Pro Techniques

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Jack Neubart  |  Dec 01, 2010  |  1 comments

Berlin is a vibrant city, alive with a history, culture, and counterculture all its own. I didn’t expect to fall in love with it, but did. Interestingly, everywhere you turn in this metropolis you see huge derricks craning their necks in the midst of constructing yet another building. While many scenes may reflect this burgeoning vitality, there are countless views free of any construction...

Stan Trzoniec  |  Aug 01, 2006  |  0 comments

My first macro lens was the popular Nikon 60mm Micro-Nikkor. Good move, I thought, as the 60mm focal length could double as an all-purpose lens for a variety of assignments. Trouble is, when I started to get into more and more 1:1 (life-size) work, I only had 21/2" of working space between the front of the lens and my subject. The 105mm was next, sharp as a tack but again...

Rick Sammon  |  Jun 01, 1999  |  0 comments

Many amateur photographers have a simple remedy for shooting in low-light conditions--they turn on their flash units and blast the hell out of a scene or subject. Well, that technique sure is effective. For a more pleasing and more creative picture...

Clint Farlinger  |  May 01, 2006  |  0 comments

As I look over my favorite photographs taken through the years, a common theme intertwines many of them together: serendipity has played a major role in creating those images. Given this, I decided I wanted to be lucky more often (as luck has it, this is actually possible). Recently I read an article about the science behind luck and how luck is not random, but rather something we...

Jim Zuckerman  |  Mar 25, 2014  |  0 comments

I have long been intrigued with kaleidoscopic images, but it’s virtually impossible to photograph into a traditional kaleidoscope because the hole through which you look to see the beautiful designs is too small. Several years ago I figured out how to construct a kaleidoscope that would permit photography, and I’ve always had a lot of fun with it. The cost is around $5-$10, and it can be put together in just a few minutes.

Rosalind Smith  |  Aug 01, 2002  |  0 comments

With many photographers pulling
up stakes as rents soar and landlords take advantage of the burgeoning
rental market, it was a pleasant surprise to walk into the spacious studios
of Michael Indresano and Craig Orsini, two Boston photographerswh...

Jody Gomez  |  Sep 01, 2009  |  0 comments

“I’ve done the calculations time and again,” Gomez says, “and I couldn’t run my own site for anywhere near the cost.”

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own...

Jody Gomez  |  Nov 01, 2008  |  0 comments

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own photographs, starting off with an entry-level 35mm Canon Rebel. In short order, Gomez was installed as the official photographer for the California Junior Bull Riders...

Jody Gomez  |  Oct 01, 2009  |  0 comments

“I’ve done the calculations time and again,” Gomez says, “and I couldn’t run my own site for anywhere near the cost.”

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own...

 |  Sep 01, 2008  |  0 comments

"I've done the calculations time and again," Gomez says, "and I couldn't run my own site for anywhere near the cost."

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking...

Jody Gomez  |  May 01, 2009  |  0 comments

“I’ve done the calculations time and again,” Gomez says, “and I couldn’t run my own site for anywhere near the cost.”

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own...

Monte Zucker  |  Jan 01, 2006  |  0 comments

Paul Aresu
I had worked before with some of the other Explorers. I had even employed and trained one of them. But I had never before experienced the likes of Paul Aresu, a New York-based commercial photographer. His clients are like a who's who of dream customers. Aresu is a freestyler. He shoots just like all the commercial photographers you see in...

Monte Zucker  |  Feb 01, 2006  |  0 comments

There's something about a good black and white image that makes it jump off the page. It should be simple, direct, and hit you right between the eyes. It stands on its own. It doesn't even need color to make it stand out. It has a full range of tones from a true, deep black all the way to a clear white...with detail throughout.

What kind of...

Howard Millard  |  Apr 01, 2008  |  0 comments

Albert Watson's powerful vision bridges the worlds of darkroom and digital. With more than 250 Vogue covers to his credit, three award-winning books, more than 650 commercials and music videos, he is a reigning master of both stunning black and white and cutting-edge color. His advertising clients include Chanel, Levi's, Gap, and Revlon, and his editorial work ranges...

Chris Maher and Larry Berman  |  Sep 01, 2007  |  14 comments

An educator since the early 1960s, Jerry Uelsmann began assembling his photographs from multiple negatives decades before digital tools like Photoshop were available. Using as many as seven enlargers to expose a single print, his darkroom skills allowed him to create evocative images that combined the realism of photography and the fluidity of our dreams.

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