George Schaub

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George Schaub Posted: Jan 01, 2007 0 comments

This issue contains our photokina show report, a summary of what caught our eye at the giant photo and imaging show held in Cologne, Germany, every two years. While we concentrate our main energy on the PMA Show held here in the US (our report on that show will be in our July 2007 issue), photokina does represent a milestone in photography in its international appeal and breadth...

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George Schaub Posted: Jun 01, 2008 0 comments

Every year the PMA (Photo Marketing Association) convention brings together all things photographic to one spot and attracts visitors and exhibitors from around the world. We see the show as a way to gather information about what's new, and perhaps as important, what's coming in terms of technology in the months and even years ahead. To accomplish our task we have a...

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George Schaub Posted: Dec 21, 2012 Published: Nov 01, 2012 4 comments
Travel and photography have been intertwined since the earliest days of the craft. At photography’s beginnings, photographers often carted gear on horseback and mule, bringing along tents for wet plate coating and processing in the field. Coated film changed all that, and amateurs and professionals alike soon discovered newfound freedom in where a camera could go, and a profusion of images showed us every corner of the globe.

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George Schaub Posted: Aug 01, 2005 0 comments

This one is for everyone who is making the transition from film to digital and has file drawers filled with 35mm slides. It's also for teachers, clubs, and institutions who might want to convert 35mm slides to digital files for lectures, presentations, and archiving. Indeed, the Pacific Image Electronics PowerSlide 3600 is one of the most practical and easy-to-use tools that...

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George Schaub Posted: Dec 01, 2010 3 comments

The promise of Micro Four Thirds system cameras is that you get the light weight and portability of a smallish point-and-shoot camera with the lens interchangeability and functions of an advanced D-SLR.

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George Schaub Posted: Aug 01, 2008 0 comments

Created chiefly for the high-end Nikon D300 and D3, the new 24mm PC (Perspective Control) lens from Nikon can also be used on other Nikon D-SLR cameras, such as the relatively new D60 on which I tested it, albeit with some loss of full automation and functionality. Being a manual focus lens it can also mount on most Nikon film SLRs as well; being a PC lens it is unique in both...

George Schaub Posted: Nov 01, 2003 0 comments

It was once thought that the big megapixel counts would be limited to digital SLRs, the thinking being that anyone who might want a near 15MB image file at largest resolution would want SLR features as well. That's changed with a new breed of...

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George Schaub Posted: Dec 06, 2012 4 comments
The Pentax Optio WG-2 GPS is a rugged camera that is waterproof (maximum depth: approx. 40 feet) and shockproof. The camera offers a 16MP sensor and a 5x zoom lens with 28mm wide-angle and 140mm tele settings (35mm film equivalent). It is the follower of the WG-1 and shows some improvements in image resolution and configuration. Its unique body design is indicative of the “tough camera” class and is designed for use by photographers who want to dive or use this camera for downhill mountain biking or other “adrenaline sports.”
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George Schaub Posted: Jun 01, 2009 0 comments

“Photographers owe nothing to reality.”—Fred Picker, 1988

An image sits in front of you on the monitor, something you caught on some stroll or an intentional trip into some world space that you wanted to share with the rest of the inhabitants, and there is something right about it and something wrong, something you missed along the way or that dropped out from...

George Schaub Posted: Jan 07, 2014 Published: Nov 01, 2013 0 comments
One such path is onOne Software’s Perfect B&W, nestled within their Perfect Photo Suite or available as a stand-alone or plug-in for Photoshop, Lightroom, and Aperture. The advantage of using it within the Suite is that you also get access to the other excellent modules within that program. The advantage of the stand-alone is that you get an amazing array of controls for a rather incredible price. The Suite, by the way, offers onOne’s Layers, Mask, Effects, Focus, and Resize programs, all highly regarded, making the options virtually endless. For this review I accessed Perfect B&W from within the Suite.

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