LATEST ADDITIONS

Frances E. Schultz  |  Jan 01, 2006

If a picture is really brilliant, you don't have to worry about grain or sharpness or anything else: to quote Mike Gristwood, late of Ilford, "How much good would it do you to know the technical details of any one of Henri Cartier-Bresson's pictures?"

By the same token, if a picture is really bad, no amount of technical brilliance is going...

Shutterbug Staff  |  Jan 01, 2006

While traveling in northern Oregon on a hot summer day in 1987, I came upon an old, mostly abandoned community called Flora. It had very few die-hard residents left. On a neglected section of property, with waist-high grass, I spotted an old abandoned car I wanted to photograph. I decided to stop and ask permission at a shabby house nearby. An elderly lady in a sunhat appeared at...

David B. Brooks  |  Jan 01, 2006

There's one lens that's part of my 35mm/digital SLR system that I have used longest, continuously now for about 40 years. It is a homemade single-element soft-focus lens inspired by the Rodenstock Imagon lens for large format cameras. There are more images in my library of photographs made with this lens than any other. But why in this modern, high-tech world of...

Rosalind Smith  |  Jan 01, 2006  |  First Published: Jan 01, 2007

How do you translate an idea into an image? Or convert words into a photograph? How can a picture create a sense of fear and is this fear something we are born with? Perfect pitch... How might you define this phenomenon with your camera? Or hypergraphia, the compulsive need to write?

These were among the puzzles that confronted Cary Wolinsky for his story on...

Wayne Beauregard  |  Jan 01, 2006

Photography is a wide-ranging field that engenders passion in its practitioners, and like all great forms of expression creates opinions formed through experience and reflection. In its early days one of the great debates was: Is Photography Art? This was the subject of many essays and heated discussions among players and spectators. Today, issues such as film vs. digital, format...

Shutterbug Staff  |  Jan 01, 2006

This month's Picture This! assignment was Patterns in Nature. Readers responded with a glorious selection of design, form, and color derived from plants, rocks, and animals. While the debate over so-called "Intelligent Design" and evolution may stir some to emotional rhetoric, there's some respite in simply marveling at and enjoying the visual pleasures...

Joe Farace  |  Jan 01, 2006

Lots of software filters let you apply a certain look after an image is created and some of them mimic the kind of effects camera filters produce while an image is captured. As much as I love using filter plug-ins, they are really postproduction tools for use after a photograph has been acquired. Camera filters are production tools that let you capture images in many ways that...

Peter K. Burian  |  Jan 01, 2006

The smallest and lightest digital SLR on the market at the time of this writing, the *ist DL is also among the most affordable in the 6-megapixel category. As the entry-level model in the Pentax line, it was designed for simplicity of operation, yet it's surprisingly versatile, with a full slate of semiautomatic and manual features as well as overrides for full control.

Roger W. Hicks  |  Jan 01, 2006

In accordance with my predictions that medium format will move increasingly toward the specialist or niche market, there are no fewer than eight new panoramic rollfilm cameras since last year: one of the most active sectors in traditional silver-halide photography. In reverse alphabetical order, they are Walker/Canham, Shenhao (two models), Noblex, Gilde, and Fotoman (three...

Roger W. Hicks  |  Jan 01, 2006

Do you love black and white photography? If so, does this sound like a dream camera to you: inexpensive, easy to use, forgiving, and capable of the finest results in the world? I thought it might. Welcome to the world of 5x7".

 

Inexpensive? Yes. The last 5x7 I considered, but didn't buy, was a twin-lens (!) on its own studio stand. It...

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