Apple has released Aperture 2.1, which introduces an open plug-in architecture
that makes it easy for photographers to use specialized third party imaging
software right from within Aperture. Available today as a free software update,
Aperture 2.1 includes the Apple-developed plug-in, Dodge & Burn, which adds
brush-based tools for dodge (lighten), burn (darken), contrast, saturation,
sharpen and blur. Over the coming months, third party software developers will
deliver image editing plug-ins for localized editing, filters and effects, noise
analysis and reduction, fisheye lens correction and more.

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DxO Labs today announced that DxO Optics Pro v5, the latest version of its
award-winning flagship software application for automatic image quality enhancement
for Digital SLR camera users, now supports the new Nikon D3 camera body and
an initial selection of lenses. The addition of this professional Digital SLR
comes close on the heels of support for the recently released Nikon D300 advanced
Digital SLR. Lens correction modules for three popular Nikkor lenses are available
for the Nikon D3: the AF-S Nikkor 24-70mm f/2.8G ED, the AF Nikkor 50mm f/1.4D
and the AF-S Nikkor 14-24mm f/2.8G ED. Support for the Nikon D3 and lenses is
available in DxO Optics Pro v5 Elite.

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Apple today introduced Aperture 2, the next major release of its groundbreaking
photo editing and management software with over 100 new features that make it
faster, easier
to use and more powerful. With a streamlined user interface and entirely
new image processing engine, Aperture 2 also introduces new imaging tools
for highlight recovery, color vibrancy, local contrast definition,
soft-edged retouching, vignetting and RAW fine-tuning, and lets users
directly post their portfolios on the .Mac Web Gallery for viewing on the
web, iPhone, iPod touch and Apple TV. At a new low price of $199,
anyone can easily organize, edit and publish photos like a pro.

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Calumet Photographic offers affordable yet sophisticated self-contained flash
units, the Genesis 200w/s and 400w/s moonlights. These flash units provide all
the power and lighting control needed to create professional-looking portraits
and great still-life tabletop photographs. They provide recycling times as low
as one second. The Genesis flash units' 5-volt sync voltage is even safe
for today's digital cameras.

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The Sigma Corporation is pleased to announce the launch of the Sigma DP1 compact
digital camera featuring a 14 megapixel FOVEON X3 direct image sensor (2652
× 1768 × 3 layers) as used in the Sigma SD14 digital SLR.

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What is the appeal of "retro" photography? I mean, surely, hasn't everyone "gone digital" nowadays? And equally surely, wouldn't you admit that the three new ZV Classic lenses from Zeiss, for traditional Hasselblads, are as retro as they come?
The answer is no, on both counts.

First, film has no more been killed by digital than...

What is the appeal of "retro" photography? I mean, surely, hasn't everyone "gone digital" nowadays? And equally surely, wouldn't you admit that the three new ZV Classic lenses from Zeiss, for traditional Hasselblads, are as retro as they come?
The answer is no, on both counts.

First, film has no more been killed by digital than...

The Internet is so big, so powerful and pointless that for some people it is a complete substitute for life.--Andrew Brown

Recently Adobe's CEO Bruce Chizen announced that all their applications would move online within 10 years. The same day I saw a headline that "Comcast Blocks Some Internet Traffic," referring to the nation's second largest...

The Internet is so big, so powerful and pointless that for some people it is a complete substitute for life.--Andrew Brown

Recently Adobe's CEO Bruce Chizen announced that all their applications would move online within 10 years. The same day I saw a headline that "Comcast Blocks Some Internet Traffic," referring to the nation's second largest...

Here are a few things AJ Neste's learned about photographing surfers:
One, it's the singer, not the song. "The most important part of being successful at this," he says, "is knowing the surfer. It's not just showing up somewhere and taking photos of random surfers. You won't know their personal style."

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