Steve Bedell

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Steve Bedell Posted: Jun 21, 2013 Published: May 01, 2013 3 comments
The job of auto-retouching software is to retouch faces quickly, easily, and with as little human intervention as possible. Most require you to either set or confirm where the major points of the face are, like the eyes, ears, and lips. After you’ve identified those areas, the software then goes about its business of transforming little Pamela into little Princess.
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Steve Bedell Posted: Apr 02, 2013 Published: Mar 01, 2013 0 comments
I am a dyed-in-the-wool natural light shooter. Outdoor portraits are my specialty and 95 percent of my outdoor portraits are taken with nothing but daylight. Yet, unlike other photographers I know, I actually prefer shooting on sunny days, and my studio schedules all day, so there is no waiting for the “golden hour” to get soft, directional light.
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Steve Bedell Posted: Apr 19, 2013 Published: Mar 01, 2013 1 comments
Like most photographers, I’m always trying to see just how versatile I can make my dedicated speedlights. In my case that would be Nikon SB-800 Speedlights. And when I really want to create a unique look I’ll sometimes use off-camera flash so I can vary the exposure on my subject in relation to the overall scene. That usually involves me adding light to my subject to either match or overpower the ambient light. When I do that I like to have a little more control over the quantity and quality of the light than what I’d have if I just aimed my flash at my subject with no modification.
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Steve Bedell Posted: Jan 25, 2013 Published: Dec 01, 2012 10 comments
Fresnel lenses are used to focus light. Many of the Hollywood glamour photographers of the 1930s and ’40s used them, most notably George Hurrell for his portraits of many of the screen legends of that era. Hurrell used 8x10 cameras, uncoated lenses, and bulky Mole-Richardson hot lights. You don’t have to go that route, but you can now replicate some of the lighting effects with this new offering from Photogenic.
Steve Bedell Posted: Jan 14, 2013 Published: Dec 01, 2012 0 comments
We all know what softboxes look like. They’re big, small, square, rectangular, sometimes round or shaped like octagons—we’ve seen them all. But there is nothing quite like the 16x60 Light Bender from Larson. It is long (48”), narrow (12”), and looks like a strip light that someone grabbed by the ends and yanked toward the middle. In this test I’ll take a look at just what this oddly-shaped light can do and why a photographer may consider adding it to his or her arsenal of light modifiers.

The Light Bender was designed by well-known photographer Larry Peters from Ohio and is produced and sold by Larson Enterprises.

After unpacking, I mounted the box to the backplate, a really snug fit, and then added the speed ring that allows me to mount and swivel the box on my light. After assembly, I mounted it on my Paul C. Buff Einstein unit. The light mounts dead center and the “wings” fly out to the side. There is no interior baffle in the design so the light is much stronger in the center and drops off rather dramatically as you move toward the edges.

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Steve Bedell Posted: Sep 14, 2012 0 comments
One of the first workshops I ever attended when I began my career over 30 years ago was with the legendary Don “Big Daddy’” Blair. One of the things Don was known for was his almost fanatical obsession with posing, especially hands. Things have changed a great deal since then and posing as a rule has become much more relaxed, but there are still some basic “rules” that can serve as guidelines that can be incorporated into your own style.
Steve Bedell Posted: Oct 18, 2012 Published: Sep 01, 2012 3 comments
Recently I had an opportunity to test Profoto’s D1 monolight and their HR Softbox 1.5x3. To check out the combo the company sent along a Profoto D1 Air Kit that includes two D1 monolights, stands, umbrellas, and a case. I did not have the Air Remote to control the units from camera position.
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Steve Bedell Posted: Aug 09, 2012 Published: Jul 01, 2012 1 comments
The Sigma 85mm f/1.4 EX DG HSM lens (average price: $969 on various Internet sites) is designed for full-frame cameras; with an APS-C multiply by your usual factor. At about 25 oz, I’d describe the lens as substantial, but not hefty. One of the reasons for the weight is the build—11 elements in eight groups, including the use of SLD glass, Sigma speak for Special Low Dispersion. The big chunk of glass on the end requires a 77mm filter. As to handling, Sigma has gone from their black “crinkle” finish to a smooth black rubberized finish that feels great to the touch. It’s plastic, not metal, but based on my experience with previous Sigma lenses, I’ve found them to be built to professional standards and can take a lot of abuse.
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Steve Bedell Posted: Jul 10, 2012 Published: Jun 01, 2012 0 comments
The Litepanels MicroPro Hybrid does double duty as both a constant light source and a flash. The light itself is made of black plastic and is fairly small, at 5.5x3.75x1.5”, and weighs only about a pound when you include the mounting bracket and six AA batteries (standard or rechargeable, and there is an optional AC adapter available). The top has a knurled knob to turn things on and acts as a dimmer so you can control output in stepless fashion. Vents are located around all sides. The battery door, flash ready light, flash sync, and input for the optional power adapter are all located on the back. The bottom is threaded so you can attach it to a light stand or to the (included) nicely made aluminum ball joint with a bottom end that slides into your camera’s shoe mount. Also included is a very short PC cord to be used when using the flash mode, plus there are warming, diffusion, and tungsten conversion filters that snap in easily over the front panel. All this fits into a nicely padded zippered bag.
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Steve Bedell Posted: Jul 26, 2012 Published: Jun 01, 2012 9 comments
Judging by the popularity of facial retouching software, there seem to be a lot of people out there who want to make their subjects look like they just arrived off a private jet from Monte Carlo. And they want to do it fast, and not get bogged down with little technicalities like learning how to use Photoshop. So, is it possible to just press a button and instantly have a complexion that looks like J.Lo after an hour in the makeup chair? Well, that’s what we’re here to find out, so let’s take a look.

First, let’s take a look at what we have. Perfect Portrait is one of six products that combined give you onOne Software’s Perfect Photo Suite 6. You can buy the whole bundle or you can buy just the individual products that you like. And while I’m not going to address the other products here, let me just add kudos to onOne for using the same interface for each product, something you’d think would be automatic with software suites but sadly is not.

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