George Schaub

Sort By: Post Date | Title | Publish Date
Filed under
George Schaub Posted: Nov 28, 2011 Published: Oct 01, 2011 2 comments
In this issue we feature images from the last roll of Kodachrome film ever processed. Steve McCurry’s work has always been admirable, but here the photographs have a special poignancy because they will be irrevocably tied to the end of an era in photography. These iconic images now reside in the Eastman House in Rochester, a fitting setting for them among the daguerreotypes, albumen prints, kallitypes, and other images created by processes that have become part of history. True, you can emulate the “look” of these processes with software, and even recreate some of the old paper print processes using custom-mix chemicals and old formulae, but I doubt very much that anyone is going to attempt to set up the massive machinery and chemical soups required to allow Kodachrome to be processed ever again.
George Schaub Posted: Sep 30, 2011 4 comments
The SD1 is Sigma’s new flagship SLR system. It uses a brand new sensor with Foveon technology and a nominal resolution of 14.8 MP. This means that the camera is able to record RGB information for every single pixel. Standard digital cameras use sensors with the “classic” Bayer pattern, which means that every single pixel detects only one color information (red, green or blue) and then must undergo color interpolation.
George Schaub Posted: Sep 07, 2011 2 comments
The A-35 is based on the Sony SLT system, which means the camera uses a translucent mirror system. The mirror is fixed and therefore the camera doesn’t offer an optical SLR viewfinder; instead, it uses a high resolution electronic viewfinder and an LCD monitor – just like a CSC (compact system camera).The ELV of the Sony A35 has a resolution of 1.15 million RGB dots and shows a very crisp and clear image.
Filed under
George Schaub Posted: Oct 27, 2011 Published: Sep 01, 2011 5 comments
Let’s face it—some images just look better on a glossy surface. Yet, some folks spurn gloss for its “commercial” cachet and snapshot aesthetic. For those who prefer a “crisp” look to their prints but eschew gloss for practical and aesthetic reasons, a paper like the new Lasal Exhibition Luster could do the trick. Replacing Moab’s former Lasal Photo Luster (a 270 gsm paper vs. this one’s 300 gsm), this Resin-Coated (RC) paper has a bright white base, is flexible yet strong, and touts a new coating technology that the company claims yields improved scratch resistance and enhanced “opacity.” The paper is affordable for its class, with letter-size paper well below $1 per sheet (in 50-sheet packs), 13x19” at slightly under $2 a sheet, and a 17”x100’ roll at $143, all quoted from the company’s website.

Being an RC paper, the company says you can print using either dye or pigment-ink printers, although it says pigment is preferred. Lacking a dye printer our print runs were done using an Epson 3800 (pigment) printer using Epson (Premium Luster) and Moab ICC profiles, and both Photoshop and Epson printer controls. Color and black-and-white images of landscapes, people, and graphics were chosen for the tests. Prints were left overnight to cure, although we note that prints were instant dry and the paper showed no signs of ink “wetness” sometimes seen with fiber-based papers right off the press, and there was no dry down effect perceived. Prints were made with Photo Black ink settings.

Filed under
George Schaub Posted: Oct 28, 2011 Published: Sep 01, 2011 25 comments
The revised website at www.shutterbug.com is now online. This new iteration maintains all the archived stories of the past site—with postings from all our articles from over the past 12 years—plus new features that make searching easier, sharing more accessible, and now the ability for registered users to comment on all our postings. The new site is the result of hard work by numerous people from our team and we trust it will become one of your main sites for photographic news and views and research.
Filed under
George Schaub Posted: Aug 24, 2011 0 comments
It’s not only New Yorkers who experienced the horror and sadness, and incredible human spirit brought forth by the events of 9/11. This event, which has changed the world in both profound and subtle ways, is something that all can relate to. While none who were alive that day will ever forget where they were at the time of the attacks, it is important to keep in mind not only the people who we lost, but those who served above and beyond the call of duty to serve their fellow human beings. This show, held at the Time Warner Center in New York, brings this event and the people involved to the forefront, and is a moving tribute to their spirit and humanity.

We recently attended this exhibition and encourage everyone who has the chance to do so, and hope that the images and words it contains will be brought to more venues so all can experience it. What follows is part of the press material distributed at the opening, where many of the individuals pictured were on hand to share their stories and experiences. It reminded us all why photography and story telling are so important a part of history, and can serve as both remembrance of those who have passed and as honoring those who served. This special exhibition was sponsored by  Nikon, with modern prints sponsored by Adorama. On hand was Mr. McNally who talked about the creation of the work and his heartfelt reflections on the people and subject he so ably depicted. The exhibition is running through Sept, 12, 2011, and we encourage everyone who can see the show to do so. –George Schaub

George Schaub Posted: Aug 15, 2011 2 comments
The Sony NEX-C3 is an ultra compact CSC (compact system cameras) system with an APS-C sized sensor. The camera offers a resolution of 16 MP (megapixels), which is similar to some Sony SLT cameras like the SLT-A35. The main difference in the concept of the NEX cameras is the very compact body and the fact that the camera doesn’t work with an optical or electronic viewfinder, but only with the LCD screen on the back as viewfinder and control monitor.
George Schaub Posted: Aug 02, 2011 0 comments
The Panasonic GF3 is the successor of the GF2. The new camera is 17 percent smaller and 16 percent lighter than the GF2, making it an extremely compact camera. Due to the reduction of body dimensions there are some elements missing which were part of the GF2--no accessory shoe for external flash light systems and no interface for the optional ELV that could be mounted on the GF2.
Filed under
George Schaub Posted: Sep 15, 2011 Published: Aug 01, 2011 1 comments
Having shot with numerous Lensbaby products over the past years I’ve almost grown accustomed to their ingenious approach to image-making tools and the equally ingenious way in which they approach product design. I do have to admit that one area in which I took less advantage than I might have was in aperture control and how that affected depth of field in my Lensbaby shots, more from laziness or simply forgetting about changing the aperture inserts as I got involved in the shoot. (For those who have not shot with Lensbaby optics you lift in and drop out, via supplied magnetic wand, the various aperture rings corresponding to the diameter of the desired aperture for the optic in use.) Now, this impediment to getting the most from the optics (admittedly, again, my own) is removed with their latest product, the Sweet 35 Optic.
Filed under
George Schaub Posted: Sep 16, 2011 Published: Aug 01, 2011 0 comments
In this issue we feature the TIPA Awards for products in 40 different categories and I thought you might like to know how the finalists were chosen. TIPA, the Technical Image Press Association, is composed of representatives from photographic magazines around the world, editors, who go through the process of first nominating products by a Technical Committee and then voting on what they consider the best or most innovative products in their respective categories. Editors are from pro, advanced amateur, and amateur photo magazines, including those from Australia, Canada, Germany, Greece, Hungary, Italy, the Netherlands, Poland, South Africa, Spain, the United Kingdom, and the United States, from which Shutterbug is the sole member.

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading