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Steve Bedell Posted: Oct 27, 2015 0 comments

I had the opportunity to spend a couple of weeks with the Profoto B2 Location Kit. Said kit contains one power supply with two batteries, two flash heads, a carrying bag, and more. Profoto also sent me a bunch of light-shaping tools to experiment with.

Steve Bedell Posted: Oct 20, 2015 0 comments

You enter a room bustling with activity. You see models posing in front of photographers on two different sets, other models patiently sitting getting their makeup and hair done, lights and modifiers everywhere, while one petite woman seems to be in charge of this organized chaos. Welcome to a workshop with one of the premier glamour and fashion shooters of our day, Lou Freeman.

Steve Bedell Posted: Jul 21, 2015 0 comments

Imagine this. Take photos of many of the top names in the music industry over the last 30 or so years, from Keith Richards to Radiohead, Gregg Allman to Tom Waits. Shoot for Spin, Rolling Stone, Vanity Fair, and Esquire, to name a few. Make said images into a coffee-table book. And to top it off, have some obscure talent like Bruce Springsteen write the elegant foreword for the book. Is it just me or does this sound like a pretty good life?

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Steve Bedell Posted: Mar 27, 2015 0 comments

I’ve been following Tim Wallace on Facebook for some time now. The guy seems to have an endless supply of gorgeous photos of cars. And not just any cars. We’re talking Aston Martins, Jaguars, Ferraris, Lambos, and more. The cars pimply-faced teen boys drool over and Paris Hilton’s buddies roar down Ocean Drive on most Saturday nights.

Steve Bedell Posted: Feb 06, 2015 1 comments

I’ve been using PortraitPro since the first edition and now the company behind this popular retouching software, Anthropics Technology, has released Version 12, which includes a variety of updates, both major and minor. PortraitPro 12 can operate as a stand-alone and a Photoshop/Lightroom/Aperture plug-in. To get started in PortraitPro 12 (PP12), you open an image with one or several people in it and the software automatically analyzes and outlines each face. The software then magically goes about retouching the faces one at a time.

Steve Bedell Posted: Dec 09, 2014 0 comments

I recently received a copy of the University of New Hampshire Magazine and was immediately struck by the cover image of a rock climber dangling from a cliff over water. I not only noticed the storytelling aspects of the image but, as a photographer, that this guy hanging from his fingertips was somehow lit from some unseen light source. My first reaction: how did he do that?

Steve Bedell Posted: Oct 24, 2014 0 comments

Profoto B1 lights are the first studio lights to feature built-in TTL. They also have their own battery and controller so you can go on location and just pop up a light and start shooting. As of this writing they are available only for Canon, but by the time you read this the Nikon version should be available as well. To me, this is tailor-made for location shooting, so that’s where I did my tests.

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Steve Bedell Posted: Sep 09, 2014 0 comments

The first time I saw the Ice Light was at a trade show a couple of years ago. Models were walking around the trade show carrying what looked to be lightsabers from Star Wars. It sure was a great way to get attention, but I dismissed it as a gimmick, especially when I saw the price—$500 for a stick of light! But later I got to see Jerry Ghionis, who came up with the idea, use the Ice Light at one of his workshops. Hmm, maybe there is some merit to this thing after all.

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Steve Bedell Posted: Aug 01, 2014 0 comments

We all know that dedicated flash units are amazing tools. They allow us to use not just one but several flashes with amazing control over the output and have the math figured out for us in the bargain. But unless we modify the light in some way we are left with a very small light source that can be very harsh, and while that may be fine in some cases, there are times when we need to modify the light to soften and shape it. With the Profoto RFi Speedlight Speedring, you now have the ability to do just that using the many modifiers available to you in the Profoto arsenal.

Steve Bedell Posted: Mar 28, 2014 Published: May 01, 2014 0 comments

One of the reasons you might consider a “third-party” shoe mount for your camera is simple—it’s usually less expensive, sometimes considerably so. Saving a few bucks is good, but perhaps some features are missing, or the construction isn’t as robust, or the resale value will be lower. But sometimes it just may be a smart choice, as I found when testing the Phottix Mitros flash for my Nikon.


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