Roger W. Hicks

Sort By: Post Date | Title | Publish Date
Filed under
Roger W. Hicks Posted: Jan 01, 2010 1 comments

We have all had the experience of looking at old photographs that transport us back to a different age, whether it is 20 years ago, or 120. It can be very tempting to try to recreate a vintage look, whether for a particular emotional effect or simply because we can. But what are the actual differences, and how can we recreate them?

There are at least 10 answers or groups of answers...

Filed under
Roger W. Hicks Posted: Apr 01, 2003 0 comments

Voigtlander Bessa R2S/R2C

The Bessa-R2C and R2S are both variants on the superb R2. Instead of the Leica bayonet mount of the R2, however, the new cameras have the original 1932-1961 Contax mount (R2C) and the original 1948-1963...

Filed under
Roger W. Hicks Posted: Jun 01, 2006 0 comments

Rubber chickens . Chocolate visiting cards. A camera support that looks (and performs) like a big, sticky limpet. Every bit as much as cameras, films, and imaging software, this weird and wonderful stuff is what the Photo Marketing Association show is about.

We are talking, after all, about marketing. It is literally their middle name.

Roger W. Hicks Posted: Feb 01, 2009 6 comments

The Germans notoriously have a word for the guilty pleasure of enjoying another’s misfortune or embarrassment: Schadenfreude.

Filed under
Roger W. Hicks Posted: Mar 01, 2010 0 comments

There are plenty of reasons to eschew perfect sharpness. A classic application was to suppress lines and wrinkles, or just for a light, airy mood: as Tallulah Bankhead once said, “They used to photograph Shirley Temple through gauze. They should photograph me through linoleum.” Another reason is to create the sense of something half-remembered, imperfectly limned in the picture as in...

Filed under
Roger W. Hicks Posted: Aug 01, 2007 0 comments

"My" Leica M8--a loaner from Leica for review--came with a 50mm f/2 bar-coded Summicron. The 18x27mm sensor turns this into a 67mm lens in 35mm terms: rather long for someone whose standard lens on 35mm has for decades been a 35mm. So as soon as I got the M8, I started using other, older lenses. There is, after all, an enormous choice, from 12mm (18mm...

Roger W. Hicks Posted: Apr 01, 2008 2 comments

What is the appeal of "retro" photography? I mean, surely, hasn't everyone "gone digital" nowadays? And equally surely, wouldn't you admit that the three new ZV Classic lenses from Zeiss, for traditional Hasselblads, are as retro as they come?
The answer is no, on both counts.

First, film has no more been killed by digital than...

Filed under
Roger W. Hicks Posted: May 01, 2007 0 comments

Quality, according to the old saying, doesn't cost: it pays. These new manual-focus, Nikon-fit "ZF" lenses are a perfect illustration of that saying. Sure, they are built by Hirofumi Kobayashi in Japan, but they are built to Zeiss standards from Zeiss designs, and they feel like the Zeiss lenses of yesteryear: smooth, solid, beautifully finished, with a lot of...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading