Steve Bedell

Sort By: Post Date | Title | Publish Date
Steve Bedell Posted: Jun 18, 2013 Published: May 01, 2013 2 comments
As more photos are made on more types of devices, there’s a need for resultant images that aren’t just “OK” but as good as they can be. And part of the need, it would seem, is that some folks don’t want to spend a lot of time learning complex programs to get the image results they want. Companies like Athentech Imaging aim to make it a one-click affair.
Steve Bedell Posted: Apr 18, 2012 Published: Mar 01, 2012 0 comments
The Aurora Orion light kit arrived on my doorstep at the busiest time of the year for me. At the end of the summer I take hundreds of high school seniors and thousands of “one shot” photos of the underclass students at high schools. So while it has taken me a while to get around to writing the report, I have used these lights to take thousands of pictures, and I was really glad to have a light kit that I could just pick up and walk out the door with and have all I needed in one really nice travel bag.
Filed under
Steve Bedell Posted: Aug 01, 2000 0 comments

People have been fascinated with panoramic imagery ever since the beginning of photography, but my own fascination can be traced back to Bausch & Lomb's invention of CinemaScope lenses for the movies during the 1950s. The first CinemaScope movie, The...

Filed under
Steve Bedell Posted: Feb 01, 2011 0 comments

Eric Luden is a former executive at Ilford Photo, a noted commercial and fine art photographer, and the founder of Digital Silver Imaging, a New England lab that works exclusively in black and white. During the 1990s, he served as a consultant with Eastman Kodak’s black-and-white division before joining Ilford, where he worked for over 12 years. In 2006, he became the VP of North American...

Filed under
Steve Bedell Posted: Oct 01, 2008 0 comments

I've always been envious of those great looks that fashion photographers get with the use of expensive ringlights. Now along comes Bowens with the promise of a ringlight at a much lower price (approx. $450). Until now, you basically had two choices when it came to ringlights. You could buy tiny, low-powered units that sit around your lens, great for macro work such as...

Filed under
Steve Bedell Posted: Jan 01, 1998 0 comments

I shoot over 90 percent of my work using medium format cameras. Like many portrait/ wedding photographers, I envy the 35mm shooters. They've got it all--long lenses, motor drives, zooms, fisheyes, etc. But watch out 35mm, because all these features I...

Filed under
Steve Bedell Posted: Jun 01, 2011 7 comments

I’m not an equipment snob. That applies to both cameras and lighting gear. I’ve always believed that it’s that gray matter in back of your eyeball that determines whether or not you get a decent image, not the price tag on your gear. I like fast lenses and dislike variable apertures, so I pay for them. With lighting equipment, higher prices usually mean more power, more features and flexibility, and better construction. With that in mind, let’s see what the very reasonably priced Genesis 300 B monolight ($399 with battery) from Calumet offers.

Filed under
Steve Bedell Posted: May 15, 2012 0 comments
Sometimes we forget about all the factors that go into lighting a portrait. We might focus on the direction of that beautiful window light, the color of the fleeting sunset, the dim light in a church or that wall of light created by sun light bouncing off a building. Gaining skill in lighting means taking all four factors into consideration with each photo you take.
Filed under
Steve Bedell Posted: Apr 12, 2012 Published: May 01, 2012 21 comments
Photographers all have their favorite light modifiers. Some like umbrellas, some softboxes, others parabolics, and then there’s the beauty dish, which seems to be a combination of a softbox and a parabolic. For those not familiar with the beauty dish, it’s a round but narrow modifier that you attach to your light. Think of it as a parabolic reflector painted white inside and flattened. If you stopped there, and you could, you’d have a pretty harsh light that makes a well-defined circular pattern with distinct shadows. But there is another little modification that makes a very big difference and also softens the light considerably while still maintaining that circular pattern. There is a bulb cover or center bounce dish that blocks the direct light from the flash and bounces it back into the dish. When used this way, the light output sits midway between a softbox and a parabolic.
Filed under
Steve Bedell Posted: Jul 01, 2006 0 comments

CPAC Imaging PRO, Version 3.0, is sold mainly as a retouching software for professionals with a sell line that says, "Outstanding results in just minutes." But it's much more than that. While Adobe's Photoshop is the de facto software for professional image-makers, that doesn't mean that there are not other applications that can perform some of...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading