Perhaps the most versatile of all moderate tele zoom focal lengths, the 70-200mm or thereabouts range is a hallmark and standard-bearer for many optical companies. Being a constant aperture (fast) zoom, this lens opens up numerous focusing, depth of field and perhaps as important low light shooting possibilities that make it a lens most Canon photographers aspire to own. Introduced last year, we got a chance to work with one and were so impressed we thought we’d revisit it with a quick review.
Photography and travel have always been intertwined. Ever since photography was invented photographers have been exploring the world, both locally and globally, with images. The camera becomes motivator and instigator, witness and commentator, of the social, natural, and wondrous sites that surround us. And while many of the articles and images in this issue deal with particular projects undertaken by a wide range of photographers, there’s no reason to think you have to travel far and wide to discover what that magical combination of camera and travel can do for you.
Feeling very much in hand like a pro camera, with magnesium alloy top and rear body construction, the Nikon D7000 (list: $1199, body only) has all the bells and whistles of a modern D-SLR, including a high megapixel count CMOS sensor, a new image processor to handle all the data it can capture, including 14-bit NEF, a high ISO 6400 “normal” (expandable two stops), and the currently requisite 1080p HD movie capability. This DX (APS-C) format camera also features dual SD card slots, with spillover or format sort capability, a nice and speedy 6 frames-per-second (fps) shooting capability for up to a 100 frame burst (JPEG), and full-time AF with video and Live View. The monitor is bright and highly readable in just about every lighting condition. Unfortunately, it is fixed and does not articulate, but the penta-prism finder makes one pray that Nikon will never go EVF (electronic viewfinder), yielding 100 percent coverage and being a pleasure to view through, especially after suffering some recent EVF obscuring experiences.
Inkjet printmakers have nothing to complain about when it comes to paper choices. There are glossy, semigloss, and matte surface papers galore, each with their own charm and cachet. Regarding the latter aspect, Somerset is no slouch, having
established a reputation in both inkjet and other art papers many years back.
Their latest entry into the inkjet market is Somerset Museum Rag, distributed by Moab. This 100 percent cotton, 300 gsm paper displays a smooth matte surface, a considerable, but not yellowish warm tone, and while strong and fairly thick, is actually quite supple. The paper is single-sided, which means the tooth is on one side only, and telling the printable from the backing side is not something that will be immediately apparent. For that reason the packaging comes with a stick-on label that says “printable THIS SIDE.” You would do well to keep the original cellophane packaging until you get a good feel for the surfaces. I found that if you rub your thumb along the surface the differences become clear, with the printable surface evoking somewhat of a higher pitch.
The Samsung NX11 is the follower of the NX10. Like the NX10 it is a compact system camera with an APS-C-sized sensor and a nominal resolution of 14.6 MP. The most important difference to the NX11 is the “i-Function” technology, which allows the user to set up image parameters very quickly and intuitively. The NX11 offers this technology right out of the box; the NX10 now offers “i-Function” via a firmware update.
For the past few months I have been slowly cataloging prints I’ve made over the past years. This entails signing, dating and numbering the prints and then making an Index. I decided the easiest way to maintain and expand the list as I continued cataloging would be a blog. That was only the beginning of the project, it turns out.
The Pentax WG-1 GPS is a compact camera with a 5x zoom lens (28-140mm) and a robust body, which is water proved to 33 ft, shock proof (5 ft drop down) and an integrated GPS system. The camera offers 14 MP resolution and some extraordinary features like “Digital Microscope” mode.
Image processing has always been an important facet of photography, even in these post-film days. Indeed, even working from film, most photographers now go the scan route so that all images get poured through the digital funnel as they make their way to print and online. While we often run processing technique articles that concentrate on Adobe Photoshop, the reviews here feature other products that pose an alternative to that most impressive program and that might just handle many of your conversion, manipulation, and editing needs. It is rare these days that one software package can do it all, and many exciting programs are available that offer unique ways for you to work your images.
Remote viewing and shutter release capability opens up a host of picture opportunities, from working high atop camera platforms from ground level to very low-level shooting without muddying your clothes (given your camera lacks an articulating monitor) to placing your camera in spots and being able to view and shoot without your being right behind the viewfinder. Many photographers routinely work with radio triggers for flash, especially in studio environments where the lights are set in position and photographer and model or subject move. The Hähnel Inspire adds to the mix with remote shutter release and viewing in one.