Many photographers are uncertain about the difference between Photoshop’s Vibrance and Saturation tools, and how to use them when editing images. If you’re among the confused, this quick tutorial is for you.
When you really start to look for them, you’ll find reflections everywhere. For this assignment, we wanted you to capture reflections in a way that brought out their beauty and art.
Here’s the latest episode in a viral series in which fashion pro Jessica Kobeissi and three other photographers take on the challenge of shooting the same model to see what they come up with.
Regular visitors to Shutterbug’s website and Facebook page have no doubt noticed that we’ve been featuring a series of tutorials designed to help photographers refine their composition skills. This latest installment provides five powerful tips for composing landscape photos with maximum impact.
Michigan-based photographer Robert Hall came up with this interesting project while attending last week’s WPPI Expo in Las Vegas: He challenged two fellow photographers to an off-camera flash shootout, in which the three of them would devote no more than a minute to taking portraits of total strangers on the street.
Q. I recently purchased a Sony A7R II and have enjoyed the switch to Sony ever since. That said, I have discovered an “issue” with certain aspects of a mirrorless setup. There are times I would like to take shots of a subject at night using a flash. The problem arises when using the EVF to compose with settings that work for the exposure with flash. It is nearly impossible to see anything, as the EVF is just black! I am sure this is not just a problem with Sony EVFs, but other mirrorless cameras as well. Is there a button that you can map, similar to the Nikon “Preview” function? Something that will “light” the EVF so you can see what you have within your frame while composing would be perfect, but I do not recognize the function name within the menus if there is one. Is this just an inherent “problem” with mirrorless cameras with EVFs for now?
There’s a lot of interest in boudoir photography these days, and a recent tutorial on the subject was our most popular story over the past several months. Therefore, we decided to feature the video below, with a very basic technique for shooting boudoir photos, using simple gear and available light.
Tom Archer is a globetrotting British landscape photographer with a portfolio full of spectacular photos. He occasionally uses Photoshop to add a bit of magic to his images, like in this tutorial with a simple technique for enhancing photos shot at night.
Low-light photography is all about compromises, especially when shooting with natural light. You can use high ISO settings to arrive at a proper exposure, but image quality tends to suffer and noise rears its ugly head. The other option is to select slow shutter speeds, but that approach has pitfalls of its own.