphics: Found Signs And Symbols
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Staff  |  Aug 16, 2011  |  First Published: Jul 01, 2011  |  0 comments
The world is rich in symbols, some more apparent than others, but if you put yourself in a “graphics” frame of mind, as we asked readers to do for this month’s assignment, you’ll find more than your share of images to capture in the world around you. The nature of this assignment was to find abstractions, to use context merely as a frame and not a reference, and to find the image within the image where a graphic presented itself. In many cases the frame becomes a canvas and the image something that abstract expressionists would understand. While we did receive some composites for this assignment we favored images made “in the field” that used cropping and a “graphic eye” to make the shot.
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Handheld Pan
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Staff  |  Jan 12, 2012  |  First Published: Dec 01, 2011  |  3 comments
Our Picture This! assignment this month was Handheld Pan, a shooting technique that involves a long shutter speed and some sort of motion while shooting on the part of the photographer. We generally do everything we can to keep the camera steady and make sure there is no photographer-induced motion in a shot, including using image stabilized lenses, often elaborate tripods and heads, and even mirror lockup. The assignment requested just the opposite—adding motion to a shot that might include following a subject in motion across a plane, jiggling the camera to make lights record as lines rather than points, and even moving the camera in a circular motion to completely abstract the color and form.
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