Steve Bedell

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Steve Bedell Posted: Apr 01, 2008 0 comments

We all know that the professional D-SLR market is dominated by Canon and Nikon. But there are other viable alternatives out there, including the FinePix S5 Pro. It's always good to consider options so, with that in mind, I'm going to give you my impressions garnered from a 30-day field test, including the pros and cons of the camera and some unique features that...

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Steve Bedell Posted: Apr 01, 2008 0 comments

Even though I know I look like 30 something (ahem), I've been at this game for some time. But sometimes having all those years of background (I think some people call that experience) comes in mighty handy for putting things in historical perspective. And while 30 years isn't exactly an eon in terms of the history of photography, I guess you could say I've been...

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Steve Bedell Posted: Mar 01, 2008 0 comments

I've got to confess that when I received the software from Graphic Authority it took me a while to look at it. Why? Because I'm not the most technical guy. I use Photoshop daily but that doesn't mean I'm an expert. I pretty much just do the same thing all the time. If they had sent me one CD with a few things to look at, no problem. But what I received was...

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Steve Bedell Posted: Feb 01, 2008 0 comments

Being a photographer for 30 years has helped me to become more acutely aware of my surroundings. I find myself at all times watching how light pours over faces, how compositions just jump out at me, and how micro landscapes abound everywhere in daily life. So, it was with great surprise one day that I noticed just how blissfully unaware I was of my surroundings, and that maybe my...

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Steve Bedell Posted: Oct 01, 2007 0 comments

There are two real reasons to use a flash bracket. The first is to raise the flash high enough above the lens so that shadows just drop behind the subject instead of off to one side. When keeping a suitable distance from the background, the shadow will usually just disappear. The second is to eliminate the dreaded "redeye" caused by the flash being too close to the...

Steve Bedell Posted: Sep 01, 2007 1 comments

I had a thought (it happens!) back in the `80s. I was thinking how great it would be to create a portrait piece of someone that combined several images together to show the many facets of that individual. Let's take an example. Suppose you were commissioned to do a portrait of a young man. His interests may include playing football, swimming, sailing, playing guitar...

Steve Bedell Posted: Sep 01, 2007 2 comments

Digital has created a tremendous amount of change in the last few years, and photographers who have not been quick to adapt have lost business and, perhaps more importantly, business opportunities. The landscape has changed dramatically, and the people doing professional photography range from MWACs (Moms With A Camera) who work for practically nothing or for friends to very...

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Steve Bedell Posted: Jun 01, 2007 1 comments

Technical Specifications

Lens Construction: 18 Elements in 14 Groups
Angle of View: 27.9 ° - 9.5 °
Number of Diaphragm Blades: 9 Blades
Minimum Aperture: F22
Minimum Focusing Distance: 100cm / 39.4 inches
Maximum Magnification:...

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Steve Bedell Posted: Jun 01, 2007 0 comments

I 've been shooting most of my portrait work with a 28-75mm zoom, but always felt I could use something longer. And I'm about at the point where fixed focal length lenses just won't do; once you get used to the flexibility of a zoom, you're spoiled. I also like a fast lens with a relatively wide maximum aperture, as I like to get way out-of-focus...

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Steve Bedell Posted: May 01, 2007 0 comments

Retouching a portrait using film used to be a pretty simple task. Send the negative to your lab, check the “retouch” box, pay $5 or so, and the job was done.

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