George Schaub

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George Schaub Posted: Nov 01, 2006 0 comments

Photographers who soup their own film know about developers. There are those for sharpness and those for speed, with agitation schedules and dilution ratios all part of creating a custom negative. Stretching the analogy, as we are wont to do when translating film to digital terms, today's raw converters are like custom developers, where you can manipulate image information...

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George Schaub Posted: Jul 01, 2009 0 comments

While we spend a good deal of time and energy in these pages reviewing cameras, there’s a good deal more to photography than light-tight boxes that capture images. Look into any photographer’s closet or kit bag and you’ll see a host of items that are sometimes essential, and sometimes impulse buys, that make photography more fun, and even expand the creative potential for any...

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George Schaub Posted: Oct 01, 2006 0 comments

To celebrate the release of Corel's Paint Shop Pro Photo Art Suite--a complete software tool kit that helps users manage, fix, and add a creative touch to their digital photos--Corel and Shutterbug sponsored the Photo Art Masters Search contest. With the Photo Art Suite, users can turn their digital photos into striking paintings that look like real works of art.

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George Schaub Posted: May 29, 2007 0 comments

All Photos © 2006, George Schaub, All Rights Reserved

It'ssimple...

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George Schaub Posted: Jun 01, 2010 0 comments

One question I have heard posed recently is whether, in the Internet age, socialization and learning among like-minded individuals can’t be better accomplished via the web. Sounds stupid, right? Yet many folks would have you believe that you can learn everything you need to know in whatever the realm of discussion or experience from the net. Thus, the rise of “webinars” and...

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George Schaub Posted: May 01, 2010 0 comments

When pictures went digital it meant that images were information that could be treated as malleable things that could be edited like a text document. Along with custom processing programs with their attendant benefits came the ability to send and share images via the web, which for some meant that events and family pics could be easily shared and for others created a whole new approach to...

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George Schaub Posted: Jan 01, 2006 0 comments

The title of this editorial sounds confusing, and confused, I know, but I am voicing here a mere mirror for our photographic times. There are so many options available these days, with each having its camp and cheerleaders, that it's little wonder that photographers might seem confused. To begin with film vs. film, there's been a continuing debate over whether it is...

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George Schaub Posted: Mar 19, 2013 Published: Feb 01, 2013 0 comments
When we all started out in photography we had something that lit the spark, some picture we took or some special interest that we knew would be part of our guiding light in the craft. Or we saw the work of another photographer, a mentor if you will, that we immediately connected to and saw in their work a path into our own inner vision. Our aim here at the magazine, along with how-tos and reviews, is to present the work of a wide diversity of photographers who have gotten involved on an intense level with one topic, one locale, or one point of view and created a body of work that speaks to their own inner vision. It can be a project or a life’s work, but in each case we understand and appreciate the tremendous amount of focus and energy it involves.
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George Schaub Posted: Jan 01, 2011 0 comments

Every two years the photo industry and sundry crews from the art, printing, and Internet world gather in Cologne, Germany for what is indisputably the largest gathering of its sort in the world. While the halls are filled with various products and innovations, and probably the best minds in the photo world, the town gives itself over to photography with exhibits both sublime and ridiculous in...

George Schaub Posted: Jan 01, 2011 3 comments

Our show report this year is an amalgam of product news and trend spotting, which pretty much reflects what photokina has stood for in our minds. The sense of a United Nations of photography still prevails at this increasingly European-directed show, but the image and its uses is still the universal tie that binds.

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