Steve Bedell
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Equipment Reviews
Steve Bedell Mar 28, 2014 Published: May 01, 2014 0 comments
One of the reasons you might consider a “third-party” shoe mount for your camera is simple—it’s usually less expensive, sometimes considerably so. Saving a few bucks is good, but perhaps some features are missing, or the construction isn’t as robust, or the resale value will be lower. But sometimes it just may be a smart choice, as I found when testing the Phottix Mitros flash for my Nikon.
Steve Bedell Apr 01, 2014 Published: Feb 01, 2014 0 comments
The digital camera revolution has brought about many changes, not the least being the ability to photograph in low-light levels that were only wishful thinking a few years ago. That ability has also spawned significant changes in lighting equipment. In many cases, high-powered flash equipment is no longer needed when you can simply turn the ISO dial on your camera to achieve the desired f/stop. And with small product photography, it makes more sense for many of us to use inexpensive constant light sources rather than high-powered strobe setups. There’s no doubt that the trend to more constant light options in both daylight and tungsten color balance will continue.
Steve Bedell Feb 04, 2014 Published: Dec 01, 2013 0 comments
GamiLight has been in the business of making light-shaping accessories for small, dedicated flash units like the ones from Nikon, Canon, Metz, etc., and has recently broadened their lineup. I had heard about their products and thought I’d give them a try, so they responded by sending me just about every modifier they make. I received their Square 43 with the Soft Plus 43 adapter, the Box 60, the Spot 2, the Event Pro, and a few mounts. As we go through this review I’ll let you know what these are all about, but my tests were aimed at determining how effectively the units work, how well they are made, how convenient they prove out in the field, and, most importantly, whether I should consider buying them to solve some of my lighting issues.
Steve Bedell Dec 31, 2013 Published: Nov 01, 2013 1 comments
This is the third edition of Portrait Professional I have reviewed so I’ll focus this review on three areas of investigation in Version 11: what can it do, how quickly can it do it, and what’s new. I should note that I am reviewing the Studio 64 version that can handle Raw files and utilize 64-bit versions of Windows 7 or Vista. The Standard version works with JPEG files or 24-bit TIFF files; the Studio version can also work with Raw files but is limited to 48-bit color. The program can be used with Windows XP and up and also Intel Mac OS X 10.5 or later. It acts as both a stand-alone product and as a Photoshop, Photoshop Elements, Lightroom, and Aperture plug-in.
Pro Techniques
Steve Bedell Nov 12, 2013 Published: Oct 01, 2013 0 comments
Photographing families and large groups can strike fear into the hearts of many photographers. As for me, there’s nothing I’d rather do. I not only get to meet a lot of great people, but family groups are the most profitable portraits that I take. Everyone wants a copy of a good shot, and many of my family group photos result in the sale of a wall portrait or grouping with frames, plus several smaller prints.
Steve Bedell Nov 26, 2013 Published: Oct 01, 2013 1 comments
Portrait photographers are constantly looking for new lighting gear that will make their lives easier and produce great results. And while flash photography has been the studio standard for many years, it’s always been more difficult to previsualize the final effect since the image you see using the modeling lights is not always the same you see once the flash fires. The instant feedback of digital cameras has lessened that worry some, but you can still be in for some surprises. The new breed of LED lights eliminates most of these concerns with true WYSIWYG lighting, and with that in mind I was eager to check out F&V’s new K4000 LED Studio Panel to see how it could be used in my work.
Steve Bedell Oct 11, 2013 Published: Sep 01, 2013 0 comments
“Look Ma, no cords!” That’s right; the Priolite does not have a power cord. It is run strictly off battery power. Each unit has its own interchangeable and removable battery, plus a built-in receiver to work with a Priolite transmitter. And, unlike most monolights, it has a usable modeling light even on battery power.
Steve Bedell Jun 18, 2013 Published: May 01, 2013 2 comments
As more photos are made on more types of devices, there’s a need for resultant images that aren’t just “OK” but as good as they can be. And part of the need, it would seem, is that some folks don’t want to spend a lot of time learning complex programs to get the image results they want. Companies like Athentech Imaging aim to make it a one-click affair.
Steve Bedell Jun 21, 2013 Published: May 01, 2013 3 comments
The job of auto-retouching software is to retouch faces quickly, easily, and with as little human intervention as possible. Most require you to either set or confirm where the major points of the face are, like the eyes, ears, and lips. After you’ve identified those areas, the software then goes about its business of transforming little Pamela into little Princess.
Lighting Equipment
Steve Bedell Apr 02, 2013 Published: Mar 01, 2013 0 comments
I am a dyed-in-the-wool natural light shooter. Outdoor portraits are my specialty and 95 percent of my outdoor portraits are taken with nothing but daylight. Yet, unlike other photographers I know, I actually prefer shooting on sunny days, and my studio schedules all day, so there is no waiting for the “golden hour” to get soft, directional light.