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George Schaub Posted: Oct 18, 2011 0 comments

The Olympus E-P3 is the follower of the E-P2 and E-P1, the first Olympus Micro Four Thirds cameras that were offered as “retro style cameras”. The E-P3 offers the same image sensor as the E-P2, with a nominal resolution of 12MP, but the E-P3 uses a newly developed image processor unit called “TruePic VI” plus offers some enhancements in the AF-speed. The automatic focusing system is really fast and showed a very good performance during our tests. In addition it has some special modes like “AF tracking mode”, which will help both photographers and videographers.

George Schaub Posted: May 03, 2012 Published: Mar 01, 2012 1 comments

The compact Olympus E-PL3 has a retro body design and is available in different colors. The camera has a large swivel LCD on the back which allows the user to flip the monitor up and down. This is handy but is not as flexible as a swivel monitor that allows side-to-side movement. The LCD screen is a standard TFT screen instead of the OLED system used by the Olympus E-P3.

George Schaub Posted: Jul 15, 2011 0 comments

With the recent announcement of the third PEN in this series from Olympus, which is now in Shutterbug test, the not yet discontinued E-PL2 has dropped in price to $599 (from Olympus, with 14-42mm kit lens), about $200 less than when it was first introduced and to me a good deal for what you get while you can get it. The 12MP (effective pixels) Live CMOS sensor Olympus E-PL2 adds to the charms of the first in the “PEN” digital series, the P1. (See Joe Farace’s excellent review of that camera at our Jan, 2010 issue) The PL2 adds a larger and higher resolution viewing screen, expanded accessories using the special plug-in adapter, an enhanced control setup and expanded Scene and Art filter modes.


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George Schaub Posted: Jun 01, 2004 0 comments

Editor's Notes

The PMA Show: 8Mp Digicams, Digital SLRs...And Much, Much More

This issue contains our reports from the Photo Marketing Association (PMA) Show, the biggest photo and imaging trade show in the US. Covering...

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George Schaub Posted: May 01, 2009 0 comments

There’s nothing like travel to refresh your photographic eye, to make you see new again and break the visual habits gained from the same path trodden day in and out. These days travel might be limited to a park a few miles away or into a city available by transit, but whatever the trip, from arboretum to a national park, there are photographic possibilities awaiting us. We are all curious...

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George Schaub Posted: May 01, 2004 0 comments

Editor's Notes

Travel photography evokes all sorts of images, from the 19th century vistas in fading albumen prints to satellite images made miles above our planet. The aim of most travel work is to share a sense of place, a feeling of "being there" that only the camera can...

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George Schaub Posted: Jul 11, 2011 Published: Jun 01, 2011 0 comments
Photography and travel have always been intertwined. Ever since photography was invented photographers have been exploring the world, both locally and globally, with images. The camera becomes motivator and instigator, witness and commentator, of the social, natural, and wondrous sites that surround us. And while many of the articles and images in this issue deal with particular projects undertaken by a wide range of photographers, there’s no reason to think you have to travel far and wide to discover what that magical combination of camera and travel can do for you.
George Schaub Posted: Mar 08, 2012 Published: Feb 01, 2012 1 comments

Operating as a plug-in for Lightroom, Aperture, or as a stand-alone workspace, Perfect Layers from onOne Software distills down and codifies the often-complex task of working in Layers to a fairly simple task, offering various Blend modes, composite shortcuts and tools that might otherwise pose a steep learning curve. You can use numerous source files, including Raw, TIFF, and JPEG formats, and scale and move the various layers as required. In short, Perfect Layers poses an effective tool for those who have wanted to work in Layers out of Aperture and Lightroom and opens up new doors to image creation.


The onOne workspace contains toolbars on the left and modifications and working options on the right, #1. Once you have selected an image or images from an organizer such as the Library in Lightroom, they load as separate Layers in the center screen. You choose the images to be used by selecting them from the Library or Browser, then going to File>Plug-In Extras>Perfect Layers. Here’s the selection process shown in Lightroom 3, #2.

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George Schaub Posted: Sep 01, 2009 0 comments

Once upon a time we’d bring our roll of film into a lab and wait expectantly for the prints. Upon opening the envelope we’d be surprised or perhaps disappointed, but for the most part we’d accept what was given us, despite the fact that the sky was not as blue as we saw, or a face didn’t have quite the right tone. That was then. These days we have the right (some would...

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George Schaub Posted: Aug 01, 2008 0 comments

It goes without saying that digital has changed lots of things in photography. One matter that requires more thorough investigation is how it affects optics and assumptions we have made about the design, recommendations, and even the naming conventions we use. While this column length does not allow for full discussion I'll raise some of the issues and open the floor to our...


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