Roger W. Hicks

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Roger W. Hicks  |  Jan 01, 2007  |  0 comments

This would appear to be a new golden age for rangefinder users. There are now three major systems (Leica, Voigtländer, and Zeiss) and two minor (Epson and Rollei). All use the same cross-compatible lens mount, for which an extensive and excellent range of lenses is available, and all compete with one another, albeit at different price points. Who could have imagined this...

Roger W. Hicks  |  Jan 01, 2007  |  0 comments

The time-honored Shutterbug Weird Stuff category is for all the products that don't fit in anywhere else: the sort of thing where a friend who was at the show tells you, "You wouldn't believe what I saw..." As well as the glorious examples in the subhead, we can add online caricatures, limpet-mine camera supports, Internet telephones, dental...

Roger W. Hicks  |  May 28, 2013  |  First Published: Apr 01, 2013  |  0 comments
As part of our continuing coverage of photokina, the worldwide gathering of the imaging industry, we present Roger Hicks’s fascinating report on unique studio accessories. As is his wont, Roger has turned up the arcane and unusual found in the main and hinterland booths of the massive show.—Editor
Roger W. Hicks  |  May 21, 2013  |  First Published: Apr 01, 2013  |  0 comments

Here’s another in our series of reports from photokina 2012. As you will have noticed we do not attempt to create a laundry list of new products and companies from the show, but prefer to report on what struck our eye and thought might be of special interest to Shutterbug readers. In this report Roger Hicks tells us about numerous instances of life in the film arena he found at the show, with special cameras, film, paper, and even processors part of the mix.—Editor

Roger W. Hicks  |  Apr 05, 2013  |  First Published: Mar 01, 2013  |  0 comments

Roger Hicks’s “Pro Lighting Report” is part of our continuing series of reports from the photokina show. With a giant hall filled with lighting products, Roger reports here on what caught his eye and what he saw as the key trends at the show. We will continue with new lighting product reports in coming issues, with a special report coming out of the WPPI show held in March, and will catch up on more new products not mentioned here then. We consider lighting a key issue for all photographers and will have more tests ahead throughout the year.—Editor

Roger W. Hicks  |  Apr 19, 2013  |  First Published: Mar 01, 2013  |  0 comments
While a host of new digital cameras at photokina were covered in the January, 2013, issue of Shutterbug, this report focuses on some new out-of-the-mainstream cameras; new Zeiss and Schneider lenses designed to take advantage of ultrahigh-resolution sensors; and a couple of inkjet innovations that even I regarded as interesting. I say “even I” because I regard inkjet printing as being about as interesting as watching paint dry, which, after all, is what it is. Scanners will be covered under a future accessories report.
Roger W. Hicks  |  May 01, 1999  |  0 comments

As regular readers of Shutterbug well know, my main area of interest is large format--which is not, unfortunately, particularly well represented at PMA. My brief was, therefore, also to cover studio equipment; accessories, bags, tripods, and the unusual.
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Roger W. Hicks  |  Mar 01, 2009  |  0 comments

Sixty years is a long time, and it is easy to forget how different life was in those days. In particular, the normal format for snapshots was a black and white contact print just 21⁄4x31⁄4” (6x9cm nominal, 8-on-120 or 620). Enlargements (except “en-prints”) were rare and expensive, and in any case, many of the films of the day were grainy and unsharp when enlarged...

Roger W. Hicks  |  Dec 01, 2002  |  0 comments

Rangefinder, Large Format & Speciality Cameras

Bob Shell was covering medium format cameras and high-end digital; Peter Burian got 35mm SLRs and point-and-shoots; Joe Farace had other digital cameras. And I was the one who got lucky, with rangefinder cameras, large format, and Weird Stuff.
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Roger W. Hicks  |  Jun 01, 2002  |  First Published: May 01, 2002  |  0 comments

Let's be honest: most photographers, even the most jaundiced and worldly-wise, find it hard to resist a really gorgeous new camera or lens. It makes sense, therefore, to kick off with what was, for me, the camera hit of the show--except that it wasn't officially on display because...

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