LATEST ADDITIONS

Press Release  |  Dec 13, 2012  |  0 comments
Portrait Professional 11 is said to now incorporates the industry’s most accurate face and feature detector making the software incredibly fast and easy to use while giving the photographer unparalleled creative control.
George Schaub  |  Dec 12, 2012  |  0 comments

While weight is just one measure of a paper’s resilience and usefulness for fine art printing, it can also have an effect on how that paper is handled, depending on the printer. In the case of Red River’s Polar Matte Magna, which is a 96 lb (320 gsm) stock, it means working with individual sheet feeding rather than with a stack loader in almost every printer you might have. This feed-through also limits the printers that can make use of this nice surface—those without a single feed option need not apply, as well as, according to Red River’s notes, HP printers with front feed paper trays (which have also proven problematic with other heavyweight surfaces).

Press Release  |  Dec 12, 2012  |  0 comments
Olympus adds to the Micro Four Thirds family of lenses with the release of the M.ZUIKO DIGITAL 17mm f1.8 lens (34mm in 35mm equivalent), a bright, wide-angle, single-focal-length lens ideal for snapshot street shooting, landscape photography or capturing subjects in challenging low-light environments. This high quality, compact lens features a stunning metal body and a Snapshot Focus mechanism for pan focusing with a distance indicator.
George Schaub  |  Dec 11, 2012  |  3 comments

When a photographer deals with the emotions generated by black-and-white prints, and the methodology of creating and defining those emotions and how they are generated, he or she begins to deal with developing a sense of the aesthetics of the monochrome image.

Joel Beemer  |  Dec 11, 2012  |  1 comments

t was when my knees began creaking that I came to realize it was time to stop hauling around a monorail 4x5” camera system in the field. Something smaller and lighter was needed.

Press Release  |  Dec 11, 2012  |  0 comments
These easy-to-use RFi Softboxes are available in 12 different sizes and four models: rectangular, square, octagonal and strip. In addition, users will not need to worry about what strobes they are using as the new speedring adaptors make the RFi Softboxes compatible with no less than 26 different flash brands.
Shutterbug Staff  |  Dec 10, 2012  |  First Published: Nov 01, 2012  |  11 comments
Our Picture This! assignment this month was “Panoramics,” and we asked readers to send us a wide view unattainable by using a single lens, or to crop a wide shot so it had an aspect ratio that mimicked the format. The eye cannot possibly see all that a panoramic photo offers in one glimpse, whether it be in looking at the print or especially in the field.
Press Release  |  Dec 10, 2012  |  1 comments
Canon U.S.A., Inc.announced two new additions to the Company’s EF lens family, the new EF 24-70mm f/4L IS USM and EF 35mm f/2 IS USM lenses. Each of these two lenses features unique optical attributes for a variety of situations. The new EF 24-70mm f/4L IS USM has macro shooting capabilities at the telephoto end and the EF 35mm f/2 IS USM adds Canon’s proprietary Image Stabilization (IS) to this popular prime lens focal length.
Press Release  |  Dec 07, 2012  |  5 comments
The Flex Lens Shade is a flexible lens shade that can be easily attached to any lens to block unwanted light from the lens. This large (7 x 11"/17.78 x 27.94 cm) lens shade attaches to a lens or lens hood using the included touch-tab strap, and can be bent into whatever shape you need to prevent lens flare--the shade keeps the shape you bend it into.
George Schaub  |  Dec 06, 2012  |  0 comments

The Pentax Optio WG-2 GPS is a rugged camera that is waterproof (maximum depth: approx. 40 feet) and shockproof. The camera offers a 16MP sensor and a 5x zoom lens with 28mm wide-angle and 140mm tele settings (35mm film equivalent). It is the follower of the WG-1 and shows some improvements in image resolution and configuration. Its unique body design is indicative of the “tough camera” class and is designed for use by photographers who want to dive or use this camera for downhill mountain biking or other “adrenaline sports.”

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