Pro Techniques

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Barry Tanenbaum  |  Jan 31, 2013  |  First Published: Dec 01, 2012  |  22 comments

While most of us are dedicated to capturing fleeting moments by slicing seconds into ever smaller fractions, Michael S. Miller has a different tale to tell. In a project he calls Long Light, he takes the time to let the moments simply accrue.

 

Long Light began with Michael’s viewing of historic view camera images. One in particular—a Mississippi riverboat, blurred by the camera’s slow shutter speed—caught his attention. “The water had this mystical kind of feeling to it because of the long exposure,” Michael says, “and I thought, all right, let’s see what happens if I do some long exposures of rivers.”

Jack Neubart  |  Jan 22, 2013  |  First Published: Dec 01, 2012  |  6 comments

“Many of my portraits come out of the sense that it is a conversation with the person being photographed,” Donald Graham observes. “It’s important to look deeply into a person’s eyes and, in so doing, to understand better who that person is.”

 

Graham, who works around the world but primarily in Los Angeles and New York, did not arrive at this viewpoint overnight. A pro shooter since 1983, he focuses on fashion, movies, music, and advertising. “My specialty is clearly people.”

Rich Sheremeta  |  Dec 19, 2012  |  First Published: Nov 01, 2012  |  1 comments

Montana’s rich mining history dates back well over 100 years. In the year 1852, gold was first discovered southeast of Drummond, along Gold Creek, at a site that later became known as the Pioneer Mining District. But it wasn’t until a decade later, in 1862, that a group of prospectors from Colorado discovered gold along Grasshopper Creek, at what was to become the Bannack Town Site, which fueled the Montana gold rush.

Joel Beemer  |  Dec 11, 2012  |  1 comments

t was when my knees began creaking that I came to realize it was time to stop hauling around a monorail 4x5” camera system in the field. Something smaller and lighter was needed.

Maynard Switzer  |  Dec 05, 2012  |  1 comments

Travel is, by definition, motion, and among the photos I always look for on my travels are the ones that capture people in motion. For me motion falls into two categories: one I call sports movement, the other fashion movement. Sports movement is the bobsledder on his run down the track that results in a photo that’s a rush of color and a blur of background; fashion movement is motion that’s almost stopped—“almost” because the person’s activity is implied in the captured movement, and that’s what I do most of the time.

Jack Neubart  |  Nov 26, 2012  |  First Published: Oct 01, 2012  |  2 comments

“I started in my father’s darkroom, retouching negatives at 5 years old,” recalls New York City-based photographer Paul Aresu. “My father was a wedding photographer, with 10 studios and maybe 50 photographers working under him.” In his late teens, Aresu was already shooting weddings for his dad. “It grew from there.” He achieved a BFA from New York’s School of Visual Arts and went on to assist Pete Turner and Tom Arma for several years. “I learned a lot about the business from them.”

Barry Tanenbaum  |  Nov 21, 2012  |  First Published: Oct 01, 2012  |  1 comments

Who: Robert Beck, staff photographer for Sports Illustrated.
What: Infrared (IR) photography.
When: “The editors give me some leeway,” Robert says, “but I’m not going to be using it for a decisive putt.”
Where: Golf courses all over the world.
Why: Although the job calls for capture of the peak moment, the turning point, the key play, the tense concentration, the moment when the athlete’s body language gives it all away, there’s always the professional and personal challenge to do something different.
How: With a Nikon D700 modified for infrared photography.

Chuck Graham  |  Nov 19, 2012  |  First Published: Oct 01, 2012  |  4 comments

“A super wide-angle lens will encompass Mount Whitney and Mount Russell with Iceberg Lake in the foreground.”

 

Mount Whitney, located on the eastern fringe of Sequoia and Kings Canyon National Parks, is the tallest peak in the Eastern Sierra and the contiguous United States. A four-hour drive north of Los Angeles, its lofty summit at 14,494 feet is sought after by hikers and climbers from all over the world. It’s also a favorite of landscape photographers seeking to capture the right compositions as soft pink and orange hues soak into the gritty granite mountain at dawn.

Kim Wilson  |  Nov 12, 2012  |  First Published: Oct 01, 2012  |  1 comments

Lise Gagné is a stock photographer from Quebec City, Canada. An exclusive contributor with istockphoto.com since her first photo submission in 2003, she is a superstar on the popular microstock website.

 

Lise’s story is one of passion, persistence, ingenuity, and timing. As a graphic designer she often used photography in her work. One day, when searching for an image she needed for a project, she came across istockphoto.com and was immediately attracted to the idea of creating images for the then emerging market of RF (Royalty Free) images.

Lou Jacobs Jr.  |  Oct 23, 2012  |  First Published: Sep 01, 2012  |  1 comments

Mobile, Alabama-based photographer Laura Cantrell says, “Mothers trust me to capture and preserve the magic in childhood.” Her photography business in Mobile was inherited from her father who sent his 17-year-old daughter on her first assignment to photograph a train wreck with a 4x5 Speed Graphic. By assisting her dad at weddings and shooting portraits she learned lighting, posing, and how to please clients.

Jack Neubart  |  Sep 10, 2012  |  First Published: Aug 01, 2012  |  5 comments

Erik Almas is truly passionate about his photography and will go to great heights to shoot a picture—literally. He and his camera have gone mountain climbing, skydiving, and flying in microlight aircraft. That said, most of his images are shot on terra firma.

 

Beyond that, he will spend upward of $10,000 on a personal project to create images he strongly believes in for his portfolio. The project may involve travel with a crew and hired talent and renting gear where needed. He does not believe in limiting himself or his creative vision, and his clients appreciate that.

Maynard Switzer  |  Aug 27, 2012  |  First Published: Jul 01, 2012  |  2 comments

Often people will ask me, “How do you get that great color in your photos?” I appreciate the compliment, but it’s usually followed by, “You must do a lot of retouching.” Actually I don’t. I will do a little color enhancement, but how color looks in my images has to do partly with how I set certain camera controls, how I control or use lighting in the scene, and how I compose the photograph.

Lou Jacobs Jr.  |  Aug 17, 2012  |  First Published: Jul 01, 2012  |  2 comments

Orest Macina says he is “a self-taught photographer interested in painting with light to capture the beauty all around us in vivid colors.” He holds a Ph.D. in Theoretical Computational Chemistry, and has worked in the pharmaceutical field. He first became interested in photography in high school, though his interest lagged through college, graduate school, career, and marriage.

Barry Tanenbaum  |  Aug 13, 2012  |  First Published: Jul 01, 2012  |  2 comments

Ron Magill is a trained zoologist and the communications director of the Miami-Dade Zoological Park and Gardens—Zoo Miami for short—and if you think that gives him an advantage when it comes to taking outstanding wildlife images, you’re right. But don’t turn the page. What’s needed to get a share of the wildlife “Wow!” factor is technique, access, and information that’s available to all. You will also need dedication and persistence. Above all, be sure to pack your patience along with your camera and lenses.

Jack Neubart  |  Aug 03, 2012  |  First Published: Jun 01, 2012  |  1 comments

“My dad won a Nikon FM at a company-sponsored event when I was 12, and, the moment he handed the camera over to me, it was love at first sight,” Nels Akerlund recalls. Six months later, he’d built a darkroom in his basement and that love affair with photography has not abated. It carried him through the Rochester Institute of Technology, an internship with a White House photographer in the Reagan administration, and assignments for the National Geographic Society, The New York Times, and photo shoots worldwide. He shares this passion with his wife Anna, who is also his business partner and fellow shooter. Aside from weddings, Akerlund shoots architecture, food, small products, and of course portraits in his studio and on location. He and his wife operate a spacious, two-story, 2000-square-foot studio behind their home in Rockford, Illinois.

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