George Schaub
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Amateur Digital SLRs
George Schaub Nov 10, 2011 Published: Oct 01, 2011 5 comments
The 12.1-megapixel Nikon COOLPIX P500 ($399.95, MSRP) is an integral lens camera with an incredible zoom range of 36x—that’s optical, not digital zoom and it gives you the equivalent angle of view of a wide-angle 22.5mm to a super tele of 810mm! The Zoom-Nikkor ED glass lens can also be used for “super close-ups” with a minimum focusing distance of 0.4”.
George Schaub Oct 28, 2011 0 comments
The new Nikon P7100 offers many function buttons and dials along with a large mode dial on the top to choose standard exposure modes like P, S, A and M. The camera offers a full automatic mode, scene modes and special effect modes (like B&W, sepia tone effect, “High Key” effect and more). In addition, the P7100 offers three user modes that can be saved as U1-U3 and accessed directly on the mode dial.
Editor's Notes
George Schaub Oct 28, 2011 Published: Sep 01, 2011 25 comments
The revised website at www.shutterbug.com is now online. This new iteration maintains all the archived stories of the past site—with postings from all our articles from over the past 12 years—plus new features that make searching easier, sharing more accessible, and now the ability for registered users to comment on all our postings. The new site is the result of hard work by numerous people from our team and we trust it will become one of your main sites for photographic news and views and research.
Paper & Ink
George Schaub Oct 27, 2011 Published: Sep 01, 2011 5 comments
Let’s face it—some images just look better on a glossy surface. Yet, some folks spurn gloss for its “commercial” cachet and snapshot aesthetic. For those who prefer a “crisp” look to their prints but eschew gloss for practical and aesthetic reasons, a paper like the new Lasal Exhibition Luster could do the trick. Replacing Moab’s former Lasal Photo Luster (a 270 gsm paper vs. this one’s 300 gsm), this Resin-Coated (RC) paper has a bright white base, is flexible yet strong, and touts a new coating technology that the company claims yields improved scratch resistance and enhanced “opacity.” The paper is affordable for its class, with letter-size paper well below $1 per sheet (in 50-sheet packs), 13x19” at slightly under $2 a sheet, and a 17”x100’ roll at $143, all quoted from the company’s website.

Being an RC paper, the company says you can print using either dye or pigment-ink printers, although it says pigment is preferred. Lacking a dye printer our print runs were done using an Epson 3800 (pigment) printer using Epson (Premium Luster) and Moab ICC profiles, and both Photoshop and Epson printer controls. Color and black-and-white images of landscapes, people, and graphics were chosen for the tests. Prints were left overnight to cure, although we note that prints were instant dry and the paper showed no signs of ink “wetness” sometimes seen with fiber-based papers right off the press, and there was no dry down effect perceived. Prints were made with Photo Black ink settings.

George Schaub Oct 18, 2011 0 comments
The Olympus E-P3 is the follower of the E-P2 and E-P1, the first Olympus Micro Four Thirds cameras that were offered as “retro style cameras”. The E-P3 offers the same image sensor as the E-P2, with a nominal resolution of 12MP, but the E-P3 uses a newly developed image processor unit called “TruePic VI” plus offers some enhancements in the AF-speed. The automatic focusing system is really fast and showed a very good performance during our tests. In addition it has some special modes like “AF tracking mode”, which will help both photographers and videographers.
Vote
George Schaub Oct 17, 2011 65 comments
Please comment briefly on your shooting experience with a compact system camera.
What’s your reaction to Compact System Cameras, small mirrorless cameras with interchangeable lenses?
I am intrigued by their small size and compact lenses, but have not used one yet.
52% (46 votes)
I am unconvinced that they can match the quality and viewing experience of a DSLR format.
28% (25 votes)
I own one and am happy with image quality and viewing experience.
20% (18 votes)
Total votes: 89
George Schaub Oct 10, 2011 0 comments
This is a test report on the new Panasonic FZ48 integral lens camera. The camera looks like a compact SLR. It has a big grip on the right hand side of the body, which allows for comfortable handling for shooting, important for a long-range zoom such as this.
George Schaub Sep 30, 2011 4 comments
The SD1 is Sigma’s new flagship SLR system. It uses a brand new sensor with Foveon technology and a nominal resolution of 14.8 MP. This means that the camera is able to record RGB information for every single pixel. Standard digital cameras use sensors with the “classic” Bayer pattern, which means that every single pixel detects only one color information (red, green or blue) and then must undergo color interpolation.
Editor's Notes
George Schaub Sep 16, 2011 Published: Aug 01, 2011 0 comments
In this issue we feature the TIPA Awards for products in 40 different categories and I thought you might like to know how the finalists were chosen. TIPA, the Technical Image Press Association, is composed of representatives from photographic magazines around the world, editors, who go through the process of first nominating products by a Technical Committee and then voting on what they consider the best or most innovative products in their respective categories. Editors are from pro, advanced amateur, and amateur photo magazines, including those from Australia, Canada, Germany, Greece, Hungary, Italy, the Netherlands, Poland, South Africa, Spain, the United Kingdom, and the United States, from which Shutterbug is the sole member.
Accessories
George Schaub Sep 15, 2011 Published: Aug 01, 2011 1 comments
Having shot with numerous Lensbaby products over the past years I’ve almost grown accustomed to their ingenious approach to image-making tools and the equally ingenious way in which they approach product design. I do have to admit that one area in which I took less advantage than I might have was in aperture control and how that affected depth of field in my Lensbaby shots, more from laziness or simply forgetting about changing the aperture inserts as I got involved in the shoot. (For those who have not shot with Lensbaby optics you lift in and drop out, via supplied magnetic wand, the various aperture rings corresponding to the diameter of the desired aperture for the optic in use.) Now, this impediment to getting the most from the optics (admittedly, again, my own) is removed with their latest product, the Sweet 35 Optic.