George Schaub
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Newsletter
George Schaub Mar 29, 2005 0 comments

One of the reasons that many people are getting into making prints at home
these days is that inkjet prints are simpler to make and more permanent than,
in many cases, photographic prints (dye based projection, that is.) With recent
advances in ink and paper technology from companies such as Epson and HP we
now see the potential, given proper storage, of digital prints lasting more
than 100 years. Even snapshot size prints, according to Wilhelm Research, from
portable printers like the popular and relatively diminutive PictureMate from
Epson can last three generations or more. And most of the newer printers don't
even require the intermediary of the computer to make very good looking prints.

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News
George Schaub Oct 18, 2004 0 comments

Elinchrom has introduced the Style 400 BX portable compact flash units. Two new
inexpensive kits, street priced at $995 and $1098, incorporate the latest innovations
in Multivoltage technology with all the accessories necessary to plug-in anywhere.



Featured in both kits, the EL 400 BXECON and EL 400 BX KIT, is the new Style BX
400 Multivoltage with automatic voltage detection from 90 V--260 V, a rapid
recycle time of 1 sec. in a lightweight monobloc weighing only 4.3 lbs.. Additionally,
both kits offer the new digitally stabilized 400BX monoblocs along with all the
lighting equipment and accessories necessary for capturing the most demanding
images while at the same time giving the photographer the ability to travel quick
and light. The EL 400BXKIT adds two Manfrotto light stands and a convenient Stand
Bag.



The new Style 400 BX Multivoltage compact flash unit features power ranges of
25 - 400 Ws and has the ability to work with 5 f-stops, ranging from 1/16 to 1/1.
The 400 BX is lightweight, weighing only 4.3 pounds (1.95 kg) and is compact for
in or out of studio use, with dimensions of 21 x 14cm (length x diameter). The
new head kit includes a plug-in omega flashtube precisely positioned 20 mm from
the internal reflector. The positioning helps avoid uneven illumination that often
results from non-concentric or U-shaped flashtubes.



Web: www.bogenimaging.us


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Newsletter
George Schaub Aug 30, 2005 0 comments

The promise of digital imaging is that you can get one-touch corrections on
your photographs, making it easy to create the best images you can from every
picture you take. The phrase: "I won't worry about white balance,
exposure or contrast, etc....I'll fix it in Photoshop" is commonly
heard, but it isn't always the best course. If you shoot in Raw mode you
can fix anything, even exposure compensation, later, but not everyone wants
to go through the steps of working with Raw converters and all those sliders
and options. That's where the supposed magic of "auto" fixes
come into play, and yes, there are times when it can do wonders. Today, cameras
even have auto red-eye fix and amazing adjustments for backlighting problems.

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Newsletter
George Schaub Dec 07, 2004 0 comments

Every month in Shutterbug we publish photographs from readers based on an assignment
published in a previous month's issue. We get hundreds of photographs
from readers all around the world and unfortunately we are limited to publishing
just a small fraction of the work we receive. We've had topics including
"Black and White in Color", "Silhouettes" and "Historical
Reenactments." Our purpose in creating this section in the magazine is
to create a visual forum for readers and to challenge them to fulfill assignments.
It's always a delight to open the packages we receive. I know the thrill
I got when my fist photo was published, and my hope is that the same excitement
is shared by those whose images we select to publish each month.

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News
George Schaub Oct 04, 2004 0 comments

SanDisk
Corporation has introduced the world's fastest flash memory cards --
the SanDisk Extreme III line of CompactFlash, SD and Memory Stick PRO digital
film cards. The CompactFlash and SD cards have minimum write and read speeds
of 20 megabytes per second (MB/sec.).Memory Stick PRO has minimum write and
read speeds of 18 MB/sec. The SanDisk Extreme III cards, which range in capacity
between one and four gigabytes (GB), have essentially double the performance
speeds of SanDisk's predecessor Extreme product line which currently has
the fastest working cards in many of today's leading digital single lens
reflex (SLR) cameras.

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Newsletter
George Schaub Nov 09, 2004 0 comments

While you can choose enhanced color saturation when using your digital camera
via the Menu, this choice generally adds saturation to all colors at once. This
might work fine for some subjects, but there are many ways to "juice up"
selective colors later in the software. We'll work with two controls here,
Hue/Saturation and Selective Color, both used as Adjustment Layers.


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News
George Schaub Apr 26, 2005 0 comments

There's lots to like about the new Olympus C-7000 camera, including the
size of the image files it puts out and the "seamless" 30X zoom
(5X optical and 6X digital combined) that delivers better quality digital zooms
than many cameras we've worked with in the past. The C-7000 is aimed at
those who like to get involved with their photography, and offers as many options
and modes as you could desire. They certainly make this a camera that allows
you to flex your creative muscles. Granted, you have to delve into the menu
to get at most of the options, something that helps streamline the body but
can hold up spontaneous changes.


Olympus C7000 camera from file (PMA)

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Newsletter
George Schaub May 10, 2005 0 comments

Backlight has been bedeviling photographers for years, particularly in landscape
pictures and those where you want to take a shot but simply showed up at your
location at the wrong time of day. Backlight in and of itself is not the problem;
it's how your meter behaves and how you make the reading that creates
it. Simply put, when the subject falls within its own shadow because the brightest
illumination is behind it the meter can be overwhelmed by the illumination and
"fooled" into thinking it has more light for the exposure than the
main subject dictates.

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Newsletter
George Schaub May 24, 2005 0 comments

While the usual photographic rules, such as using shutter speed to portray motion
(slow to blur, fast to freeze) and using focal length, aperture and camera-to-subject
distance to create a certain depth of field apply to both film and digital photography,
digital offers some intriguing options for making camera settings. In some cases
these settings relate to film photography settings, or choosing a specific film
for its "personality", but with digital you can alter these settings
on every frame you shoot and not be restricted to the attributes of a particular
film you might have loaded in the camera.

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Newsletter
George Schaub Oct 25, 2005 0 comments

It's 10PM: Do You Know Where Your Pixels Are?

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