Steve Bedell
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Pro Techniques
Steve Bedell Feb 01, 2003 0 comments

Jack Holowitz

Jack Holowitz is the male half of the incredibly talented team of Jack and Nancy Holowitz from Springfield, Massachusetts. Nancy is known for her sensitive portraiture, and Jack has gained a great reputation for his eye-popping black and white work that includes nudes and...

Lighting
Steve Bedell Nov 01, 2000 0 comments

When portrait photographers get together, they talk about light, lighting, and lighting equipment. Right after money and cameras, it's a major topic. Especially the "big four," because most photographers use a four light setup in their studio. Let...

Steve Bedell Jul 01, 2004 0 comments

Regular readers will note that my articles are usually about techniques, not test reports. But when there's a new film out there for portrait photographers, that's right up my alley. The majority of my work is portraiture and I've long...

Steve Bedell Jan 14, 2013 Published: Dec 01, 2012 0 comments
We all know what softboxes look like. They’re big, small, square, rectangular, sometimes round or shaped like octagons—we’ve seen them all. But there is nothing quite like the 16x60 Light Bender from Larson. It is long (48”), narrow (12”), and looks like a strip light that someone grabbed by the ends and yanked toward the middle. In this test I’ll take a look at just what this oddly-shaped light can do and why a photographer may consider adding it to his or her arsenal of light modifiers.

The Light Bender was designed by well-known photographer Larry Peters from Ohio and is produced and sold by Larson Enterprises.

After unpacking, I mounted the box to the backplate, a really snug fit, and then added the speed ring that allows me to mount and swivel the box on my light. After assembly, I mounted it on my Paul C. Buff Einstein unit. The light mounts dead center and the “wings” fly out to the side. There is no interior baffle in the design so the light is much stronger in the center and drops off rather dramatically as you move toward the edges.

Pro Techniques
Steve Bedell Feb 01, 2008 0 comments

Being a photographer for 30 years has helped me to become more acutely aware of my surroundings. I find myself at all times watching how light pours over faces, how compositions just jump out at me, and how micro landscapes abound everywhere in daily life. So, it was with great surprise one day that I noticed just how blissfully unaware I was of my surroundings, and that maybe my...

Lighting, Portraiture
Steve Bedell Feb 01, 2001 0 comments

I get a whole new way of seeing things when I put black and white film in the camera. It seems like I have a little Photoshop Desaturate command that goes off in the back of my head and suddenly I see everything in shades of gray. Anyone who's...

Lighting Equipment
Steve Bedell Jul 10, 2012 Published: Jun 01, 2012 0 comments
The Litepanels MicroPro Hybrid does double duty as both a constant light source and a flash. The light itself is made of black plastic and is fairly small, at 5.5x3.75x1.5”, and weighs only about a pound when you include the mounting bracket and six AA batteries (standard or rechargeable, and there is an optional AC adapter available). The top has a knurled knob to turn things on and acts as a dimmer so you can control output in stepless fashion. Vents are located around all sides. The battery door, flash ready light, flash sync, and input for the optional power adapter are all located on the back. The bottom is threaded so you can attach it to a light stand or to the (included) nicely made aluminum ball joint with a bottom end that slides into your camera’s shoe mount. Also included is a very short PC cord to be used when using the flash mode, plus there are warming, diffusion, and tungsten conversion filters that snap in easily over the front panel. All this fits into a nicely padded zippered bag.
Steve Bedell Apr 01, 2014 Published: Feb 01, 2014 0 comments
The digital camera revolution has brought about many changes, not the least being the ability to photograph in low-light levels that were only wishful thinking a few years ago. That ability has also spawned significant changes in lighting equipment. In many cases, high-powered flash equipment is no longer needed when you can simply turn the ISO dial on your camera to achieve the desired f/stop. And with small product photography, it makes more sense for many of us to use inexpensive constant light sources rather than high-powered strobe setups. There’s no doubt that the trend to more constant light options in both daylight and tungsten color balance will continue.
Software & Computers
Steve Bedell Mar 01, 2009 0 comments

I’ve used LucisArt 2 for years to enhance detail and discover information in my image files; indeed, every pro I know has LucisArt and uses it to either sharpen detail or create amazing effects. But the basic LucisArt platform now seems crude compared to the latest, more sophisticated version. The older, basic version had several effects that you could choose from and a small window that...

Lighting
Steve Bedell Oct 01, 2004 0 comments

Photos © 2004, Steve Bedell, All Rights Reserved

Through the years, I've experimented with many different styles of light and many different light modifiers. There's an old saying that "light is light." That's true, but what a complicated...