LATEST ADDITIONS

nik multimedia’s Color Efex Pro 2.0; …With A Focus On B&W Effects
Jon Sienkiewicz  |  Mar 01, 2006

An old adage says that beginning photographers start out shooting black and white, graduate to color, and then return to black and white when they become good photographers. Student film shooters begin with black and white because it's easier to process and print than color material, but they soon learn that it's not any easier to get top-quality results.

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News & Notes
Shutterbug Staff  |  Mar 01, 2006

We welcome your comments on articles, photo and digital events, feedback on how we're doing, constructive criticism, and friendly advice. We reserve the right to edit for brevity and to paraphrase longer comments if necessary. You can send us letters by US mail at Editor, News & Notes, Shutterbug Magazine, 1419 Chaffee Dr., Suite #1, Titusville, FL 32780, or by e-mail...

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Master Class
Master Class
A Shared Experience; Photo & Digital Arts Go Hand In Hand
Monte Zucker  |  Mar 01, 2006

Eddie Tapp, my personal Photoshop guru/teacher, and I joined together to teach portraiture and wedding photography in Hollywood, Florida, for our first annual class. I've been studying Photoshop with Eddie for years, but had never taught a class with him. We went from concept to completion. We did it all...created images, put them through a production routine, and...

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News
Elegant Accessory For Laptop Computer Users
Shutterbug Staff  |  Mar 01, 2006

Plasticsmith has introduced a slick (and functional) accessory for those whose
laptop does double duty as a desktop computer. Constructed of laser-cut steel
with a polished acrylic platform, the attractive Lapvantage Loft raises your
computer to eye level for optimal viewing. There's room beneath the platform
to store an external keyboard--a nice feature for those with limited desk
space.

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Newsletter
March Table Of Contents
Shutterbug Staff  |  Mar 01, 2006

March
2006

On
the Cover

This month we have a variety of special reports on workflow, converters...

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Help!
Robert E. Mayer  |  Mar 01, 2006

Here is a quick tip list on letters for the HELP! desk:
Please confine yourself to only one question per letter. Both postal letters and e-mails are fine, although we prefer e-mail as the most efficient form of communication. Send your e-mail queries to editorial@shutterbug.com with Help in the subject header and...

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Editor's Notes
“Tools, Techniques & Creativity”
George Schaub  |  Mar 01, 2006

Readers of Shutterbug will recognize a change in this issue, one that has been in the works for a while and that came to fruition through the energy and effort of all the staff, especially Art Director Richard Leach. Our aim in this design change is to continue to bring you all the information and images Shutterbug has delivered in the past with a fresh look and approach. We made...

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Digital Help
Digital Help
Q&A For Digital Photography
David B. Brooks  |  Mar 01, 2006

Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and...

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Digital Innovations Speed Photographers’ Workflow; Not Your Grandpa’s Ordering System
Steve Bedell  |  Mar 01, 2006

I'm going to take you on a trip to the not so long ago past, maybe about the year 2000 BD (Before Digital). Let's watch a photographer from Snap Studio go about his wedding order. First he shoots the job on two cameras, the "big" medium format camera for color and the little 35mm camera for his artsy black and white shots. He's careful to number his...

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Genuine Fractals 4.1; Resampling With GF Might Make The Megapixel Race Moot
George Schaub  |  Mar 01, 2006

I have a bunch of prints on the walls and desktops of my studio, and I almost can't believe my eyes. For years I have been stubbornly teaching that image resolution (in pixel dimensions) and physical print size were in lock step, and even scoffed at a camera maker for claiming that their 5-megapixel digicam could produce 20x24 prints. Make a good 13x19 from anything less...

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