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Steve Bedell Posted: Aug 01, 2008 1 comments

Back in the day when most photographers were still using a medium format camera, I used to get annoyed when photographers called their 150mm lens a "portrait lens." While it's true that the majority of portraits are made with telephoto lenses, to call a particular focal length lens a "portrait lens" is ridiculous. Any lens of any focal length can be...

Steve Bedell Posted: Jan 13, 2012 Published: Dec 01, 2011 4 comments

Like most professional portrait photographers, I use Photoshop every day. Yet, because Adobe Photoshop is such a powerful program with so many tools available, it also comes with a significant learning curve. And when it comes to facial retouching, there are several tasks involved that do not always make Photoshop the best choice for everyone, especially those who want to do the job and move on.

Steve Bedell Posted: Dec 31, 2013 Published: Nov 01, 2013 1 comments

This is the third edition of Portrait Professional I have reviewed so I’ll focus this review on three areas of investigation in Version 11: what can it do, how quickly can it do it, and what’s new. I should note that I am reviewing the Studio 64 version that can handle Raw files and utilize 64-bit versions of Windows 7 or Vista. The Standard version works with JPEG files or 24-bit TIFF files; the Studio version can also work with Raw files but is limited to 48-bit color. The program can be used with Windows XP and up and also Intel Mac OS X 10.5 or later. It acts as both a stand-alone product and as a Photoshop, Photoshop Elements, Lightroom, and Aperture plug-in.

Steve Bedell Posted: Sep 01, 2007 2 comments

Digital has created a tremendous amount of change in the last few years, and photographers who have not been quick to adapt have lost business and, perhaps more importantly, business opportunities. The landscape has changed dramatically, and the people doing professional photography range from MWACs (Moms With A Camera) who work for practically nothing or for friends to very...

Steve Bedell Posted: Oct 11, 2013 Published: Sep 01, 2013 0 comments

“Look Ma, no cords!” That’s right; the Priolite does not have a power cord. It is run strictly off battery power. Each unit has its own interchangeable and removable battery, plus a built-in receiver to work with a Priolite transmitter. And, unlike most monolights, it has a usable modeling light even on battery power.

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Steve Bedell Posted: May 06, 2014 Published: Mar 01, 2014 0 comments
Mention the name Jerry Ghionis to any wedding photographer and you will immediately see respect and admiration in their eyes. Jerry shot to prominence by winning the International Wedding Album of the Year Award at Wedding Portrait Photographers International (WPPI) a record eight times and was also named by WPPI as one of the top five wedding photographers in the world. With a style that combines fashion, portraiture, and spontaneity, his work is instantly recognizable. Sought after by wedding clients from around the world, Jerry has expanded his base to become a wildly popular teacher and lecturer and now even a product developer. I even hear he does a mean karaoke but I’ve yet to witness that!
Steve Bedell Posted: Oct 27, 2015 0 comments

I had the opportunity to spend a couple of weeks with the Profoto B2 Location Kit. Said kit contains one power supply with two batteries, two flash heads, a carrying bag, and more. Profoto also sent me a bunch of light-shaping tools to experiment with.

Steve Bedell Posted: Oct 18, 2012 Published: Sep 01, 2012 2 comments

Recently I had an opportunity to test Profoto’s D1 monolight and their HR Softbox 1.5x3. To check out the combo the company sent along a Profoto D1 Air Kit that includes two D1 monolights, stands, umbrellas, and a case. I did not have the Air Remote to control the units from camera position.

Steve Bedell Posted: Sep 19, 2011 Published: Aug 01, 2011 0 comments

One of the biggest advancements in recent years in flash photography has been the ability to use your camera-compatible flash off-camera and wirelessly. Canon, Nikon, and others have developed their own systems where you can control multiple units that not only fire at the same time but also can be put into groups with their own settings.

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Steve Bedell Posted: Apr 01, 2005 0 comments

I take portraits of people every day. They pay me (hopefully) to create an image that says something about them. Perhaps it's a family who loves the ocean; we'll take a beach portrait. Maybe it's a mom who wants me to closely match a portrait done of her when she was 2. Or it could be a high school senior who wants to show how he's making the transition...


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