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George Schaub  |  Feb 15, 2005  |  0 comments

Handcolorists have been doing it for years. They began with a black and white
image and using photo oils, chiefly from the Marshall Company (distributed by
BKA Group) added selective color or entirely covered a monochrome image with
color. This was often practiced with portraits, but began to find followers
in the "fine arts" arena as well. We've seen this so-called
mixed-media trend come and go, and I don't think hand-coloring will ever
go out of style. Digital has opened up many new doors for creativity, and because
you can manipulate images with ease it allows you to emulate any look, style
or technique that you might admire. In this lesson we'll take a look at
"colorizing" an image and mixing color with black and white.

...

Jim Zuckerman  |  Nov 16, 2011  |  0 comments
Combining color with black and white is a way to focus attention on a subject or one aspect of a picture. This is similar to throwing a background out of focus so our concentration is directed to the in-focus part of an image, or placing a black background behind something so we have nothing else to look at except the subject. You make one area of a picture color and convert the rest of it to black and white, and it is a very unique way to direct a viewer’s attention where you want it.
Jim Zuckerman  |  Dec 15, 2011  |  3 comments
Monochromatic color themes have been around since the inception of photography. Toning black and white prints with a sepia toner was begun at a time when photographers could only dream of color. The noxious fumes made the darkroom work memorable, to say the least. With digital technology, we can get the same look of a toned print. When I first started learning Photoshop, I translated my knowledge of the darkroom into the digital world. In other words, I learned how to create in the computer the same effects that I had been creating in the darkroom.
Jim Zuckerman  |  Aug 17, 2011  |  0 comments
As much as I love to capture subjects with saturated color because of the powerful visual impact they offer, I also seek out the opposite end of the spectrum. Subtle and desaturated colors create impact in a very different way. There seems to be a magical quality in nature, for example, when you shoot in fog or low clouds. This is one of the reasons I like photographing at dawn and sunrise because if there is humidity in the air, this is the best time to find these conditions. The colors are so soft and muted that they are breathtaking in a quiet and contemplative way.
 |  Feb 22, 2011  |  0 comments

Multiple Exposure Zoom Effects

Special Effects Made Easy

by Howard Millard

For a dynamic new look, put several captures on top of each other in a single image to multiply impact and open up new avenues to creative expression. Whether you want to inject motion into a static shot or add drama to a portrait, multipleexposu...

Jim Zuckerman  |  Jan 24, 2012  |  0 comments
Below is a list of my ten favorite places to photograph in the world. There are still many places that I haven’t been, and even though I’ve been to 83 countries, as of the spring of 2010, I feel like I have hardly scratched the surface. There are so many wonderful places to shoot that in ten life times a photographer would still feel he or she needed more time. All of the places on this list offer such rich photographic experiences that you could return again and again and produce a different body of work each time. They never get old.
Ron Leach  |  Sep 17, 2013  |  0 comments
Everyone who loves photography should pick up a copy of the October issue of National Geographic magazine—a special edition devoted to “The Power of Photography” and a celebration of the publication’s 125th Anniversary. Unveiled in October, 1888 as the official journal of the non–profit National Geographic Society, this iconic brand dedicated to funding science and exploration across the globe has inspired countless photographers.
 |  Jan 26, 2010  |  0 comments

Natural Light Reflectors

“Found” Light For Outdoor Portraiture

by Steve Bedell

Photographers love equipment. They’ll attend any seminar and buy any piece of equipment they can in the hopes that it will elevate their work to a higher plane. Now that’s all well and good, but before you start buyingal...

Ron Leach  |  Aug 24, 2015  |  0 comments
Sooner or later most avid photographers find themselves in a rut and find it difficult to get the creative juices flowing. If you’re a working pro on assignment, duty calls and it’s relatively easy to get motivated. On the other hand, if you’re a photo enthusiast shooting for yourself, sometimes you have to play some mind games to push yourself through the doldrums.
 |  Jul 31, 2007  |  0 comments

New Kodak Sensor Promises Enhanced Low-Light Performance

By Ron Leach

Kodak recently announced what they call a "groundbreaking image sensor
technology" that promises a 2x--4x increase in light sensitivity
(from one to two stops), resulting in significantly improved images taken under
low-light conditions.Exper...

 |  Aug 26, 2008  |  0 comments

Industry Perspective

New "Four Thirds" System On the Way

by Ron Leach

The 2008 Photokina World of Imaging exposition is rapidly approaching, and
we can expect some interesting technological developments between now and when
the event opens in Cologne, Germany on September 23. One suchanno...

 |  Aug 26, 2008  |  0 comments

All Photos © 2008, George Schaub, All Rights Reserved

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 |  Jul 31, 2007  |  0 comments

All Photos © 2007, George Schaub, All Rights Reserved

Here's aclo...

George Schaub  |  Aug 29, 2006  |  0 comments

Nikon's New D80 Digital SLR

by George Schaub



The new Nikon D80 replaces the D70 and D70s, and becomes Nikon's mid-level
DSLR aimed squarely at photo enthusiasts and advanced amateurs. Having had a
brief time with the camera at a one-on-one session with Nikon, there are many
aspects that are marked improvement...

Howard Millard  |  Sep 27, 2005  |  0 comments


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Photos © 2003, Howard Millard, All Rights Reserved

Adding a reflection of your
subject can double the impact of your digital photo, transforming an
ordinary shot into something memorable and striking. Using tools in
Adobe Photoshop, Elements, and other image-editing programs, it's
not too difficult to double your pixel power. Just follow these nine
steps. I used Photoshop, and the procedure is similar in Elements or
other programs.



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